If you are a fan of the movie "Seventeen Moments of Spring" and do not have the habit of spending time reading the credits, then you probably do not suspect that the creator of this film is a woman. “Cinema doesn’t have a woman’s face” – any male director will sign this phrase (and we have only men who advance in this field), since directing is difficult not only in professional terms, but also in terms of psychological. And, nevertheless, the creator of one of the first Soviet TV series and other
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If you are a fan of the movie "Seventeen Moments of Spring" and do not have the habit of spending time reading the credits, then you probably do not suspect that the creator of this film is a woman. “Cinema doesn’t have a woman’s face” – any male director will sign this phrase (and we have only men who advance in this field), since directing is difficult not only in professional terms, but also in terms of psychological. And, nevertheless, the creator of one of the first Soviet TV series and other wonderful films is a lady - Tatiana Mikhailovna Lioznova.
The Muscovite, born in 1924, could not have an easy youth. Moreover, in 1941 he became a militiaman and immediately killed her father, an engineer-economist Mikhail Lioznov. But the father managed to make a fateful decision for his daughter, once telling his mother: “Let her do what she wants.”
Having dropped out after the first semester of the Moscow Aviation Institute (it was the choice of her parents), she entered VGIK in 1943 and became a student.
T. F. Makarova They just went on an experiment, bringing together future actors and directors. However, after the first semester, she is expelled due to “lack of life experience”. Lioznova watches Gerasimov and Makarova at the doors of the institute and asks for a final verdict after viewing her academic papers. As a result, the expulsion was canceled, and Gerasimov from this moment becomes a second father for the girl.
The Institute was graduated with a red diploma, Lioznova distributed to the film studio. Gorky gets fired immediately. For a living, she is forced to make dresses. She saved Lioznova as a director her teacher, who attracted her to the production of the play "Gray Girl", which was held on the stage of the Vakhtangov Theater. In 1954, Lioznova was restored at the Gorky Film Studio as an assistant director.
Her first films were a film about the war.
"Memory of the heart" A lyrical tale of the greatness of motherhood
"Yevdokia" A novel about the heroic work of test pilots
"They conquer the sky." . A great success came to her after filming.
film "Three Poplars on Swimming" Which featured some wonderful actors.
Oleg Efremov .
Another character of the film is the song "Tenderness", passing through it with a cross-cutting theme.
Theirs.
"Seventeen Moments of Spring" (total length of the film 14 hours) Lioznova filmed for three years, the work involved about 200 actors. Many of the leading artists in this film performed in unusual roles:
, before not getting into the frame, appears in the role of a hard fascist, sinless