Beautiful directing, quietly taking the focus away from the world of Mediterranean fun with sun, water and parties into the inner world of Tara - one of three friends who went to the resort after high school. The experience of the external and the pain of the internal - to move from the first to the second turns out to be both simple
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Beautiful directing, quietly taking the focus away from the world of Mediterranean fun with sun, water and parties into the inner world of Tara - one of three friends who went to the resort after high school. The experience of the external and the pain of the internal - to move from the first to the second turns out to be both simple and at the same time difficult - it is enough just to commit violence against oneself in the hope of realizing the illusions of success imposed by society, one of which is the loss of virginity in a certain period of life. Illusions take precedence over understanding the real behavior of immature boys and are quickly destroyed, involving a significant part of Tara’s personality. The transition from the second to the first is seemingly impossible, but hope flares up in the key scene of the film, stretched out by the hand of childhood, returning Tara from a symbolic foreign land with sand/mud on the body/soul to her native but still distant island of cold northern purity. "We're going home!"
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