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A father's desperate attempt to come to terms with the devastating affects of the 1986 Chernobyl disaster. This Oscar-nominated film opens with an absurd act: stealing a door. Then, what had seemed an absurd act turns into a simple statement of human dignity, of people making sense of loss through ritual. THE DOOR reflects on the fact that it is based on someone's testimony. Images are impressionistic, haunting, like fragments of memories which the viewer must piece together. Although the main
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