A bizarre movie, according to the fashion of recent times, is laid out by a puzzle into components - quotes from a dozen films of the past. The beginning, and the main storyline - right from "Exactly noon", the idea of a meteorite and the end of the world - the list of films with such an endless, the final scenes and the transformation of the hero - a frank imitation of "Straw Dogs".
You can go through movie quotes for a long time, but the main thing is how the film is collected from them - but this is a separate question. Interesting and bright scenes are intertwined with complete banalism, before the next original and acute moment flashes, as again charges predictable and obvious nonsense. The overall idea and development of the plot are clarified five minutes after the film begins, although there are indeed a few sharp script twists. Not all of them are for the better.
The director apparently decided to create all the drama. As a child smears on bread and jam, and condensed, and all this sprinkles with sugar, Gutierrez decided to mix all the darkest recipes of a drama-thriller in one dish. And family troubles, and the maniac wanders nearby with the desire to pay off old debts (of course, what is he still three days before the end of the world to do?), well, a meteorite, in addition, so that, probably, the rest of the worries with honey did not seem.
The full impression that the script and the film itself were prepared by several people, and in the end there was something like a collective letter from Prostokvashino - too often the rhythm of the film and the script changes and is confused. You can watch the film only to test erudition, if you like to isolate - from which old films the ideas of this, indeed, patchwork cinema are taken.