This is a funny and interesting comedy about a man who did not like to spend extra money. This guy's gonna give a head start to any butt or grandmother who has a minimum pension. It saves on literally everything: electricity, food, clothing, hygiene supplies. He does not shun open theft, hiding behind so much forgetfulness. But his life changes dramatically when he meets two women very dear to his heart.
A good story about a not very kind person whose heart has yet to melt with love and care. I really liked the idea, in general, the main character can see a few life hacks, but now the situation in the world is not stable and we have to start saving, though not to such an extent.
Dani Boone rightly holds a huge place in my heart right now. He literally captivated me with his candid, clean play. There was a feeling of complete presence in the frame, so cool he played, literally lived his role. Sometimes I wonder if he is playing himself.
It is a light French comedy about the hard life of a man who tries to save on everything. And it would seem, well, what is it, but everything is not so simple, because at the very end, the plot presents a huge surprise that will absolutely cause sadness in your heart and tears will come back to your eyes. I definitely recommend watching the movie and laughing and crying.
A rather unusual comedy that portrays meekness as a form of disease, while showing the protagonist as a comedy character. At first it's funny, but soon I want to bring Boone to his senses in his desire to save everything. Dani this time tried on an interesting image of the bag that saves every franc, not like the euro. Although the director of the comedy is Fred Kawaie, such a story could be made by Dani Boone himself, given his directorial list of comedies.
The film in the exposition shows why it happened to demonstrate a person who many do not like already in adulthood. He's the orchestra's first violin. He teaches children to play a musical instrument. At the same time, Zhmotsky inclinations are accompanied everywhere: throwing off a team at work, solving issues at a meeting of residents, utility fees. In public, Dani behaves as strange as possible, and as for his house: “Savings should be economical” Dani took Brezhnev’s words and made them absolute (as Sith), so we have the greediest man in France.
Having played in the performances of the hero, the director lets into this story a new cellist, interested in Boone, and a daughter, whose existence the musician did not know. Next, the tape follows not even comedic notes, but the drama of understanding, awareness of the problem. Funny exposed misunderstanding of others, surprise at the actions, but you should give a little lie, as everything is immediately justified.
This is a funny move in favor of comedy, and the awakening of the conscience of the character. What can he do if he was born like this? There are embarrassing moments when you feel ashamed of others. "Spanish Shame" is everywhere, but you just have to immerse yourself in the drama of the character, as comes a certain reproach of conscience. The plot takes the lie to unexpected consequences for Boone to show how low his whole nature can fall in the eyes of others. We are waiting for awareness, bitterness, resentment and anger, despite all attempts to justify folly. It seems that this is the poison point, that this is the moment when it serves as a turning point of the whole plot, but the director goes further and plunges the viewer into an even bigger drama.
It's kind of awkward, because it's not absurd in a restaurant, it's not helping a neighbor, it's a terrible situation. Yes, it is amazing that the authors twisted the plot in this way. He certainly gave the right push, but it was uncomfortable. Let’s say, this approach did not fit into the comedic tone, but then there is a beautiful awareness of their situation. The change of the hero does not come immediately at the click of the fingers (as Thanos), but gradually. Even if it seems to others that all is lost, we see internal changes and struggle with ourselves.
The picture is fascinating, showing pathological greed and economy in a comedic tone. But she takes the script out of that state through emotional drama. Hard, but effective. In addition, a love line develops in parallel, which is beautiful.
One of those French films that you can watch over and over again.
I don't know why Buttock didn't become a classic of French comedies like Taxi or Toy or Runaways. And I do not quite understand why the film has such a low rating, because the picture is actually not bad, I sincerely laughed several times during the viewing and watched with pleasure, although there were no big expectations from the film.
I love French comedies and I love French comedies. So when I got a piece from the film in the recommendations, I immediately put it on my watch list. What to expect from the plot I did not imagine and even more did not expect that in a simple at first glance comedy will add quite serious drama, which, however, the plot did not spoil and the overall amusing mood of the picture did not lose.
The film looks easy and it really meets all the standards of French comedies. They have this trait to exaggerate very much. If the hero is stupid, it's too much. It's too greedy. And when such unpleasant characteristics of the character are twisted to the maximum, then the French comedy turns out. This is their peculiar distinguishing feature, which for some reason looks fun only in French cinema.
