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Tristan is constantly trying to find the limits of his freedom. His wishes are constantly being fulfilled. But is that good? Is this what true freedom more
Tristan is constantly trying to find the limits of his freedom. His wishes are constantly being fulfilled. But is that good? Is this what true freedom looks like? And how does that affect relationships with other people? close
Fei works illegally as a hustler in order to support his family, yet when he realizes they are willing to accept his money but not his way of life, there more
Fei works illegally as a hustler in order to support his family, yet when he realizes they are willing to accept his money but not his way of life, there is a major breakdown in their relations. Through his relationship to the headstrong Long, Fei seems able to find a new lease on life, but then he encounters Xiaolai, the love of his youth, who confronts him with the guilt of his repressed past. close
Stories of love, of meaning, of life. Nothing is eternal, but as long as hearts beat, this feeling will exist on the planet. Does anyone have the right to restrain him?
Stories of love, of meaning, of life. Nothing is eternal, but as long as hearts beat, this feeling will exist on the planet. Does anyone have the right to restrain him?
A young woman spends a lot of time in a house. She is usually alone, sometimes she chats on the phone, she rarely receives visits: a buddy with her boyfriend, more
A young woman spends a lot of time in a house. She is usually alone, sometimes she chats on the phone, she rarely receives visits: a buddy with her boyfriend, a potential boyfriend, wannabe candidates for a room to rent. Until the right roommate arrives… close
Daniela is unsure about what to do next and where to live. Mia is finishing a master’s degree that she spontaneously started. Along with Natascha, another more
Daniela is unsure about what to do next and where to live. Mia is finishing a master’s degree that she spontaneously started. Along with Natascha, another friend thinking of moving to Vienna, they wander around and talk. close
1960's Siegheilkirchen, a small town in the Austrian hinterland is steeped in reactionary and ultra-Catholic attitudes. The son of a hard-working innkeeper more
1960's Siegheilkirchen, a small town in the Austrian hinterland is steeped in reactionary and ultra-Catholic attitudes. The son of a hard-working innkeeper and his wife, called Snotty Boy by all and sundry, is at odds with the narrow-minded confines of his home town. But his unstoppable talent for drawing gives him an outlet for his discontent. close
A routine check-up reveals that the Pilates trainer Kathrin is suffering from kidney disease and needs a transplant. Her husband Arnold is a successful more
A routine check-up reveals that the Pilates trainer Kathrin is suffering from kidney disease and needs a transplant. Her husband Arnold is a successful architect in the middle of a large project and is afraid of donating one of his kidneys. Götz, a friend of the couple's, would undergo the operation immediately if it means saving Kathrin's life - even though this causes problems with his partner Diana. Confronted by issues of life and death, the fragility of the relationships within and between the couples is laid bare. Eventually, the question can no longer be avoided: what is true love? close
18 years after Kurt Kren produced his third film 3/60 Bäume im Herbst [3/60 Trees in Autumn], he shot his masterpiece 37/78 Tree Again. 18 years after more
18 years after Kurt Kren produced his third film 3/60 Bäume im Herbst [3/60 Trees in Autumn], he shot his masterpiece 37/78 Tree Again. 18 years after I created my third darkroom film L’Arrivée (an homage to the Lumière brothers and their 1895 L'Arrivée d'un train), I embarked on Train Again. This third film in my “Rushes Series” is an homage to Kurt Kren that simultaneously taps into a classic motif in film history. My darkroom ride took a few years, but we finally arrived: All aboard! close
Ahmet has not cried anymore since he was 13 years old. Out of the need to deal with his emotions, the 29 year old professional soldier and boxer takes more
Ahmet has not cried anymore since he was 13 years old. Out of the need to deal with his emotions, the 29 year old professional soldier and boxer takes acting lessons. The desire to combine his everyday life with the increasingly important passion for acting, threatens to fail in the prejudices of the people around him - in the familiar environment with its tight structures as well as in the seemingly liberal world that has opening up to him. close
Maria travels to the Mediterranean to help people who are stranded at sea. Marcel founds an escort service to protect women from “intrusive immigrants.” more
Maria travels to the Mediterranean to help people who are stranded at sea. Marcel founds an escort service to protect women from “intrusive immigrants.” Petra takes in a traumatized refugee. And the asylum shelter director Gerald is put to the test by a resident. close
First barns burn, then an old house burns. A fire brigade goes around. A corpse burned beyond recognition is found in the old house. Intention or amazing more
First barns burn, then an old house burns. A fire brigade goes around. A corpse burned beyond recognition is found in the old house. Intention or amazing coincidence? Franzi Heilmayr and Martin Merana believe in coincidence - until the evidence suddenly points in a completely different direction. And deadly danger still emanates from there. close
In this new "Marriage of Figaro", Jérémie Rhorer revisits this composer and US film director James Gray makes his first foray into opera. This opera is recorded for broadcast by Louise Narboni.
