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A Soviet prisoner of war who has returned from fascist captivity (Timofey Tribuntsev) can in no way prove to his own that he is not guilty of anything and is who he claims to be. His testimony at the interrogation requires confirmation from close people. However, everything he says about himself does not coincide with the testimony of the woman he calls his wife. Clarity in this more than strange story should bring face-to-face stakes. Igor Chomsky’s short-lived drama “Facing Stake” (2008) is a
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