In fact, the film is reduced to a juicy rhyme in the energetic Shnurov song used in it, but only with this outburst of emotions, than Cords are famous and glorious, generous timing cannot be filled. It helped to attract media stars and piling up a kind of humor - you give, miner, to the country of coal, albeit small, but a lot. The “Quartetists” themselves look weak with Vitorgan-Grishaeva-Kozyrev who joined: they are clearly convinced that the fact of their participation as such is enough for the appearance of a kin. The merciless use of the Odessa style of speaking mastered in the homeland by Barats looks like a manneristic impertinence, and every time turns away from the film more and more.
In the end, you just want to turn off this film and never see it again.
Probably, this is a satire, especially performed by Semchev and V. Barinov. In general, it looks like a socio-pornography. Kinokitchum. A professional top, subdued by the generation of tertiary. Walking brisk artisans in the buffet of the comedy genre in the absence of Danelia, Ryazanov and Gaidai, whose filmmaking - with subtexts and allusions, with acting, damn, the game - begins to appreciate even more.
The same thing in the form of a performance - in the laconic space of the stage - looks much better. Cinema is a different genre.