In my opinion, the most old-fashioned decorated part, but made along the lines of lighting solution and installation is very high quality.
In addition to the vacuum chamber detective - we observe in outlines and horror with Gothic points and decisions on the mystical thematic channel. And the unique camera work of Haris Zambarlukos, who has been working closely with Kenneth Branagh since the creation of Sleuth since 2007. He has cool scenes without gluing, especially in Murder on the Orient Express. The wonderful music of the composer Hildur Gudnadouttir, at peak moments it formalized all the necessary emotions.
In terms of acting, I liked Tina Fey the most in a fundamental sense with her mockery, irony, bile.
As a result, a very interesting movie, which attracts to watch the film in terms of scenery, atmosphere and acting.
There's an allegory here in this movie for Twin Peaks: It's different at Twin Peaks. We live far away from the world and we like it. But there's a flip side to that, and it's different, too. Maybe that’s how we pay for the good. There's some evil here, something very strange about these ancient forests. Call it what you will: darkness, the invisible presence, it is multifaceted. But as far as we remember, it has always been here, and we have always fought it—those who came before us, those who came before them, those who will come after us.
My score for the film is 9/10.