Extremely unpredictable series.
It begins as a crude puppet parody with fat jokes on American Protestants, sometimes so fat that you think about whether to continue watching. But, during the first episodes, you involuntarily begin to notice that something appears behind these fat jokes.
The series about Orel, like a good blended whiskey behind the sinuses of his father, unfolds gradually and is rich in various semantic and emotional shades. A sitcom is just a disguise.
With each new series, the humor becomes thinner and darker, and the lack of forbidden themes indicated in the first rough series, along with the emphasized sweet and creepy style of dolls, work to create a truly sinister (eerie) impression.
Three seasons are three different ways of showing things. In the end, it becomes clear that this is not about Protestants, but about something more - about the problems of the institution of the family as a whole.
Especially touching and, in some places, frightening thoughtfulness of small details, some guns are waiting for their hour with dozens of episodes, and frame-by-frame animation “Eagle” in the endings of the series is always different and somehow related to the theme of the episode.
A hidden pearl.