The alien enters the human body to find out the weaknesses of earthlings before the invasion of his race and gets into the midst of the struggle of the workers of the plant with the owners for their own rights. This is the method chosen by the authors to display on the screen their own ideas and opinions about what is happening in the surrounding society. But either the intricacy and immaturity of their own concepts, or the studio censorship (rather, both) did not give any clear picture of the struggle for justice – we were not even informed what the workers were actually fighting for (well, these workers, they always need the same thing – you know, well). Serious questions are translated into grotesque, even just passing as examination of a corpse, where the incompetence of the actions taking place is emphasized by the acting of already national-emotional Italian actors. The immaturity of thinking and little familiarity with the actual state of affairs is confirmed by the way of resolving the conflict - idealistic-emotional - feelings of love/conscience (it is also not clear from the kin, like the first in action, but the second is pronounced), quite used by cultural agents as an explanation of anything, in all corners of the earth. That is how the character arc changes because love or conscience or some other idealized substance.
What really liked about this mix of impressions of the author and allowed content, is a clear, bright scene of the cycle of consumerism – the feeling that it was first meaningful, worked out, and the plot was already invented based on the need to explain it.
An interesting idea realized for its own sake is weak in fullness, informativeness. With a serious attitude to the plot, either progression or a one-time catatonia of all the bosses and misians is seen!
5 out of 10