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Viridiana, 1961
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7.81 16394 10
IMDb8.0 

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Viridiana

1961 16+ 1 hour 31 min.
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Viridiana is preparing to start her life as a nun when she is sent, somewhat unwillingly, to visit her aging uncle, Don Jaime. He supports her; but the two have met only once. Jaime thinks Viridiana resembles his dead wife. Viridiana has secretly despised this man all her life and finds her worst fears proven when Jaime grows determined to seduce his pure niece. Viridiana becomes undone as her uncle upends the plans she had made to join the convent.
cannes
cannes
Cannes Film Festival
1961
Palm d'or
About movie show more Hide
Countries:  Spain Mexico
Genre:  Drama
Properties:
complex slow dramatic sentimental realistic cruel ambiguous
Director:  Luis Bunuel (Luis Buñuel Portolés)
Rating:  1000 Greatest Movies #88
additional information Show Hide
Writers:  Julio Alejandro Luis Bunuel (Luis Buñuel Portolés) Benito Perez Galdos
Producers:  Gustavo Alatriste Ricardo Muñoz Suay Pere Portabella
Camerman:  Jose F. Aguayo
Music:  Gustavo Pittaluga
Studios:  Unión Industrial Cinematográfica Films 59 Producciones Gustavo Alatriste
Premiere: 17 May 1961
In russia: 09 June 2022
Contest: Cannes Film Festival
Cannes Film Festival
1961
Palm d'or
Tags:  uncle and niece relationship nun passion the main character is a woman monastery wedding dress death of wife costume drama Bed scene child relationship between girl and guy Last Supper convent sex children love poverty satire orgy spain village orphan religion painter faith rape murder corruption farm fetish maid architect relationship between husband and wife cat charity suicide schoolboy farming peasant lawyer horse priest Woman guitar cow dog soldier loneliness gnome deafness pregnancy servant singer marriage marriage chicken doctor sister relationship bull farming girl lunch headache voyeurism dispute forgiveness Mother Superior bee baby water punishment painting hacienda newbie death class differences piety Scabies suitcase terrace bonfire bandage dedication mirror leper coward old man jump rope selfishness kindness prayer beggar respect sleepwalking fat hot Man idealism trans self-concentration Head impact gardener tablecloth compassion tears dove wheat cross leprosy belieu fireplace faint Peseta crucifix recognition flute observation cane sand disgust chandelier milk prayer bus apple shoes oath singing hostel dancing Cannes Film Festival 1961 polyamory cake dowry key ridicule rheumatism electricity pride itching Catholic vandalism bread trust visitor wine rat destruction writing patch food attic fever organ falling asleep security lunatic nihilism kitchen weaver Kiss sewing yo-yo silver hammer song organist associated lie riddle coffee Knife ingratitude repentance spider barefoot asthma thanks photography hatred sleeping pills fear liar rifle suffering hunger pantry nail drunkenness corset watch desk scratch humility cynicism Undressing squash lamb candle baking ash dancer tobacco drink crying crutch discipline gramophone Fight tablets somnambulism attempted rape corn cousins relationship blind man heart attack against religion sleeping on the floor crown of thorns country estate Wet feet Attempted incest Women's fight school uniform electric shock little person playing cards Catholic Church crying child tree climbing nightgown religious woman floor cleaning construction worker unconsciousness feeling of guilt listening to music death of aunt food throwing blind beggar pocket watches rabbit hunting keyhole mother's death horse and cart wedding bouquet portrait painting holy water beating dishes tin can cow milking spilled wine orchard Shovel strike baggage packing pipe smoking marriage proposal cattle father-son relationship mother-daughter relationship relations between men and women mother-son relationship snooping into the keyhole surrealism black comedy under the influence of drugs mention of the Virgin Mary mention of Leonardo da Vinci Based on the novel drinking alcohol Scene related to painting recording (paper audio video) suicide by hanging contact (sexual)
Wiki
Cast:  Silvia Pinal Francisco Rabal Fernando Rey Jose Calvo Margarita Lozano José Manuel Martín Victoria Zinny Luis Heredia Joaquín Roa Lola Gaos Claudio Brook Manuel Alexandre María Isbert José María Lado Sergio Mendizábal Teresa Rabal Rosita Yarza Narciso Ojeda Alfonso Cordón Juan García Tiendra Alicia Jorge Barriga Palmira Guerra Joaquin Mayol Milagros Tomás Francisco René
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26 February 2010
8
"Viridiana" is one of his most famous films, perhaps on par with the short film "Andalusian Dog". It was with this film that I began to get acquainted with his work.

