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The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his more
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub. close
In this one-off half-hour silent film, Benny stars as the title character, a "born loser" who is unlucky in everything - especially love. He fancies a more
In this one-off half-hour silent film, Benny stars as the title character, a "born loser" who is unlucky in everything - especially love. He fancies a pretty nurse who walks by the park, but ends up with a plainer girl. close
The second novel tells about the shepherds who at night climbed into the cellar to their arrogant and greedy master to taste his famous wine, and after more
The second novel tells about the shepherds who at night climbed into the cellar to their arrogant and greedy master to taste his famous wine, and after eating, decided to sing quietly, and the owner first admired the singing, and then at the sight of theft boiled with indignation, and then turned out to be not the one for whom he was taken. . . close
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man more
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man (May) cycling around the Hampstead (NW3) area of London on a Raleigh RSW16. After crashing into a billboard he falls in love with a fashion model (Huxtable) depicted on it. Despite the title, the Belsize Park area does not actually feature. There is almost no spoken dialogue, and the soundtrack to the film is musical virtually throughout. The title song of the film has been a hit for Mireille Mathieu and Engelbert Humperdinck (a top ten hit in the UK and a top 40 hit in the USA) amongst others. The title is derivative of the French film, Les Parapluies de Cherbourg; apart from a musical theme there is no other obvious link. close
The film may be viewed as a study of the nature of the medium and more specifically of the phenomena of framing, movement, and synchronicity of sound and picture.
The film may be viewed as a study of the nature of the medium and more specifically of the phenomena of framing, movement, and synchronicity of sound and picture. close
Auto mechanic Sergei Dukhanin, together with kolkhoz drivers, goes to the city to receive new trucks. Seeing beautiful boots in the window of the city more
Auto mechanic Sergei Dukhanin, together with kolkhoz drivers, goes to the city to receive new trucks. Seeing beautiful boots in the window of the city store, the hero decides on an expensive gift to his beloved wife. close
The emotions, events, and bitterness of the 1968 Student Revolution have become more meaningful over time, and, like old wine, they have become enduring more
The emotions, events, and bitterness of the 1968 Student Revolution have become more meaningful over time, and, like old wine, they have become enduring and epic. It is no coincidence that the initial credits appear only in the middle of the film after an ever-accelerating stream of fragmented images and a ragged rhythm, as if dividing the narrative into two independent periods: “Before” and “After” the Fall, which becomes the true creative principle of being subordinated exclusively to the power of human love. close
He took up the camera as other people take the pencil and paper. In 1968 he presented his first film Lydia at the Solothurner Filmtage. His appearance more
He took up the camera as other people take the pencil and paper. In 1968 he presented his first film Lydia at the Solothurner Filmtage. His appearance as a Filmmaker was absolutely unexpected: the only lyric poet of the film, who succeeded virtually without effort in turning his inner life outwards, creating dreamlike images. With a juvenile absoluteness, innocently arrogant, the pale, gaunt man had put the following sentence in the festival paper: "Look, what kind of a film Reto Andrea Savoldelli has created for you with five thousand Swiss Francs." He pitched himself as "First exponent of the Swiss Immigrant's Cinema". (Martin Schaub) close
One day, Dimin's dad bought a live rooster. But when the boy learned that the rooster was destined to be cooked in soup, he and his friend Andrei decided more
One day, Dimin's dad bought a live rooster. But when the boy learned that the rooster was destined to be cooked in soup, he and his friend Andrei decided to hide the unfortunate bird. Having learned about this and understood the feelings of the boys, Dimina’s parents decided to settle the rooster in the house as a family member. close
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