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From December 1941 to August 1945, Hong Kong experienced the darkest years in history. Those 3 years and 8 months have become the collective memory of more
From December 1941 to August 1945, Hong Kong experienced the darkest years in history. Those 3 years and 8 months have become the collective memory of the nightmare of Hong Kong people... This war in Hong Kong is An important part of the Eastern battlefield during World War II is a history that should not be forgotten, a dark period of sad history... The TV series Qiu Chan is a youth spy drama based on this history, It tells the passionate story of the patriotic young Ye Chong and other underground party comrades fighting for the victory of the War of Resistance in those isolated island years. close
The four sequences in the film cover four days in a life of young Warsaw lad in September 1938, 1939, 1943 and 1944. In the first sequence Jurek decides more
The four sequences in the film cover four days in a life of young Warsaw lad in September 1938, 1939, 1943 and 1944. In the first sequence Jurek decides not to study in the Sorbonne but enlists in a Polish military school instead. In the second sequence the war starts and Warsaw is occupied. In the third sequence he works in the underground resistance. The final sequence takes place during the Warsaw uprising. close
A judge on crusade to take down the Italian Mafia uses a gangster turned state's witness (a so-called "repenter") and a New York banker to do it. But things aren't quite what they seem.
A judge on crusade to take down the Italian Mafia uses a gangster turned state's witness (a so-called "repenter") and a New York banker to do it. But things aren't quite what they seem. close
The movie "ALSIB." “The Secret Route” is a documentary film that addresses the true history of the Alaska-Siberia airway, which the Americans once said more
The movie "ALSIB." “The Secret Route” is a documentary film that addresses the true history of the Alaska-Siberia airway, which the Americans once said “either madmen or Russians can fly on.”
The Alaska-Siberia highway, or ALSIB, was opened in 1942 and operated until 1945. It served to deliver to the Soviet front fighters and bombers supplied under the Lend-Lease agreement from the United States to the Soviet Union. During the years of operation of the route, which passed through remote areas of the Far North of our country, almost 8,000 aircraft were transported, as well as tons of various cargoes - from food to mail. The existence of the route would have been impossible without the heroic work of Soviet pilots, flight radio operators and mechanics, who worked sometimes in unbearably difficult conditions. close
30 thousand Hasidim journey to Uman in Ukraine to celebrate the Jewish New Year at the gravesite of Rebbe Nachmann. A Ukrainian far-right group erects more
30 thousand Hasidim journey to Uman in Ukraine to celebrate the Jewish New Year at the gravesite of Rebbe Nachmann. A Ukrainian far-right group erects a cross at the site of Hasidic prayers and builds a monument to Cossacks who slaughtered thousands of Jews and Poles in 1768. close
Years of civil war. The Polish interventionists approach Berezina. The Red Army temporarily leaves Belarus. Partisan detachments are organized, the head more
Years of civil war. The Polish interventionists approach Berezina. The Red Army temporarily leaves Belarus. Partisan detachments are organized, the head of one of which becomes the Bolshevik Stepan. In & nbsp; this is the same squad and his brother, who is in collusion with the Polish spy Kabbage. With the help of cabbage, the Polish Ulans that appeared in the villages get to the partisan camps and seize the headquarters. Janko manages to warn the headquarters about the movement of the White Poles, and the partisans are forced to retreat along an impassable swamp. They manage to escape and unite with the Red Army, which occupies Minsk on the eleventh of July. close
During the time of the Peasants' Wars, the free knight Götz von Berlichingen gets into all kinds of private and political entanglements when he defends more
During the time of the Peasants' Wars, the free knight Götz von Berlichingen gets into all kinds of private and political entanglements when he defends the Bishop of Bamberg. He is declared an enemy of the empire and ostracized as a robber. Insurgent peasants, of whom he becomes the leader, also betray him by attacking a town against the condition that no violence be used. close
The gold miner of the turn of the XIX-XX centuries and the locally venerable Athos saint Innocent Sibiryakov all his life struggled ... with wealth. Having more
The gold miner of the turn of the XIX-XX centuries and the locally venerable Athos saint Innocent Sibiryakov all his life struggled ... with wealth. Having begun the struggle of a 14-year-old boy, having passed through slander and psychiatric examinations, he finished it only shortly before the early death. He won. close
1917, Yakutia. 9-year-old Mikita is growing up beyond his years, as he, along with adults, learns the difficult life of a Yakut cattle breeder, where more
1917, Yakutia. 9-year-old Mikita is growing up beyond his years, as he, along with adults, learns the difficult life of a Yakut cattle breeder, where every day is a struggle for survival. New challenges await the boy, as the events of the revolutionary, rebellious time violently invade the traditional way of his family, violating the values and way of life that have been established for centuries. close
Documentary series (Russia). The 2008 season. 5 issues. Episode 1. Alexander Khanzhonkov. The Emperor
Directed by A. Ladoga.
Authors N. Yakovlev, Andrey more
Documentary series (Russia).
