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Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film more
Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film and recorded fourteen hours of audio. Over the next few years, Kubelka toiled in the editing bay, producing a work charged with intricate, ironic brutality. close
An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound.
An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound. close
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film more
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film that would help them sell their beers; Kubelka had other ideas. He shot his film with a camera that did not even have a viewer, simply pointing it in the general direction of the action. He then took many months to edit his footage, while the company fumed and demanded a finished product. Finally he submitted a film, 90 seconds long, that featured extremely rapid cutting (cutting at the limits of most viewers' perception) between images washed out almost to the point of abstraction — in black-and-white positive and negative and with red tint — of dimly visible people drinking beer and of the froth of beer seen in a fully abstract pattern. close
Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German more
Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972. close
After a masked carnival ball, Gerda Harrandt, wife of the surgeon Carl Ludwig Harrandt, allows the fashionable artist Ferdinand von Heidenick to paint more
After a masked carnival ball, Gerda Harrandt, wife of the surgeon Carl Ludwig Harrandt, allows the fashionable artist Ferdinand von Heidenick to paint a portrait of her wearing only a mask and a muff. This muff however belongs to Anita Keller, in secret the painter's lover but also the fiancée of the court orchestra director Paul Harrandt. The picture is then published in the newspaper. When Paul sees it and asks von Heidenick some questions about the identity of the model, the artist is forced to improvise a story and on the spur of the moment invents a woman called Leopoldine Dur as the alleged model. Leopoldine Dur however turns out to be a real woman whose acquaintance Heidenick makes shortly afterwards. close
Gangster boss Carlos orders the dodgy Viennese junkyard owner Harry to bring him a bag from Poland. Harry passes the order on to his "best man" Schorsch. more
Gangster boss Carlos orders the dodgy Viennese junkyard owner Harry to bring him a bag from Poland. Harry passes the order on to his "best man" Schorsch. Schorsch, not exactly the brightest, is currently without a driver's license and completely fixated on the 24-hour car race of Le Mans. So he gives the order to Mao and sends in their place the takeaway lessees Hans and Max to Poland. Their journey leads to a seemingly endless drug trip full of extraordinary phenomena. close
The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor more
The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor named Franz Joseph, Yet unexpectedly Franz runs into Sissi while out fishing and they fall in love. close
The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white more
The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in his palette. Mirrored frames being split by white margin and trying to reassemble again like the poles of a magnet, a train approaching station and colliding with itself in white-hot blistering chaos. close
Ruth Beckermann documents the process of uncovering former UN Secretary General Kurt Waldheim’s wartime past. It shows the swift succession of new allegations more
Ruth Beckermann documents the process of uncovering former UN Secretary General Kurt Waldheim’s wartime past. It shows the swift succession of new allegations by the World Jewish Congress during his Austrian presidential campaign, the denial by the Austrian political class, the outbreak of anti-Semitism and patriotism, which finally led to his election. close
Before the premiere of the opera “Samson and Delilah”, the main performer Julia Zorel, to better enter the role, goes to a familiar rabbi, hoping to hear more
Before the premiere of the opera “Samson and Delilah”, the main performer Julia Zorel, to better enter the role, goes to a familiar rabbi, hoping to hear a detailed interpretation of the biblical plot. After the performance, the singer receives an invitation from the Russian prince to give a solo concert on board his yacht. Once at sea, the crew and passengers are held hostage by a terrorist who threatens to detonate a bomb. Recalling the ancient plot, Julia undertakes to play the role of Delilah again to find out from the bomber-Samson the place where he hid explosives. close
In the Echo Park neighborhood of Los Angeles, everybody is somebody else. May, a single mother who delivers strip-O-grams, dreams of being an actress. more
In the Echo Park neighborhood of Los Angeles, everybody is somebody else. May, a single mother who delivers strip-O-grams, dreams of being an actress. She rents one of her rooms out to a pizza-man cum songwriter named Jonathan. Meanwhile, in the next apartment, August, an Austrian bodybuilder, fancies himself the next Arnold Schwarzenegger. As the pressures of everyday life in LA mount, Jonathan and August vie for May's love. close
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