The first 200 episodes are super. The series was watched in 2009 on the Inter channel. I decided to review the quarantine and the new year. It's a good show, I would say.
I'm a fiver on the first 200 episodes. It's a real directing job. After the two-hundredth began a frank etheric diarrhea. Actors recruited some inexperienced, graduates apparently, with some exceptions. The second director did not even bother: he took the scenery from the first director, the plot. I just forgot to buy an iron and a play. And then the actors after the 200 series are crumpled as from one place walk, and Nastya has an inexplicable, unique and cosmically unreal Something on her head. My eyes, Jesus! When I first saw it, I blurred, rewinded it, and then I lost it again. So you can also get psychological trauma. Come on, let's skip that point. Zara's voice is impossible to listen to! Not to mention the fact that in the screensaver before the 309 series were long gone actors.
The plot line with gypsies looked much better than the notorious healer Egorovna with a laminate on the floor and a carpet on the wall from Raisa's apartment. Gypsies were better. The role of Svetlana is incomprehensible, sucked not even from a finger, but from a sick fantasy that played out in one place and the writers. This always aching suspicious psychopath began to displace the main characters - Igor, Olya and Nastya. And in general, at least the actors to replace picked up similar! There are no skins or faces of the characters compared to the previous ones.
As for the first two hundred series, everyone played very well. Most of all liked Georgy Zhemchuzhny, Mikhail Remizov and Mikhail Borisov. It is a pity that such talents die so early. The heart attack is getting younger, and the coronavirus has crept in. These actors are simply the best! Apparently, they all decided to send on a verbal slag journey and left the series with the first director. With them and went once high ratings of the series.
Georgy Pearl perfectly showed that brotherly spiritual connection with Kovalev, that inexplicable friendship that was stronger than his connection with his own son. This actor seems to have set his own rules on the set. And that didn’t spoil his character at all! I saw some of his work in the theater: a rare talent!
Mikhail Borisov wonderfully portrayed an authoritarian oligarch who can truly love, but in case of betrayal become a cruel monster. I didn't know he was in movies besides Stoloto! Very talented actor!
I personally saw Mikhail Remizov in the theater. He played the high priest Caifou in The Master and Margarita, the Trojan king in There Will Be No Trojan War. On the screen I saw for the first time in “Man irrevocable”, where he played a colonel, an exemplary family man and a strict father. Then I saw him in an old film by Grigory Chukhray, where he played a convicted fervent revolutionary who fought against the dictatorship for freedom. In a closed school, his character is even more mysterious and unpredictable. Remizov, in my opinion, is very reminiscent of Vyacheslav Tikhonov: his male beauty, nobility, charisma. Looks a lot like Sean Connery. And the timbre of the voice was so low, announcer, pleasant. Mikhail Remizov is a wonderful talented actor. If, for example, his character cries, it is immediately obvious: both tears and eyes are red. Not that after the 200 episodes tried to squeeze the rest. On the screen, this actor infects with his energy, his light in his eyes. One smile and one cryptic, I would even say flirtatious look could recognize him. Perfectly played the academician, a real human kind workaholic, almost devoid of flaws and devoted to his principles, a real peasant with hardening since wartime, who can be a support even for such an ungrateful slacker Marina. Another in his place would have long ago this Marisha would at least give breams like Stolyarov, and not listen and fulfill her every whim. At the same time, this hero is not a hen-heeled man, but simply so kind, naive and simple-minded that you can not help crying when you see him on the screen. Remizov’s character has been a support since childhood: he helped his mother earn money after the war ended. Remizov wonderfully played a loving husband and father. Even in the frame managed to jump with a parachute! Ideally portrayed physically exhausted (from illness) and mentally (from experiences and torments) man. His character is a temperamental, strong, outstanding personality. A man with a capital letter. I have to find a guy like that. A kind of noble lonely and miserable knight, ready to understand everyone, forgive everyone and protect everyone. I think he’s the one who feels the most sorry about this series. And Marina, you see, thought only about the fact that she is aging quickly and may not have time for something. The heroine of Daria Feklenko would have to hold on to such a noble and intelligent man.
Thank you to the creators of this picture! Without Pearl, Borisov and Remizov, this project would not have succeeded (if we talk about the first 200 series). I recommend watching up to 200 (maximum up to 270) series.