The 2008 season. 5 issues.
Episode 1. Alexander Khanzhonkov. The Emperor
Directed by A. Ladoga.
Authors N. Yakovlev, Andrey Shemyakin.
About the former officer of the Cossack regiment Alexander Khanzhonkov. He is the organizer of film production comparable to the Pate Empire. Khanzhonkov could become the first emperor of young Russian cinematography.
Episode 2. 20th: The War of Images
Director Dmitry Lavrinenko.
The first decade of the Soviet system of state production. In the center of the picture is the chairman of Sovkino Kirill Shvedchikov and the brightest film entrepreneur of that era, the head of the Mezhrabpomfilm studio Moses Aleynikov. They each in their own way defended the interests of the audience. The best directors of the 1920s developed the film language. However, the authorities in relation to cinema as the greatest mythmaker had their own plans, where none of our heroes fit. But the system was built.
Episode 3. 30s: Boris Shumyatsky. History of Soviet Hollywood
Director Dmitry Lavrinenko.
About the most famous movie utopia of the decade - "Soviet Hollywood". The attempt to implement this project, which was supposed to equalize the USSR and the United States in terms of the pace of film production, cost the author of the idea, the new People's Commissar of Cinematography Boris Zakharovich Shumyatsky freedom and life. But not because the task was impossible. Utopian was the idea of the hero of the film - to become a co-author of Stalin himself.
Episode 4. 40th: Ivan Bolshakov. Stalin's film mechanic
Director Anna Golikova.
About the vicissitudes of the 15-year reign of Ivan Grigorievich Bolshakov, who became the Minister of Cinematography, who was nicknamed “Stalin’s cinema mechanic” by his eyes. It was on his shoulders fell two of the most difficult periods of the development of the national film music: the years of war and the years of post-war devastation. Bolshakov managed to overcome all difficulties. But after Stalin’s death, he was sacrificed to the changing political environment, defamed and forgotten.
Episode 5. 50s: Ivan Pyrev. Ivan the builder
Directed by A. Ladoga.
The great director, Ivan Alexandrovich Pyriev, in the years of Khrushchev’s thaw, was often a film director. He managed to do a lot: he raised Mosfilm from the ruins, created the Union of Cinematographers of the USSR, became the godfather of a new generation of directors. He absolutely did not want and could not fit into the framework of the Soviet system. He was not a functionary, but a builder. . .
The 2011 season. 4 issues.
Directors: Alexander Shuvikov, Daria Khrenova, Anna Golikova.
Episode 1. The 60s: Thaw, or Secret Strategies for Renewal
The main film director of the thaw era should probably be considered Khrushchev. With one caveat: he did not control the "most important of the arts" as his predecessor, Stalin, did. Khrushchev only occasionally interfered in the film process, ceding the main role to officials of the governors. It is with him that the hardware style of cinema management is formed, which later will lead to the appearance of "shelf" films. The film is attended by Alexei German, Sergey Solovyov, Vitaly Melnikov, Armen Medvedev and others.
Episode 2. '70s: The golden age of stagnation. Philip Ermash and Vladimir Baskakov
Behind the well-established system of production of “gray” films of the 70s was a man who is not without reason called a producer – both in scope and intuition. This is the all-powerful Minister of cinema Philip Ermash. And his de facto predecessor, Vladimir Baskakov, manages cinema and, after his resignation, from his office at the Film Institute. The film is attended by Alexei German, Sergey Solovyov, Gemma Firsova, Vitaly Melnikov, Armen Medvedev and others.
Episode 3. 80s: The Death of Philippe Ermash's Empire
With the change of political weather in the mid-1980s, the style of film management also changed. At the Fifth Congress of the Union of Cinematographers, former leaders are overthrown. Director Elem Klimov is elected as the new chairman. Philip Ermash's empire is bursting at the seams. Alexander Kamshalov, who replaced him, became the last minister of Soviet cinema. The film is attended by Alexei German, Vadim Abdrashitov, Sergey Solovyov, Vladimir Menshov, Andrei Plakhov, Vitaly Melnikov, Armen Medvedev and others.
Episode 4. 90s: Change of fate
With the appointment of Armen Medvedev as film minister, Bulat Okudzhava’s prophecy comes true: “Soon all my friends will break into the leadership, and then it will probably become easier for me to live.” True, freedom, which so dreamed of filmmakers, turns into permissiveness and a new "shelf" - now not censorship, but market. The rental system is destroyed: in cinemas they sell furniture. The situation is saved by festivals that turn into parallel rentals. The state becomes a philanthropist, which finds expression in the support of the low-budget project of Gorky Studio. It remains to be seen who will become the new most important filmmaker - the minister, the critic or the producer? The film is attended by Vadim Abdrashitov, Sergey Solovyov, Vladimir Menshov, Vitaly Melnikov, Andrei Plakhov, Ivan Okhlobystin, Alexei Fedorchenko, Alexei Serebryakov and others. close
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