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A silent avant-garde experience created by Derek Jarman, filled with superimposed images forming a whole picture. His palette consists mostly of reddish more
A silent avant-garde experience created by Derek Jarman, filled with superimposed images forming a whole picture. His palette consists mostly of reddish random images of Egypt and the pyramids; a strange garden destroyed from time to time by a man with a whip; a young peaceful man relaxing on the floor; other smoking and eating insects. This is Jarman's view of the Garden of Luxor and its mysteries. (IMDb) close
Herbie is a short 16mm black and white film by George Lucas and Paul Golding made in 1966 as part of their USC film school course. It is an abstract film more
Herbie is a short 16mm black and white film by George Lucas and Paul Golding made in 1966 as part of their USC film school course. It is an abstract film with no story and no actors, that graphically depicts the reflections of moving light streaks and light flashes from traffic at night. It is set to a piece of jazz music by Herbie Hancock, whose first name was used for the title. close
A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like more
A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources. close
ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting more
ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama. close
All the researchers of the IMPS laboratory are males - with one exception : Mademoiselle Clara, Antoine, the cleaner, desperately yearns for. Night after more
All the researchers of the IMPS laboratory are males - with one exception : Mademoiselle Clara, Antoine, the cleaner, desperately yearns for. Night after night, when Clara is alone, going on with her experiments, the young man awkwardly manoeuvres with a view to declaring his flame. But the cold scientist remains unconcerned. In his trouble, Antoine regularly drops and breaks phials and other test tubes full of dangerous chemical products. He doesn't care when his skin gets into contact with acid. His heart burns too much for him to be able to feel the burning of his skin. And if he can't GIVE his hand to Clara will he really mind to... LOSE it ? close
Originally made for the 100 Feet Film Festival hosted by Image Forum. However, to test the limits, Terayama Shūji willfully made use of 3 projectors to project 300 feet of film at the same time.
Originally made for the 100 Feet Film Festival hosted by Image Forum. However, to test the limits, Terayama Shūji willfully made use of 3 projectors to project 300 feet of film at the same time. close
Mad with pain by a terrible splitting headache, and unable to function, let alone think clearly, a desperate young man has no other choice but to resort more
Mad with pain by a terrible splitting headache, and unable to function, let alone think clearly, a desperate young man has no other choice but to resort to the only remedy he knows: the well-advertised analgesic, Anacin. Could one tablet of the incomparable Anacin painkiller do the trick? close
The film is centered on two men in a bathtub; it is implied that they are veterans of some past conflict. The first man is paranoid about the drain of more
The film is centered on two men in a bathtub; it is implied that they are veterans of some past conflict. The first man is paranoid about the drain of the tub, the second indifferent to it. As the conversation between the two men progresses, a vine-like tendril emerges from the drain… close
Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy more
Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert authority and apply a sense of order to the anarchic. And though it may sound perverse to say so, the film is also—not incidentally—a thrill to watch. -- The A.V. Club close
In which the off-screen voice of Michael Snow narrates a series of Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a hot plate.
In which the off-screen voice of Michael Snow narrates a series of Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a hot plate. close
A young girl shuts herself away in her apartment and goes about her business in a strange way, as she wastes the night in the kitchen – humming all along.
A young girl shuts herself away in her apartment and goes about her business in a strange way, as she wastes the night in the kitchen – humming all along. close
A sunny summer day in the Quebec Laurentiens. All is quiet in the forest, only birds can be heard in the absence of women and men. Yet, an undeniably more
A sunny summer day in the Quebec Laurentiens. All is quiet in the forest, only birds can be heard in the absence of women and men. Yet, an undeniably eerie presence can be felt within the woods, one that has been lurking from civilization since the dawn of time close