The film is more allegorical, abstract. From the information gleaned from the Internet about the play by Per Gyunt, I had the impression that it could make a good fantasy, perhaps a little gloomy, but good. This German film clearly did not have a large budget, so all the scenes were shot rather conventionally and in modern realities, but the writers tried to convey the carelessness, promiscuity and dreaminess of Per, selfless undeserved love Solveig and the spiritual search for the protagonist in the end, which they did quite well. It should also be noted that all the dialogues are presented in verse, clearly in the original, in our case in translation. Not too exciting, but very lyrical and atmospheric. It is also necessary to pay tribute to the operator, the work is filled with golden light, and you, together with Per, unwittingly admire the beauty of the surrounding world, where there is absolutely no need to run anywhere and perform feats, you want to lie on the grass, look up to the sky and expose your face to the warm summer sun. By the way, I really liked the appearance of actor Robert Stadlober, who played the main character.