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A reflection on Jafa's desire to craft a "black cinema" that is responsive to the "existential, political, and spiritual dimensions" of Black life. Comprised more
A reflection on Jafa's desire to craft a "black cinema" that is responsive to the "existential, political, and spiritual dimensions" of Black life. Comprised of found footage sampled from films, newscasts, sporting events, music videos, and citizen videos, all of it downloaded from the Internet, the clips have been woven together and set to Kanye West's anthem "Ultralight Beam." Together the images and music make for an intense, poignant meditation on African American life in the twentieth-century. This history is also the history, by necessity, of racism and prejudice. close
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her old flame drives by and asks more
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her old flame drives by and asks her to go on a date with him. Scared that he doesn't want to go out with her, she lies and tells him that she is just babysitting the kids. This will be her first date in years. close
Pure fantasia, a race to save the world from a fatal heart attack, juxtaposed against a love rivalry between two brothers - a mortician and an actor playing more
Pure fantasia, a race to save the world from a fatal heart attack, juxtaposed against a love rivalry between two brothers - a mortician and an actor playing Christ - for the heart of a scientist studying the earth's core. close
On a deserted railway line two trains have stopped because of repair works. Opposite each other. Time goes by, and movement is still not restored. Among more
On a deserted railway line two trains have stopped because of repair works. Opposite each other. Time goes by, and movement is still not restored. Among the passengers some strange relations begin to develop... close
Conceived and photographed with the loving collaboration of Susan Vigil during the last year of her life, Song and Solitude is balanced more toward an more
Conceived and photographed with the loving collaboration of Susan Vigil during the last year of her life, Song and Solitude is balanced more toward an expression of inner landscape, or what it feels like to be, rather than an exploration of the external visual world as such. close
A group of mourners and a man spat from the depths of Hades build a boat from the debris of New Orleans to rescue their lost loved ones trapped beneath the sea.
A group of mourners and a man spat from the depths of Hades build a boat from the debris of New Orleans to rescue their lost loved ones trapped beneath the sea. close
The filmmaker, fighting ovarian cancer, stage 3, returns to her experimental roots, in a multilayered film of numerous chemotherapy sessions with images more
The filmmaker, fighting ovarian cancer, stage 3, returns to her experimental roots, in a multilayered film of numerous chemotherapy sessions with images of light and movement that take her far from the hospital bed. A a cancer ‘thriver’ rather than ’survivor’, Barbara Hammer rides the red hills of Georgia O’Keefe’s Ghost Ranch in New Mexico, the grassy foothlls of the Big Horn in Wyoming, and leafy paths in Woodstock, New York changing illness into recovery. The haunting and wondrous music of Meredith Monk underscores and celebrates in this film that lifts us up when we might be most discouraged. close
A piece of blank white paper placed and pulsating before a camera’s lens attracts a crowd of passers-by in Tunis, the simplicity of the conceit slowly more
A piece of blank white paper placed and pulsating before a camera’s lens attracts a crowd of passers-by in Tunis, the simplicity of the conceit slowly opening up to a profound reflection on the nature of cinema itself (both its creation and its collective viewing) while tracing the forms of a particular social and political landscape. close
An immersive virtual reality documentary experience about the risks faced by blacks on the road in mid 2Oth Century America, and the safe spaces as listed more
An immersive virtual reality documentary experience about the risks faced by blacks on the road in mid 2Oth Century America, and the safe spaces as listed in the famous guide, The Green Book, where they could eat and sleep. close
A film about Chris Kennedy’s Watching the Detectives (2018), a detective comedy appropriating for its own purposes the principle of its model: inquiring about the inquirer.