In this new "Marriage of Figaro", Jérémie Rhorer revisits this composer and US film director James Gray makes his first foray into opera. This opera is recorded for broadcast by Louise Narboni. close
A dancer as filmmaker refrains from superfluous movement in a villa in Brittany, giving way to an individual as well as social state described by the more
A dancer as filmmaker refrains from superfluous movement in a villa in Brittany, giving way to an individual as well as social state described by the French philosopher Paul Virilio as "polar inertia". close
Marko Feingold used to say: “nothing can hurt those who already died once”. He himself had died several times over, as a survivor of four concentration more
Marko Feingold used to say: “nothing can hurt those who already died once”. He himself had died several times over, as a survivor of four concentration camps: Auschwitz, Neuengamme, Dachau, and Buchenwald. From the moment of his liberation to the day he passed away last September, aged 106, he dedicated his life to helping tens of thousands of survivors on their arduous journeys to Palestine, and later channeled his efforts into Holocaust remembrance. close
Calixto Bieito's famously controversial 2002 production of Mozart's great opera sets the action in the late twentieth century and brings to life an ancient more
Calixto Bieito's famously controversial 2002 production of Mozart's great opera sets the action in the late twentieth century and brings to life an ancient story brilliantly retold. Bertrand de Billy conducts an energetic cast led by Wojtek Drabowicz in the title role, with the Liceu's Orchestra Academy. Press Reviews "The musical performance has its own distinction, as well as complete integration with the staging concept." (Gramophone) " It's a strong cast, led by Drabowicz's nobly-voiced, savage Don, and Youn's powerful Leporello." (BBC Music Magazine) "A fully rounded piece of work...Coherent production, perfectly staged, impeccable singers." (El Periodico) "Musically much better than the London version – Véronique Gens makes a wonderful Donna Elvira, confident, strong, perfect both in her singing and acting." (El Pais) close
Premiered in 1787, “Don Giovanni” exposes the timeless theme of a man hovering between vitality and destruction. Neither morality nor the law can stop more
Premiered in 1787, “Don Giovanni” exposes the timeless theme of a man hovering between vitality and destruction. Neither morality nor the law can stop this serial lover in his quest to conquer all women as he places his own pleasure above all other principles. Today, the rich depth of Mozart’s masterpiece still astonishes audiences with its mix of comedy and seriousness, pleasure and love, entertainment and murder. At the helm of this new Salzburg Festival production, in a near-live broadcast from the Great Festival Hall, director Romeo Castellucci promises to focus on the ambiguity and inner turmoil of this serial lover whose immoral behaviour condemns him to a deadly solitude. The exceptional cast – featuring Italian baritone Davide Luciano (Don Giovanni), Russian soprano Nadezhda Pavlova (Donna Anna) and Finnish bass Mika Kares (the Commendatore) – is accompanied by the chorus and musicians of the musicAeterna ensemble, conducted by Vitaly Polonsky and Teodor Currentzis. close
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