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Mariage Blanc in Morocco means a sham marriage between a Moroccan man and a European woman in order to obtain a residence permit and thereafter the citizenship more
Mariage Blanc in Morocco means a sham marriage between a Moroccan man and a European woman in order to obtain a residence permit and thereafter the citizenship of a European country. The theme of Mariage Blanc is this very intimate form of attempted immigration which is, for Mostafa Tabbou, simultaneously fiction and reality. The film was shot in three days in July of 1996 in the Hotel de Paris in Casablanca, Morocco. close
In this experimental film, Franz Schubert, on his deathbed, hallucinates about his life. Images are superimposed, one upon the other, multiplying as one more
In this experimental film, Franz Schubert, on his deathbed, hallucinates about his life. Images are superimposed, one upon the other, multiplying as one hallucination follows another. His difficult relationship with his mother and his excellent one with his father are meditated upon as he walks down a rural lane, and scenes from his operas appear. close
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image more
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls does so all the more. Kren, the gentle voyeur - who turns the viewer into a secret accomplice - observes three teenagers, and probably like them, awaits a rendezvous. (Thomas Trummer) close
An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound.
An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound. close
Based on a Muehl Happening. The almost convulsive use of juxtaposition reappears here, but the captured gesture assumes a more erotic sensitivity, though more
Based on a Muehl Happening. The almost convulsive use of juxtaposition reappears here, but the captured gesture assumes a more erotic sensitivity, though the "action" itself was primarily a gradual destruction of the erotic. close
In a deconstruction of classic Hollywood codes, using repetitive single frame images, the re-editing of teenager movies produces an intense Oedipal drama.
In a deconstruction of classic Hollywood codes, using repetitive single frame images, the re-editing of teenager movies produces an intense Oedipal drama. close
Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe.
Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe. close
Lisl Ponger creates an imaginary map of the twentieth century on which the stories of emigration are engraved like well-worn tracks of occidental memory. more
Lisl Ponger creates an imaginary map of the twentieth century on which the stories of emigration are engraved like well-worn tracks of occidental memory. The pictures, made by observant tourists, are revealed, in their tensile relationship to the soundtrack, as a post-colonial journey. A journey through exactly those countries which long ago have been shrunk together in space and time. Finally the wonderful neon signs of the “Hotel Edison” and “Radio City” remind one of the origins of this form of appropriation of the world, of the time of great expeditions, of Benjamin‘s shop-windows and passages, and of the time when technical apparatus and means of transportation fundamentally altered the perceptions of modern man. close
Early seventies in a small village in Burgenland, Austria. We are watching a boy of ten being confrontend with two of the most prevalent taboos: death more
Early seventies in a small village in Burgenland, Austria. We are watching a boy of ten being confrontend with two of the most prevalent taboos: death and sexuality. The generally accepted forms of recourse offered by religion and society have cracks, don't work any more, and thus are being ignored, by-passed or interpreted from a child's angle. This film presents subtle views and insight into the life of a boy of ten and looks upon life through his eyes. close
Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film more
Originally commissioned by an Austrian couple in 1961 to photograph a travel diary documenting their wild game hunt, Kubelka shot three hours of film and recorded fourteen hours of audio. Over the next few years, Kubelka toiled in the editing bay, producing a work charged with intricate, ironic brutality. close
Adebar is the first of Peter Kubelka's 'metric films', in which every element of the composition is precisely ordered and in relation to the gestalt. more
Adebar is the first of Peter Kubelka's 'metric films', in which every element of the composition is precisely ordered and in relation to the gestalt. The film is made up of single units---13, 26 and 52 frames long---which are subjected to a complex rule-system, including a strict use of positive and negative space, that determines their structure within the film. close
When Irene takes a position at a hotel deep in the woods of the Austrian Alps, she soon discovers the girl she replaced vanished without a trace. Is there more
When Irene takes a position at a hotel deep in the woods of the Austrian Alps, she soon discovers the girl she replaced vanished without a trace. Is there a murderer on site, or are there even darker forces at work? close
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film more
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film that would help them sell their beers; Kubelka had other ideas. He shot his film with a camera that did not even have a viewer, simply pointing it in the general direction of the action. He then took many months to edit his footage, while the company fumed and demanded a finished product. Finally he submitted a film, 90 seconds long, that featured extremely rapid cutting (cutting at the limits of most viewers' perception) between images washed out almost to the point of abstraction — in black-and-white positive and negative and with red tint — of dimly visible people drinking beer and of the froth of beer seen in a fully abstract pattern. close