It's the same with the movie Bag. The hero turned out to be too greedy, so incredibly greedy that it becomes ridiculous. And strangely enough, you don’t feel any irritation towards him, and in some scenes you even understand why he behaves like this. This is another feature of French cinema: for some reason, the characters of their comedies do not cause negative emotions, even outright antagonists or painfully stupid characters. Take the same Emelian from Taxi, a completely stupid French police officer, but he is literally my favorite character in the franchise. That's and Zhmot did not cause any negativity, and at the end of the film to him generally woke up frank sympathy.
I didn't regret watching the movie. I think I'll revisit it a few more times along with some of my favorite French comedies.
The case when the butt is the main character, and you are ashamed of him. As well as other heroes. And despite the fact that the hero is corrected and everything ends well, some residue still remains.
Initially, I did not want to watch, because the assessment on Kinopoisk did not impress, and I trust him enough. Nothing better at that time did not find, so looked and received a lot of positive emotions and sincere laughter. I decided that I should help rehabilitate the film, it is strongly recommended for viewing.
The hero of the film is a talented, but extremely tight personality. Accordingly, no one likes him, but he does not care, saving on everything is the main principle. And of course, he gets into comic situations, because he lives among people. I know these people personally, and the film really shows how things work. Well, of course, with some exaggeration, with the concentration of all the funniest things in a short period, in life not everything happens in a row. However, the line does not cross, the plinth and vulgarity do not fall, quality French humor. The inner experiences of the hero are perfectly shown, he understands everything, but can not cope with himself. Dani Boone brilliantly revealed his hero, and it was not easy, such bags in life are not often found, but I know them and am amazed by his acting.
The movie is fun and fun to the end, I recommend it!
I won’t write much because I need to save letters. I don’t know what kind of pathological bum is there, I didn’t see anything special, but I was waiting for this film, anticipating an interesting topic. The idea is interesting, not very implemented. The artist must be hungry and the musician must be hungry. It is well shown that the creative professions collect the most notorious inadequacies. Everything else should be funny, but, apparently, only the French.
I don’t see anything extraordinary, like taking leftovers from a restaurant. I do so often, especially since I am often single. Or give a gift to someone. If you collect all these small gifts, say, on February 23, you will walk like Santa Claus with a bag, and you can still write on it '. And I turn off the lights all the time, even though I don't sit in the dark. If a weirdo was reading, he'd be worried about vision, too. The violin can also be seen in the dark. As my dad used to say ' there the violin is cut down'. My overly intelligent dad. However, the film is sometimes funny, the actresses are boring, and the second half of the film could have gone. A movie for once.
The shortcuts and cliches of French comedies are mostly a thing of the past, but I still don’t understand what this film lacks. The name of the director does not tell me anything, and the fact that the film is shown here almost a year after the world premiere is indescribably annoying.
The subject of greed is very relevant. Some are slapping bags of money, while others have not seen one bill in the face. The problem is that those who have a lot of years, even in old age, when they die tomorrow, are all trying to row colored paper, and the worst thing is that they do not neglect the destruction of human lives during this process of laundering.
The main character Francois saves on everything. This relative morbidity of behavior dates back to early childhood and leaves an imprint to this day. In some places, his frugality or, more correctly, coarseness comes to the verge of some absurdity, but in principle, this fact does not cut eyes. What can François change? Love? Relative? Neighbors? An accident? Or something else? Or maybe all of that together?
An ordinary scenario with ordinary dialogue. It cannot be said that a single phrase, stream of thought, or dialogue can be quoted. It’s a very simple addition to French style and spirit.
Lately, I’ve been hitting Dani Boone (François) in the movies a lot. Either this is the will of chance, or he is given a job at an accelerated pace. Since I’ve seen him in many movies before, I can say with confidence that there was nothing special about him. The same type in almost all films. Except that the intonation of the voice changes and more folds appear on the forehead. Laurence Arne (Valeri) is a very nice woman, but sometimes she overplayed, which spoiled the overall impression not only about her character, but also about her as an actress. Noemi Schmidt (Laura) did not leave the slightest impression on herself either. Well, that's how I played, no more. It is good that at least with modern inventions her tears flowed.
The music here, of course, is extraordinary. Violin and cello are very spiritually powerful tools that will surely touch the soul and wrap the atmosphere with something magical, dramatic and piercing, not visible to us, but audible.
Cinematography is good. The camera focused on all those places that played a key role in the story and pushed the viewer to the upcoming moment of laughter.
I’m not going to say the movie is beautiful, it would be a lie. It has its own charm, most likely at the expense of France and its people, but no more. There were moments to laugh, too many. But the movie didn't make it. If the actors were more colorful, if the same happened with their lines, it would be much better. That would be too much. We have what we have. I was a little disappointed that I didn’t leave the expected impression.
