A damn good movie If we abstract from the topic disclosed in the opinion of many previously expressed topics ' ghost writers' or ' literary slaves' (word to the letter 'H' we will not mention it), from associations with 'Big Eyes' T. Burton, etc., in fact, the game of actors remains. It is the latter that is the key factor to say: 'Devil's nice film'.
The crisis of scripts in general and good stories, in particular, ' fledgling' a generation of young actors (talented, of course, but flat and one-sided in revealing their characters, for the most part), the dominance of the so beloved by our lazy brain ' active' (action) filmmaking - all this encourages you to look for something real, real stories of real people.
' Wife' in this case, in my opinion, should not be perceived solely as some statement on a topical topic. It should go down in the history of cinema, as a textbook, a clear example of how an ordinary (what a sin to conceal) plot is presented by real actors (of course, we are talking primarily about G. Close).
As in the film industry, it’s also hard to find something worthwhile, something real, something high-artistic in contemporary literature. But that's another story altogether. . .
8 out of 10
Followers of Stanislavsky and those who are tired of wow effects.
Original
