In order to gain the trust of the accountant, you need to give him a ticket to the club of the elderly dummy (so far, fine), one of the pleasant adventures for him becomes an old woman - Charlotte Rampling at the time of filming was 62 years old (no longer normal). But in order to really involve the accountant in the case, the fraudster
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In order to gain the trust of the accountant, you need to give him a ticket to the club of the elderly dummy (so far, fine), one of the pleasant adventures for him becomes an old woman - Charlotte Rampling at the time of filming was 62 years old (no longer normal). But in order to really involve the accountant in the case, the fraudster needs to give him his own woman and make him fall in love with her. What were those bums for? Making a romantic fall in love with one particular woman is much easier when he is single, not when he jumps into a new bed every night. Looking further, he guessed that the girl is in the case and only plays the role of the kidnapped victim. All right, don't do anything, don't get the money! But the hero still steals a million, motivated by the fact that he wants half. Why not? Let’s say he wanted to meet a girl at such a price, despite her betrayal. But instead of looking for a meeting with her, he goes for a walk with the fraudster in a deserted park, seriously believing that he will not try to shoot him there. And the finale is summed up by the idea that he could get any woman, but for some reason he needs a profurset that deliberately set him up and slept with his enemy. In short, this is another example of the completely unreal phantasmagoric logic of cinema. The film is made beautifully, qualitatively, intensely, it has juicy colors and rich scenes, but at the same time you are offered to watch all this, turning off your brain.
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