The moral of the film is not to be afraid of difficulties and responsibilities. As tempting as it may be to stop halfway and then spend your whole life pitying yourself as a loser, the only sure way is to go all the way. Only the victor gets everything in life. Not to fight, to be afraid, to stop halfway means to lose the chances of winning.
Despite the poignancy that allows you to attribute “Radiowave” to the genre of a thriller, the film turned out to be cozy and optimistic. But he can tickle nerves, and more than once - the plot develops unpredictably. Sometimes it seems, well, what else can happen? Only the timing of the film hints that the game with fate continues.
There is, however, a flaw in the film regarding a fantastic assumption. When the father of the protagonist in the “past” begins to act on the advice of the son from the “present”, then the “present”, in theory, should change instantly and instantly, at the moment of termination of communication. Change has already happened! However, in the film, the “present” changes in waves as events in the “past” unfold. But in the “present” all these events are the deeds of days gone by! And if this “past” is independent, then changes in it generate an alternative “present” and “future” that are not related to the world of the protagonist. I’m not a physicist, and maybe there are some scientific explanations for all these phenomena, but it seemed strange to me.
The eye also clings to some illogical characters in the “detective” part of the narrative. The father of the main character behaves simply recklessly, pursuing a maniac, the maniac is also not weakly substituted. However, no one promised us an intellectual detective.
Bottom line: an optimistic drama with a simple life-affirming philosophy. With illogical fiction and illogical detective in the addendum.
7 out of 10
Original