Moon prism, give me power.
I know the character isn’t new in itself, but I was still entertained by the thought that it was the Marvel version of the Moonlight Knight. The review should have been written a long time ago, but I postponed it for a long time, because there is not much to say about this series. He's not. It's not creativity, it's been collected by contractor writers and marketers. It’s not the most ridiculous thing about Marvel, but I can’t take it seriously. They there in full seriousness made cutting out all the action scenes a key technique of the series. Yes, I understand that under this there is a plot basis and so you could do one or two for the sake of jokes and break the pattern. But they made it almost a plot basis! In the movie universe, which was watched for action. Here begins a steep dangerous situation - hop, and it's over. Here's another one - hop, no, you won't see it. And we walk around this for almost 5 hours. Well, get the credit you deserve.
Content. Once again, the whole world is in danger, everyone will soon be fucked, and again only one superhero left to solve the problem, and all the others went on vacation. You know, when the world needs to be saved 3-4 times a year, it stops being taken seriously. And I even doubt it was appropriate in a story that began as something local and personal. They tried to interest us with the personality of the hero and his very difficult problem, at the end of it they did not solve it, and they plugged us with a blank that the world was saved again.
The moral here is so bad. We have creatures that can destroy all the villains before they commit their crimes, and leave only good people. Yes, I understand that this is not the best decision, and it was already played out in the movie “Minority opinion”, but there the problem was that along with the bad people raked a bunch of ordinary people by mistake, and so the system was bad. But here the gods know for sure. And the hero says that it is wrong, it is necessary in a different way. We have to "get killed, then come." How is his alternative better?
The worst thing about the show is that it's going to come close to the end and get into a mess. It's impossible to understand him. It was just copying what was being done in a bunch of movies, TV shows, books. Awakening in a fool (or a hospital, or a house where everything that happened before is considered nonsense, although it is not true) was in StarTreck TNG with Riker and someone else, such was the case in X-Files, in 12 Monkeys, in Pelevin’s novels Chapayev and the Emptiness and T. The authors do not understand why they are doing this, just from somewhere in the culture there is a veneration of works about the madhouse. It is impossible to understand where and at what moment all this happens, because well, it would be a dream that the hero saw, figured out and woke up, but all this is happening somewhere in parallel, where there is a second hippopotamus, a second enemy. I don't know what it is. It's plot trash. Maybe it was filmed when the script was one, and then became another, and it was pathetic to throw out the footage, so it was stuck at least like that. It's terrible.
Oh, yes, hippo! That's the kind of character we really needed. And her voice is nice, thin. Are they even thinking about the internal integrity of the review? Oh, yes, although the Egyptian gods were painted with animal heads, it was a metaphor not to be taken literally. According to Egyptian myths, the gods have human faces.
The only good thing I can say is that in the pursuit of racial and cultural diversity, Disney for some time worked adequately. That is, the series is bad not because the quota somehow hurt him. They wanted to show Egypt – they showed normal, I did not see any cranberries (as in the films with the Russians), nor ingratiations (as in the films for China), nor hidden mockery (as in Black Panther), nor empty juggling of the entourage (as in Strange). They just showed Egypt, which is like this. Okay. We saw, we got it.