Viridiana's uncle, who has provided his niece with training, is eager to see her in his castle before she gets her nun haircut. In fact, the uncle more
close
"Viridiana" is one of his most famous films, perhaps on par with the short film "Andalusian Dog". It was with this film that I began to get acquainted with his work.

Viridiana's uncle, who has provided his niece with training, is eager to see her in his castle before she gets her nun haircut. In fact, the uncle has long been in love with his niece, as she looks very much like his ex-wife, who has already died. Viridiana takes all this into bayonets and is going to leave, but already at the entrance to the bus she is overtaken by terrible news.

The film is very religious. It is all imbued with a religious spirit. There is a lot of spirituality in him. But that’s not the main theme of the film. It’s actually as simple as the movie itself. She's been in a lot of other movies before, but she's done particularly well here. Although, in fact, there are still several of them, and all are very important:

Class inequality in society. Much of the storyline is devoted to this topic, and the end is also connected with it. Viridiana, in her hearty kindness, brings a dozen homeless people into the house. And almost the entire film shows us how they are bullied by the employees of another co-owner of the house, their humiliations are clearly shown.

The greed of the human soul. Again, it's all about these poor homeless people. They seem to be so overwhelmed by the existing reality that even the generous Viridiana they do not want, or simply cannot trust, which is probably why they just want to take revenge on the whole world in her person. They can no longer be corrected, they are already “different”, and no matter how much Viridiana tried to create her own social system in her part of the house, no matter how much she tried to create her own monastery, where they will eat, work and pray on a schedule, she failed.

As I said, the film is very religious. All this is expressed in the person of Viridiana, who, as I said, is trying to make this world a little better. It expresses all the warm, kind, soulful, in general, all the good that is in this film.

Again, the film puts a contradiction in the face of her uncle, in which all indifference to religion, and to the whole world in general, is expressed.

As you can see, the film was very contradictory. Especially for me as a believer. The film touches on a lot of themes, very important, which were in many other films, but in isolation, and here they are combined. He is very informative, reveals many holy truths, but, nevertheless, they seem to me already known to every person.

Original

close
Maksim Efremov
26 February 2010
8
"Viridiana" is one of his most famous films, perhaps on par with the short film "Andalusian Dog". It was with this film that I began to get acquainted with his work.

Viridiana's uncle, who has provided his niece with training, is eager to see her in his castle before she gets her nun haircut. In fact, the uncle more
close
"Viridiana" is one of his most famous films, perhaps on par with the short film "Andalusian Dog". It was with this film that I began to get acquainted with his work.

Viridiana's uncle, who has provided his niece with training, is eager to see her in his castle before she gets her nun haircut. In fact, the uncle has long been in love with his niece, as she looks very much like his ex-wife, who has already died. Viridiana takes all this into bayonets and is going to leave, but already at the entrance to the bus she is overtaken by terrible news.

The film is very religious. It is all imbued with a religious spirit. There is a lot of spirituality in him. But that’s not the main theme of the film. It’s actually as simple as the movie itself. She's been in a lot of other movies before, but she's done particularly well here. Although, in fact, there are still several of them, and all are very important:

Class inequality in society. Much of the storyline is devoted to this topic, and the end is also connected with it. Viridiana, in her hearty kindness, brings a dozen homeless people into the house. And almost the entire film shows us how they are bullied by the employees of another co-owner of the house, their humiliations are clearly shown.

The greed of the human soul. Again, it's all about these poor homeless people. They seem to be so overwhelmed by the existing reality that even the generous Viridiana they do not want, or simply cannot trust, which is probably why they just want to take revenge on the whole world in her person. They can no longer be corrected, they are already “different”, and no matter how much Viridiana tried to create her own social system in her part of the house, no matter how much she tried to create her own monastery, where they will eat, work and pray on a schedule, she failed.

As I said, the film is very religious. All this is expressed in the person of Viridiana, who, as I said, is trying to make this world a little better. It expresses all the warm, kind, soulful, in general, all the good that is in this film.

Again, the film puts a contradiction in the face of her uncle, in which all indifference to religion, and to the whole world in general, is expressed.

As you can see, the film was very contradictory. Especially for me as a believer. The film touches on a lot of themes, very important, which were in many other films, but in isolation, and here they are combined. He is very informative, reveals many holy truths, but, nevertheless, they seem to me already known to every person.

Original

close
Maksim
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