No matter how banal and worn this phrase does not sound - for once.
5 out of 10
For me, Dani Boone has become a kind of mark of the quality of French cinema. A little clumsy, rustic, protruding ears, eyes (like a horse), full of kindness and sadness, in general, an ordinary person from the people, but there is something in him, something that makes him believe and empathize.
This time our almost native Dani plays the talented violinist François Gaultier, who is as stingy as he is virtuoso. He saves on everything he can, counts every penny, shakes for any payment, is ready to eat expired food, steal sugar and salt in the catering. Although we haven't been shown this, I'm sure François has a packet, chews on batteries and charges his phone only at work. Neighbors call him a bastard, colleagues dislike and condemn. But François does not care at all, because he lives in his own world called Greed (or Economy, as you prefer).
And he would continue to live his usual measured life, in which everything is monotonous and calm, until in his life there was a woman with whom he falls in love. And then another one, who turns out to be his daughter. All the troubles because of women, all the conflicts and wars, women change our minds, and isn’t that beautiful? So before the main character there is a dilemma: to remain the same stinger and miser or to change and become at least a little more generous to save the daughter and beloved.
There are many kind, cute and funny jokes in the film that French comedies are so famous for. The creators of ' Bitch' greedy, and you will not find here tearing stomachs ' Gag' and ' Punch'. I watched this film on a cold winter evening, and it warmed me up, gave me a boost of optimism and smiles.
Be sure to watch for everyone who loves French comedies, who believes in humanity, who is ready to change for the sake of loved ones. We all have a little François in us, and may we be lucky to meet those who will help us become better.
8 out of 10
Since childhood, François Gauthier was a complete bag. He saves on everything he can save. He uses virtually no electricity dining in the light of a street lamp, eats expired foods and wears the same clothes for years, he avoids spending to the extent that it angers others, François built his life, saving money at all costs. But when François meets Laura, his daughter, whom he never knew, a dramatic change takes place in his life. Starting with a big lie to hide his true nature, François is forced to become a better, more generous man. .
The behavior of the main character is of course exaggerated and caricatured, but personally I saw myself in many moments of François’ life, I am also quite a greedy person and putting myself in the place of the main character I can say that I supported François in many moments, and in some I would have done the same as him.
The expression of the face and facial expressions of the lead actor Dani Boom bribes and makes you smile, he does not overplay, does not curve, but at the same time looks funny. Noemi Schmidt, who got the role of the daughter of the protagonist, is incredibly cute and beautiful girl charms from the first appearance in the film. Other actors have played well too, and their performances create a pleasant light comedy where the drama only comes closer to the end. Comedy prevails and is successful.
I think many will agree that French comedies have long since turned from a separate category of comedy genre into one independent and unique genre. Creating wonderful examples of really funny, vital and easily playing on the strings of the soul paintings. But deprived of such annoying vulgarity, obsceneness, superficiality and proximity, which are so famous for most modern representatives of the genre. This film directed by Fred Kawaie can not be called an exemplary representative of it, but a worthy successor of traditions for sure.
That's what you can always love French comedies for, is the perfect harmony between light comedy and life drama. Creating samples of paintings that not only entertain and cause a smile, but also can teach and make the viewer rethink a lot. This is no exception to the film directed by Fred Kawaie. Wanting to “save” your money and become a little “richer”, the main character of the film finds himself absolutely lonely. Neighbors openly hate him, colleagues despise him, and he failed to make friends and relatives throughout his life.
It is around the above and formed the basic morality of the picture. You cannot take and demand anything from others unless you are willing to give it back. No money, but attention, emotions and love. Because even with all the money in the world, you can be a lonely person if there are no people who will make your life better. For the main character of the tape, they were two women, each of whom changes it in its own way. One as a daughter and the other as the love of life.
Being not so experienced in the comedy genre, the director of the film Fred Kawaie performed well on the screen. It can not be said that Kawaye managed to shoot an insanely funny film, but it is easy to charge the viewer with a positive mood, cause a smile on his face and deliver a moral rest to the viewer. Creating a truly worthy example of the sitcom on the screen. Where every “greedy episode” from the life of the main character is magnificently played on the screen, causes laughter and a smile on his face, and also perfectly falls into memory. Naturally, creating a whole chain of funny events associated with the views of the main character on his life. You can still eat them. A banker as a therapist? No one will understand him better. Pay for electricity? The street lights are good enough.