Twelve year old Juana goes to a British school in the outskirts of Buenos Aires, where she fails both socially and academically. A week away from the more
Twelve year old Juana goes to a British school in the outskirts of Buenos Aires, where she fails both socially and academically. A week away from the exams that will determine her future in the institution, she is surrounded by the same routine; going to class and trying to pull her social life back together, with useless attempts in between. Juana goes through these strange days apparently feeling indifferent towards the situation. close
This is the story about Setyo, Siti and Ludiro, who were the performer of Javanese Ramayana's Wayang Wong. Setyo and Siti are spouse who live in a village more
This is the story about Setyo, Siti and Ludiro, who were the performer of Javanese Ramayana's Wayang Wong. Setyo and Siti are spouse who live in a village by selling earthenware products. In the village, live as well Ludiro, the head of the stockyard, who is very wealthy and secretly in love with Siti. Conflicts arrived as Setyo's earthenware company is going bankrupt and Siti started to took notice in Ludiro's desire to win her love. These triangle love transform into a civil war in the village that brings not only extremity and injustice, but also the death of the loved ones. close
Before the premiere of the opera “Samson and Delilah”, the main performer Julia Zorel, to better enter the role, goes to a familiar rabbi, hoping to hear more
Before the premiere of the opera “Samson and Delilah”, the main performer Julia Zorel, to better enter the role, goes to a familiar rabbi, hoping to hear a detailed interpretation of the biblical plot. After the performance, the singer receives an invitation from the Russian prince to give a solo concert on board his yacht. Once at sea, the crew and passengers are held hostage by a terrorist who threatens to detonate a bomb. Recalling the ancient plot, Julia undertakes to play the role of Delilah again to find out from the bomber-Samson the place where he hid explosives. close
Alice, a single mother who is more dedicated to her work as a genetic engineer than to her teenage son Joe, develops a new variety of flower that is supposed more
Alice, a single mother who is more dedicated to her work as a genetic engineer than to her teenage son Joe, develops a new variety of flower that is supposed to have the ability to make its owner happy thanks to its special chemical properties. close
At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures.
At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures. close
A young Vienna-based taxi driver of Turkish origin witnesses an extremely brutal murder. The perpetrator, a serial killer, makes eye contact with her; a deadly game of cat-and-mouse ensues.
A young Vienna-based taxi driver of Turkish origin witnesses an extremely brutal murder. The perpetrator, a serial killer, makes eye contact with her; a deadly game of cat-and-mouse ensues. close
This film is from the point of view of a cameraman following a young woman through the streets of a city. He chases her down an alley and knocks her over, more
This film is from the point of view of a cameraman following a young woman through the streets of a city. He chases her down an alley and knocks her over, in a symbolic form of video assault. No dialogue. close
In the sixth great mass mortality of the earth, humankind became extinct. Their technology had recently progressed so far as to deconstruct the algorithms more
In the sixth great mass mortality of the earth, humankind became extinct. Their technology had recently progressed so far as to deconstruct the algorithms of evolution and allow artificial life to develop on Earth. close
The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white more
The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in his palette. Mirrored frames being split by white margin and trying to reassemble again like the poles of a magnet, a train approaching station and colliding with itself in white-hot blistering chaos. close
Exposed to bad influences since childhood, Mary, a young girl is pushed by her mother to approach an elderly banker by the name of Harber. After almost more
Exposed to bad influences since childhood, Mary, a young girl is pushed by her mother to approach an elderly banker by the name of Harber. After almost driving her fiancee to suicide and seducing his mentally-ill son, she realizes through a metaphorical dream the scope of her negligence. Sentenced to prison for incitement to murder Harber, she sees herself as a parallel figure to Lea, Lot's wife in Sodom, where the Angel of the Lord warns the sinful citizens of the city of their impending doom. Lea oppresses the angel and eventually turns it over to the pagan priests when her sexual advances to it are rejected. In another dream sequence, Mary becomes the Queen of Syria, whose oppressed people turn against her and who, in turn, condemns a young man who loves her to death. Finally, her dream returns to the present time and when she awakens, she runs back to her former lover. close
Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters more
Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home together. close
In the Echo Park neighborhood of Los Angeles, everybody is somebody else. May, a single mother who delivers strip-O-grams, dreams of being an actress. more
In the Echo Park neighborhood of Los Angeles, everybody is somebody else. May, a single mother who delivers strip-O-grams, dreams of being an actress. She rents one of her rooms out to a pizza-man cum songwriter named Jonathan. Meanwhile, in the next apartment, August, an Austrian bodybuilder, fancies himself the next Arnold Schwarzenegger. As the pressures of everyday life in LA mount, Jonathan and August vie for May's love. close
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