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Brutal austrian movies from the selection "Greatest Movie Candidates" - quite rare category. We know total 61 this movies.
Including such famous ones as
"Caché", 2004
"The White Ribbon", 2009
"The Piano Teacher", 2001
"Funny Games", 1997
"Benny's Video", 1992
and etc.
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brutal austrian movies from the selection "greatest movie candidates"
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61 ,
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An aged tailor recalls his life as the schoolteacher of a small village in Northern Germany that was struck by a series of strange events in the year leading up to WWI.
An aged tailor recalls his life as the schoolteacher of a small village in Northern Germany that was struck by a series of strange events in the year leading up to WWI. close
Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.
Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement. close
A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, more
A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, then sinks back into it again. A young woman begins to move slowly towards the building. She enters it. The film cuts crackle, the sound track grates, suppressed, smothered. Found footage from Hollywood forms the basis for the film. The figure who creeps through the images, who is thrown around by them and who attacks them is Barbara Hershey. Tscherkassky's dramatic frame by frame re-cycling, re-copying and new exposure of the material, folds the images and the rooms into each other. It removes the ground from under the viewer's feet and splits faces, like in a bad dream. From the off, from outer space, foreign bodies penetrate the images and cause the montage to become panic stricken. The outer edges of the film image, the empty perforations and the skeletons of the optical sound track rehearse an invasion... close
An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound.
An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound. close
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film more
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film that would help them sell their beers; Kubelka had other ideas. He shot his film with a camera that did not even have a viewer, simply pointing it in the general direction of the action. He then took many months to edit his footage, while the company fumed and demanded a finished product. Finally he submitted a film, 90 seconds long, that featured extremely rapid cutting (cutting at the limits of most viewers' perception) between images washed out almost to the point of abstraction — in black-and-white positive and negative and with red tint — of dimly visible people drinking beer and of the froth of beer seen in a fully abstract pattern. close
Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm more
Chronicles three years of a middle class family seemingly caught up in their daily routines, only troubled by minor incidents. Behind their apparent calm and repetitive existence however, they are actually planning something sinister. close
Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters more
Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home together. close
Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha more
Chad, 2006. After a forty-year civil war, the radio announces the government has just amnestied the war criminals. Outraged by the news, Gumar Abatcha orders his grandson Atim, a sixteen-year-old youth, to trace the man who killed his father and to execute him. Atim obeys him and, armed with his father's own gun, he goes in search of Nassara, the man who made him an orphan. It does not take long before he finds him. Nassara, who now goes straight, is married, goes to the mosque and owns a small bakery. After some hesitation Atim offers him his services as an apprentice. He is hired then it will be easy for him to gun down the murderer of his father. At least, that is what he thinks... close
Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe.
Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe. close
A group of German construction workers set out for a foreign construction site in the Bulgarian province. The strange country awakens adventure feelings more
A group of German construction workers set out for a foreign construction site in the Bulgarian province. The strange country awakens adventure feelings among the men. At the same time, they are confronted with their prejudices and mistrust. For two of the men, a nearby village becomes the stage for a competition for the recognition and favor of the village. close
On the beaches of Kenya they’re known as "Sugar Mamas" —European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old more
On the beaches of Kenya they’re known as "Sugar Mamas" —European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise, moving from beach to beach. close
Fiore, an Italian conman, arrives in post Communist Albania with Gino, his young apprentice, to set up a shoe factory that will never open. The con requires more
Fiore, an Italian conman, arrives in post Communist Albania with Gino, his young apprentice, to set up a shoe factory that will never open. The con requires a native Albanian, so they designate Spiro, an impoverished and confused former political prisoner as chairman of the board. When Fiore returns to Italy to get government funds for the project, Spiro unexpectedly disappears and Gino sets out on a journey to find him. The search leads him to discover Spiro's tragic personal history and witness Albanian poverty firsthand. close
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image more
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls does so all the more. Kren, the gentle voyeur - who turns the viewer into a secret accomplice - observes three teenagers, and probably like them, awaits a rendezvous. (Thomas Trummer) close
This is the story about Setyo, Siti and Ludiro, who were the performer of Javanese Ramayana's Wayang Wong. Setyo and Siti are spouse who live in a village more
This is the story about Setyo, Siti and Ludiro, who were the performer of Javanese Ramayana's Wayang Wong. Setyo and Siti are spouse who live in a village by selling earthenware products. In the village, live as well Ludiro, the head of the stockyard, who is very wealthy and secretly in love with Siti. Conflicts arrived as Setyo's earthenware company is going bankrupt and Siti started to took notice in Ludiro's desire to win her love. These triangle love transform into a civil war in the village that brings not only extremity and injustice, but also the death of the loved ones. close
Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German more
Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972. close
In post-war Germany, liberation by the Allies does not mean freedom for everyone. Hans Hoffmann is repeatedly imprisoned under Paragraph 175, which criminalizes more
In post-war Germany, liberation by the Allies does not mean freedom for everyone. Hans Hoffmann is repeatedly imprisoned under Paragraph 175, which criminalizes homosexuality. Nevertheless, over the decades, he continues his quest for freedom and love, even if he finds it in the most unusual places. close
After a masked carnival ball, Gerda Harrandt, wife of the surgeon Carl Ludwig Harrandt, allows the fashionable artist Ferdinand von Heidenick to paint more
After a masked carnival ball, Gerda Harrandt, wife of the surgeon Carl Ludwig Harrandt, allows the fashionable artist Ferdinand von Heidenick to paint a portrait of her wearing only a mask and a muff. This muff however belongs to Anita Keller, in secret the painter's lover but also the fiancée of the court orchestra director Paul Harrandt. The picture is then published in the newspaper. When Paul sees it and asks von Heidenick some questions about the identity of the model, the artist is forced to improvise a story and on the spur of the moment invents a woman called Leopoldine Dur as the alleged model. Leopoldine Dur however turns out to be a real woman whose acquaintance Heidenick makes shortly afterwards. close
A meadow, a lake, the silhouette of a hill, trees. 21 days of the same view in Saarland. 21 days with five different cut-outs in a mask before the camera, more
A meadow, a lake, the silhouette of a hill, trees. 21 days of the same view in Saarland. 21 days with five different cut-outs in a mask before the camera, which finally reveals a complete panorama. The landscape changes with the advancing seasons and becomes slowly delirious in its technical alienation. close
When Ann, husband George, and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with more
When Ann, husband George, and son Georgie arrive at their holiday home they are visited by a pair of polite and seemingly pleasant young men. Armed with deceptively sweet smiles and some golf clubs, they proceed to terrorize and torture the tight-knit clan, giving them until the next day to survive. close
Is heavy manual labour disappearing or is it just becoming invisible? Where can we still find it in the 21st century? Workingman's Death follows the trail more
Is heavy manual labour disappearing or is it just becoming invisible? Where can we still find it in the 21st century? Workingman's Death follows the trail of the HEROES in the illegal mines of the Ukraine, sniffs out GHOST among the sulphur workers in Indonesia, finds itself face to face with LIONS at a slaughterhouse in Nigeria, mingles with BROTHERS as they cut a huge oil tanker into pieces in Pakistan, and joins Chinese steel workers in hoping for a glorious FUTURE. close
When Anna and her family arrive at their holiday home, they find it occupied by strangers. This confrontation is just the beginning of a painful learning process.
When Anna and her family arrive at their holiday home, they find it occupied by strangers. This confrontation is just the beginning of a painful learning process. close