Being one of the most popular comedians of modern French cinema, Danny Boone once again proved himself great on the screen. Having created a truly interesting, multi-layered and memorable image that easily pulls out the entire film.
7 out of 10
Chest is another more than a worthy representative of French comedy with a very important and instructive morality. Let not be the best and perfect, but interesting enough, easy, funny and funny, that would not regret the time to view the picture.
I did not expect much from this comedy, as I read reviews, where this film was accused of boredom and lack of humor, absurdity of the behavior of the main character, etc. But I liked all the previous films with Boone, so I couldn’t miss this film, which is great because the comedy was a success.
Of course, comedy in French means something other than American comedy, here we should expect the disclosure of the human character, almost homely atmosphere and humor, built on subtle hints, gestures and speculation.
Firstly, there is another original plot (every time I admire the imagination of the French, who find plots in everyday things). Characters are bright, with characters, realistic, well, except of course the main character, who should exude hypertrophied features of his special character. This is the basis of humor, and it is really funny to look at the ridiculous habits of a miser, who is at heart a nice fellow and sincerely trying to correct himself, but his nature is clearly stronger than him!
I was never bored, there was always something to laugh about, places were just fucking fun. Sometimes the actors laughed without opening their mouths, hints, gestures, which was more eloquent than what was said aloud, this is for me the highest art, which was owned for example by Soviet comedy actors.
In the end, I’m very happy with the time I spent and I think I’ll watch this movie again with my friends.
In modern comedy as a genre of cinema, the palm of the championship is not the first year America holds. The storyline of American comedies can be discussed for a long time. But looking at their trend, we can assume that someday they will return to slapstick (farcical films associated with low forms of folk culture). Does this mean that art is cyclical? Maybe. Meanwhile, other countries are able to offer their own vision of comedy. One of these countries is France, the founder of cinema and comedy genre in principle.
For the most part, French comedies are ironic and sometimes satirical depictions of human vices. The film "Bumble" was no exception.
This is the story of the incredible scruffy violinist François Gaultier (Dani Boone). Despite his impressive financial condition, he saves every penny with the strongest tenacity. It is quite logical that such a difficult person is persistently trying to break life and people around.
Here a special role is played by the details, which make up the image of Francois and the model of the attitude of his friends and colleagues to him - the number of presses on the light switch, the number of middle fingers shown by neighbors, and so on. He's not happy with life. He's not happy with a normal life.
And, as in the conventional canon, there is one in his life who turns all his judgments upside down. This is his daughter Laura (Noemi Schmidt). With its appearance, a serious conflict unfolds - a conflict of worldviews.
Laura confronts Francois with a real world that cannot exist in avarice. As a result, he understands that when a person is faced with big problems, even if not concerning himself, it can force him to reconsider his principles. And François does that.
The only drawback (everyone will judge its significance) is that the backbone of some plot moves was borrowed from the film "Love from All Diseases", where the main role was embodied by the same Boone. Something very original would fit in here.
With the picture “Bump” we have another interesting to watch French comedy with meaning.
7 out of 10
I highly recommend it!
P.S. According to the creators of the film, their protagonist in some ways resembles a mixture of Mr. Bean, Tim Burton and Jacques Tati. Perhaps we can agree on some part of this.
I liked the movie, but there was something missing. It was often funny, the hero’s hoarding was brought to the limit, but not to complete absurdity. In some situations, you can recognize yourself.
The hero in the film reached mature years and every year developed his greed. And when his adult daughter tries to heal this trait, it turns out to be extremely difficult. This has been the case since childhood.
Expecting a deeper solution, it seemed that the current deception will still be revealed and it will affect François in a profound way. But it ended a little slurred, albeit positively. And in general, I recommend watching, the film is interesting and quite pleasant.
6 out of 10
The painting is not just dry, but it is... nothing. It's not bad, no, but it's not good either. Just nothing.
There are funny moments in the film, but these are jokes in the style of “I put myself in a stupid position”, which I personally always infuriated in films, because when watching you yourself feel uncomfortable in such moments.
The theme is chock-full. Not the “bad” as such, but the principles of the plot development. We will add to the plot a daughter, about whom the strange father did not suspect, and who will violate the usual way of his life. Add a stupid situation that will turn everything upside down, and the goal for the main character to want to change something in his life and become good. And we end up with a very predictable end.
Intireesnaaa (c)
In the rest of the film, what was supposed to be funny is nothing more than a smile.
