“If you only know yourself, but you don’t know your opponent, you can either win or lose.” – The Art of War Despite the fact that the rating of the film is not high enough – only 5.4 points, this film, nevertheless, is quite interesting and, as it turned out, instructive.
Shortly before the conclusion of a trade agreement between China and the West, a container filled with dead bodies of Asian refugees is found in a New York port. After that, during a solemn speech, the Chinese ambassador was killed, whose death was blamed on the operative of the UN special unit Neil Shaw (Wesley Snipes). The position of the agent is complicated by the members of the triad and FBI agents who constantly follow him. In this situation, Shaw has very little time to find out the true reasons for the murder of the ambassador before both his own and others get to him. In addition, the operatives working with Shaw on the same team begin to die one by one.
In general, films that tell about political intrigues in international politics are very good: the spectator sees the intricacies of diplomatic intrigues from the outside, learning about various tricks in working at the highest level. These films include “The Art of War”, “the translator with Charlize Theron, and “The Big Game” with Russell Crowe and Ben Affleck, as well as other films of this genre.
I think Art of War can be attributed, in addition to its membership in the militant cohort, to intellectual cinema. No, it does not set global goals for the viewer, is not replete with flashy revelations as in the Da Vinci Code, but is interesting in the content and presentation of the great US policy of imposing its opinion on others. Blackmail, intimidation and even murder are secondary solutions, the result is important.
“The Art of War” will appeal to those who love movies not with a lot of shooting and rivers of blood, but with detective “stuffing”.
Wesley Snipes is irresistible as always - the scenes in which he demonstrates all his skills in martial arts look simply chic. Having grown up on films with his (and not only, of course) participation, I will say this: the film itself, as well as Neil Shaw’s role, are one of the best in the career of a black actor.
Strangely enough, with a budget of $60 million, the film only grossed $40 million. Probably in 2000, the audience demanded “bread and circuses”, as in the second part of “Mission Impossible”, for example, released in the same year.
8 out of 10