A film about Chris Kennedy’s Watching the Detectives (2018), a detective comedy appropriating for its own purposes the principle of its model: inquiring about the inquirer. close
A digital animation of a Victorian stereoscopic photograph of a 19th-century factory floor, crowded with machinery and child workers. Filmmaker Ken Jacobs more
A digital animation of a Victorian stereoscopic photograph of a 19th-century factory floor, crowded with machinery and child workers. Filmmaker Ken Jacobs isolates the faces of individuals and details of the image, as if searching out the human and the particular within this mechanized field of mass production. Space appears to fold in on itself as Jacobs activates the stereograph; the agitated image flickers and stutters, but the motion never, in fact, progresses. close
Conceived as a reflection on the theme of time at the turn of the millennium, "Dans le noir du temps" functions as a Pandora’s box which hides all the more
Conceived as a reflection on the theme of time at the turn of the millennium, "Dans le noir du temps" functions as a Pandora’s box which hides all the horrors of the world: the last moments of youth, fame, thoughts, memory, love, silence, history, fear, eternity and, of course, cinema. close
“You have a gift. Down here, your gift is useless. So we’re gonna show you the most beautiful things. You’re gonna have more memories than everyone else. more
“You have a gift. Down here, your gift is useless. So we’re gonna show you the most beautiful things. You’re gonna have more memories than everyone else. And then, you will sleep. You won’t wake up.” close
A woman goes to bed, falls asleep, and begins to dream. This dream takes her to a landscape of light and shadow, evoked in a form only possible through more
A woman goes to bed, falls asleep, and begins to dream. This dream takes her to a landscape of light and shadow, evoked in a form only possible through classic cinematography. An homage to Man Ray, dedicated to the beginning of the European avant-garde film within the surrealist movement. close
18 years after Kurt Kren produced his third film 3/60 Bäume im Herbst [3/60 Trees in Autumn], he shot his masterpiece 37/78 Tree Again. 18 years after more
18 years after Kurt Kren produced his third film 3/60 Bäume im Herbst [3/60 Trees in Autumn], he shot his masterpiece 37/78 Tree Again. 18 years after I created my third darkroom film L’Arrivée (an homage to the Lumière brothers and their 1895 L'Arrivée d'un train), I embarked on Train Again. This third film in my “Rushes Series” is an homage to Kurt Kren that simultaneously taps into a classic motif in film history. My darkroom ride took a few years, but we finally arrived: All aboard! close
While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment more
While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006). close
A woman watches time passing next to the suitcases of her ex-lover (who is supposed to come pick them up but never arrives) and a restless dog who doesn't more
A woman watches time passing next to the suitcases of her ex-lover (who is supposed to come pick them up but never arrives) and a restless dog who doesn't understand that his master has abandoned him. close
The great French actor, Marcel Dalio, who has the lead role in Jean Renoir's THE RULES OF THE GAME, also appears in Renoir's GRAND ILLUSION. In both films more
The great French actor, Marcel Dalio, who has the lead role in Jean Renoir's THE RULES OF THE GAME, also appears in Renoir's GRAND ILLUSION. In both films he plays a character who is Jewish, as Dalio was in real life. In fact, in most of the French films he's in the 1930s, he almost always plays shady characters, informers, blackmailers and gangsters. In other words, he is always "the Jew." When the Nazis invaded France in 1940, he fled to America and appeared in CASABLANCA and TO HAVE AND HAVE NOT. In America, he was no longer the Jew but The Frenchman. He became, in dozens of films, America's idea of a typical Frenchman. His film career has these two strands in which he has two different identities. Are you defined by other people and their perceptions of who you are? Are you always a creation of the way people want to see you? Or can you exist outside of the arbitrary boundaries which are placed on you? close
A family's place in the wilderness, outside of time; free-range animals and children, junk and nature, all within the most sublime landscape. The work more
A family's place in the wilderness, outside of time; free-range animals and children, junk and nature, all within the most sublime landscape. The work aims at an idea of freedom, which is reflected in the hand-processed Scope format, but is undercut with a sense of foreboding. There's no particular story; beginning, middle or end, just fragments of lives lived, rituals performed. close