Gothic Romanticism of the 60s Emerging currents begin with surprise, experimental openness to the unintended, and end with the embedding of the centuries-old program. Fresh forms, born of a refusal to follow dogmatic attitudes, are saturated with a decaying message that overtakes in them a certain deer of materialism. So let's explain the phenomenon of right kraut, Christian black, and here's the Gothic New Wave. “The Lonely Wanderer” rose above the stereotypes by the unknownness of its authors – occurring absolutely from the outside of the then environment, they managed to convey the romanticism of the 19th century forward to the 90s, in “Neue Deutsche Todeskunst”, when the spirituality of the sound of the 80s was already burdened. The wanderer's archetype does not draw on a road-movie hero like Wenders (his "movement" is false) as Walzer differs from Kerouac. It is almost like Franz Sternbald, disillusioned with art and did not dare to go into its earthly reflection. And let the dry trees near the roads of the marginal film lose to the random frame of the Oscar-winning "Mean Girl", but this is the fate of everything small in the hope of dimensionless.
10 out of 10