All characters, except the mother of her daughter, look too exaggerated, fake. Perhaps that was the idea, but the film only lost.
In short, gray, plain. Middling.
After watching this film, or rather, somewhere in the middle of the film, there was a sticky feeling that I was watching something that I had already seen many, many, many times!
And the point is not in the plot, but in the story as such - Another story about another clumsy, slightly arrogant but comical Frenchman - a kind of François Peren version for a new generation - and the problem is that this is not a new variation on the theme (and not François Peren v.2.0.), namely the continuation (precious exploitation) of the image that, at one time in different versions of different films, created by Louis de Funes and Bourville, and later by Pierre Richard. And Danny Boone is not just inferior to these actors in the level of acting, he is (in my opinion) the saddest – photocopy created in the middle of the last century the image of “comic Frenchman for export” without contributing, at the same time, absolutely nothing new!
Yes, Boone has achieved a certain (and well-deserved) success with the films “Beautro Guest” and “Customs gives good”, but there was no further progress, and if you want to look at the “clumsy Frenchman”, I still choose “The Great Walk” from the same and have long become classics of French cinema Bourville and Louis de Funes.
PS: I love French comedies (both old and new). I don’t think Danny Boone has any talent, quite the opposite! The fact is that (as it seems to me) this actor is actually able to raise the proud banner of French comedy and raise it to a new level, arousing the interest of the modern audience!
New French comedy from the director “All for her”, “Right to the left” and “Three days to escape”.
In the story, an ordinary guy lives a simple life and does not touch anyone and does not interfere with anyone. He is a professional musician and a real talent, only his most outstanding skill is terrible savings everywhere and in everything. He saves on himself, on others, not wanting to spend even an extra penny on the most necessary needs. He is laughed at by his colleagues and hated by his neighbors. But our hero has already got used to everything and resigned himself, when suddenly a young girl appears on the threshold of his house, who informs him that she is his daughter. This is where all the most interesting things begin for our hero, especially when he learns that his daughter, on the contrary, is a very generous and kind person.
That's what I love about French comedies, because of their humorous realism, their mind-blowing sitcom and their incredibly light charm. So is this story. We witness the fascinating adventures of a greedy father and a generous daughter in the awkward circumstances of their lives together. There is no filthy vulgarity and dirt in the film. Everything looks easy and pleasant, periodically switching to touching melodrama, from which you want to let a tear.
All heroes learn to communicate, helping each other with different problems. They interact, turning a seemingly simple comedy into a real moral and useful film with a great message for society.
Thank you to all the actors without exception. All good and real talent. Even minor episodes look bright, strong and with great interest.
So I recommend all fans of French comedies with elements of melodrama. A pleasant and easy movie for evening viewing with a loved one. Don’t be greedy, learn to give, get happiness in return.
Enjoy your visit.
As an avid moviegoer, I certainly have an absolute love for French cinema. Comedies created in this country are often unique, instructive and with a subtle humor that not everyone understands.
I didn’t expect anything special from this film, except for a pleasant time, but the impressions were not the best. First, the main character is shown as a really sick person who has a lot of money and is so obsessed with saving that he prefers to eat products 10 years ago. Second, François Gaultier becomes almost nauseous when people around him mistakenly change their opinion about him, and he successfully supports this. The third finale is absolutely ridiculous and unrealistic. And in general, the picture is too exaggerated and strange.
What's the moral? Where is the famous French irony for topical things and love for the character, despite his shortcomings?
I think you can watch this movie once, but you don’t get a comedy or an instructional message. I don't know what's funny about this. It's just sad and horrible if such people really exist.
The main drawback of the picture is that the genre it is not rich. The audience will not wait for the promised comedy, there will be no reason even to smile. Also killed off the most famous French atmosphere, which conquered a lot of viewers with its sweetness and sincere sensuality - there is no such thing close. Not only did moralizing turn out to be frankly primitive-stupid, but the exorbitant seriousness of what is happening still catches up with boredom. Even romance, on which the French ' ate a dog', hastily scrolled, in order to give up screen time moralizing preschool age.
The buttock is a tight man. Okay, for the sake of cinema brought to the absurd and a person is ready to eat expired products. It's ridiculous. Let it. But when the hero begins to engage in petty thefts, like 'Nesun', and quite consciously, here the stick is clearly bent. It's no longer a poop, it's a small, nasty creature. The character turned out to be so disgusting that the final re-education looks like a blatant hack. No conclusions, only perplexity.
