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The film contains unique documentary footage: - court hearing in the case of A.R. Chikatilo, the imposition of the death sentence;
- the last interview more
The film contains unique documentary footage:
- court hearing in the case of A.R. Chikatilo, the imposition of the death sentence;
- the last interview with Chikatilo, who is already on death row;
- Record from the investigation in the case of Boris Serebryakov and other documents;
- there is a fragment of the examination of the tortured girl, music videos.
The documentary is made in the style of post-Soviet art house. . .
Melancholy black and white avant-garde rarity, the USSR is felt. close
Two Danish comedians join the director on a trip to North Korea, where they have been allowed access under the pretext of wanting to perform a vaudeville act.
Two Danish comedians join the director on a trip to North Korea, where they have been allowed access under the pretext of wanting to perform a vaudeville act. close
For six months (winter, spring, summer), the camera shoots the same place - the backyard of the store. Residents of a small area on the outskirts of Moscow more
For six months (winter, spring, summer), the camera shoots the same place - the backyard of the store. Residents of a small area on the outskirts of Moscow constantly come here. This is an honest documentary about the lives of Russian people. Their house. Look in your eye. close
A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story. A TV-obsessed boxer, a group of schoolkids, more
A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story. A TV-obsessed boxer, a group of schoolkids, a lonely rubber-tree tapper and feuding food vendors all add to a tale that includes witches, tigers, surprise doublings, and impossible reversals. close
The first in a planned series of films about radical filmmakers by film critic Nicole Brenez and filmmaker Philippe Grandrieux, It May Be That Beauty more
The first in a planned series of films about radical filmmakers by film critic Nicole Brenez and filmmaker Philippe Grandrieux, It May Be That Beauty Has Strengthened Our Resolve is a portrait of Masao Adachi, who emerged during the Japanese New Wave of the 1960s as a screenwriter for Nagisa Oshima and Koji Wakamatsu, and directed a series of avant-garde films that grafted radical politics to the sexploitation genre. A 1971 visit to a Popular Front for the Liberation of Palestine (PFLP) training camp while on the way back from Cannes resulted in Adachi's most infamous film, the agit-prop documentary Red Army/PFLP: Declaration of World War, which he co-directed with Wakamatsu. Soon after, Adachi joined a splinter cell of the Japanese Red Army in Lebanon, where he stayed from 1974 until he was deported to Japan in 1997 to serve time for passport violations. close
An in-depth analysis of the relationship between New Wave pioneers François Truffaut and Jean-Luc Godard, as seen through rare archival footage, interviews, more
An in-depth analysis of the relationship between New Wave pioneers François Truffaut and Jean-Luc Godard, as seen through rare archival footage, interviews, and film excerpts — written and narrated by former Cahiers du Cinéma editor Antoine de Baecque. close
A documentary on Jacques Vergès, the controversial lawyer and former Free French Forces guerrilla, exploring how Vergès assisted, from the 1960s onwards, more
A documentary on Jacques Vergès, the controversial lawyer and former Free French Forces guerrilla, exploring how Vergès assisted, from the 1960s onwards, anti-imperialist terrorist cells operating in Africa, Europe, and the Middle East. Participants interviewed include Algerian nationalists Yacef Saadi, Zohra Drif, Djamila Bouhired and Abderrahmane Benhamida, Khmer Rouge members Nuon Chea and Khieu Samphan, once far-left activists Hans-Joachim Klein and Magdalena Kopp, terrorist Carlos the Jackal, lawyer Isabelle Coutant-Peyre, neo-Nazi Ahmed Huber, Palestinian politician Bassam Abu Sharif, Lebanese politician Karim Pakradouni, political cartoonist Siné, former spy Claude Moniquet, novelist and ghostwriter Lionel Duroy, and investigative journalist Oliver Schröm. close
Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract more
Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios. Artists appearing in the film include Willem de Kooning, Jasper Johns, Andy Warhol, Robert Rauschenberg, Helen Frankenthaler, Frank Stella, Barnett Newman, Hans Hofmann, Jules Olitski, Philip Pavia, Larry Poons, Robert Motherwell, and Kenneth Noland. close
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby more
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail. close
Empire is a major five-part series presented by Jeremy Paxman. It tells the story of the British Empire in a new way, tracing not only the rise and fall more
Empire is a major five-part series presented by Jeremy Paxman. It tells the story of the British Empire in a new way, tracing not only the rise and fall of the empire but also the complex effects of the empire on the modern world – political, technological and social – and on Britain. close
Mother and daughter, forced migrants from Chechnya who survived the war. Both lost their husbands. Now they live in a small town with the belief that everything will work out.
Mother and daughter, forced migrants from Chechnya who survived the war. Both lost their husbands. Now they live in a small town with the belief that everything will work out. close
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is more
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is a cut-off of the era, watching our life, and those around us. Thinking about where the line between reality and insanity lies. close
A hysterical documentary which uses footage of Ed Wood's movie to tell the story of his life. It may not be a deep analysis, but shows distinctly how Ed's life strongly influenced his own films.
A hysterical documentary which uses footage of Ed Wood's movie to tell the story of his life. It may not be a deep analysis, but shows distinctly how Ed's life strongly influenced his own films. close
The action takes place against the backdrop of the meager life of a decaying Russian village, where several women and an elderly alcoholic man remain. more
The action takes place against the backdrop of the meager life of a decaying Russian village, where several women and an elderly alcoholic man remain. Two old women live here, the youngest of whom, Praskovya, devoted her whole life to her older sister Maria, who stopped growing in her early childhood. The only young woman in the village is expecting a child: everyone believes that from an angel. close
This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' more
This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix. close
This film was shot in 1988. The main action takes place in a rock group's studio during the visit of a few acolytes from Theatre Theatre. It is all served more
This film was shot in 1988. The main action takes place in a rock group's studio during the visit of a few acolytes from Theatre Theatre. It is all served up in connection with Fassbinder «s notion of Antitheatre. The theme of the “mad prince” in actors» improvisations intertwines with the fate of the director and of directing in general. The adventures of the spirit form the true tale of this film. We use only the single interior, the studio room where nothing happens aside from the pulsations of spirit. It comes to life here, and it rests, as if gaining new strength. The Mad Prince Fassbinder is, indeed, spirit. Only a free camera is capable of capturing this freedom. close
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery more
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.) close
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