One of the many full-length DC, which holds the level (its own, normal for "immediately on DVD"), animates the next canonical comic, gives the screen a moderate portion of colors, but at the same time simple in the board and traditionally devoid of meaning.
A random security camera immediately shows Barbara the thug she needs, as always with a beautiful (and impossible) approach. And she goes to him, knowing about her, because... she has the emotional state of a rejected woman looking for a new adventure? She's a hero with three years of experience! I don't believe she could have made such an incompetent move. Why does Batman go to Joker's cell? I mean, apart from stumbling across a plot twist. The bodies found were very old, their discovery could not motivate Batman to go to the criminal, who is already sitting. I don't know why the Joker is doing all this stuff with the ride. Yes, he's a nut job, and there's a lot to explain, but overall, his motivation for battling Batman all his free time is as plausible as the Wolf of "Well, Wait." Why do this even to random freaks from the circus is a mystery. The operetta number is game! Imagine how long it took to rehearse.
However, there are advantages too. This is a beautifully submitted gloomy video sequence and a personal story of the villain. And they're somehow pulling out all this confusion. The joke at the end isn't bad.