I will not recommend the film for viewing, this is an uninteresting, not funny picture, which because of its exaggeration completely loses common sense, and then the grateful viewer. Don't waste your time!
It is safe to say that this is not a comedy, after watching which the stomach will hurt with laughter, and tears from laughter will appear in front of your eyes.
Despite the promising trailer, the fun of the theme and such a humorous poster, the film came out only partially comedic, and jokes and comic situations simply diluted the tragedy of the story. And instead of leaving a cheerful, positive impression, I left the cinema in a certain confusion, not knowing whether to feel joy or sadness.
And the thing is that only certain fragments of the picture caused laughter, while the general plot presented us with far from joyful images of the extreme degree of greed - greed, which became no longer a vice, but a real disease.
Towards the middle and end of the film, there was simply nothing to have fun - on the one hand, excessive tragedy for such a genre negated good humor, and on the other hand, it remained unclear to what extent greed is generally condemned by the directors, because the image of Francois is a kind of persistent soldier in front of the tough world of spenders.
No, don't get me wrong, I respect and appreciate comedies with meaning. Let’s say I really liked the fact that this film lacked vulgar humor, without which no modern comedy can do. And to think about it, he will force everyone to do it. But this is not the topic, well, not the one in which it is worth weaving so much seriousness and meaning. Expected a lot of light humor and morally cheerful ending. And when the funniest moments were revealed in the trailer, and we were left with mountains of psychological problems of the hero - it does not look much like a comedy.
I can’t say you don’t have to laugh at all. The image of the banker is very funny, because they really exist. Some household and everyday things cause a smile. François’ grotesque behavior, especially when it came to money, also turned out to be quite successful. Martyr's expression in the difficult choice between a girl and money, I may even remember, comic. Without a bit of humor, the film will not leave you. A small portion.
Among other things, the ending of the film was not particularly successful, something more interesting was expected, as, indeed, from the whole film. As the credits began, someone behind me whispered, “Is that all?” I actually had the same question.
If you are attracted to comedies with meaning or you are not a fan of vulgar humor, it is worth a look. But if you want a lot of uncontrollable laughter, you should find another movie.
In the end, I was left with a small portion of popcorn, a small dose of humor, but I did not have a funny awareness of the depth of human shortcomings.
I didn’t have much hope for a new French comedy. Until recently, I did not know that such a film should appear in the Russian box office. However, by chance he was at the pre-premier show of this creation and, as it turned out, he visited it for a very good reason!
The painting “Bumot” tells us about the life of a virtuoso violinist and concurrently a sloppy scruffy François Gaultier. All that interests the hero is how to save, not pay and multiply their savings. So goes the life of Francois, until on the threshold of his house does not appear a sweet girl who called herself a daughter, and in the orchestra – a new pretty cellist. Will they be able to change the native jadin?
Unfortunately, I didn’t see any other roles performed by Dani Boone before the film “Bumot”, but I can say for sure, in this film he coped perfectly. The image of a pinched and greedy musician definitely came to fame. Definitely very pleased, also unknown to me before this tape, Laurence Arnet, who played the same cellist. Her bright and slightly naive image was so contrasted with harsh jealous attacks that when she issued another angry line, the audience did not restrain their laughter.
French comedies have always been popular with the audience. Most people know movies like “Daddy,” “Umbrella Prick,” or “Toy.” On the fingers to count those who have not seen, has already become legendary, the modern picture “1 + 1”. All these films have the main thing in common – in addition to excellent humor, they have a message and a reason to think. And not the most famous director of the picture Fred Cavaier, familiar to a wide audience except for the film “Three Days to Escape”, was able to create a story that is both funny and sad to watch. Funny from the awkward excuses and excuses of the protagonist and at the same time so awkward when he lies to his family and friends. It is ridiculous when his avarice and greed are so exaggerated, but it is sad to see that people who have been misled are trying to help him with all their heart.
“Bumot” makes you look back and rethink your values more than a dozen times, presenting it in a humorous and somewhat exaggerated form. After all, how often do we forget that material values matter much less than the feelings of a loved one. And maybe the film will not rest on its laurels like the paintings mentioned above, but it is definitely worth watching, well, if you are not afraid, of course, there to recognize yourself.
In recent years, the cinemas are not so often shown good, really funny and not stupid comedies, because making a person laugh is much more difficult than crying. Painting “Bumble” will surely cause you both emotions. So all connoisseurs of fun, kind, but a little dramatic cinema, attending a session in the cinema is a must!
P.S. And don't forget the post-credits scene.