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Greed, corruption, ignorance, and disease. Midsummer, 1349: the Black Death reaches northern Germany. Minstrels go to Hamelin for the Mayor's daughter's more
Greed, corruption, ignorance, and disease. Midsummer, 1349: the Black Death reaches northern Germany. Minstrels go to Hamelin for the Mayor's daughter's wedding to the Baron's son. He wants her dowry to pay his army while his father taxes the people to build a cathedral he thinks will save his soul. A local apothecary who's a Jew seeks a treatment for the plague; the priests charge him with witchcraft. One of the minstrels, who has soothed the Mayor's daughter with his music, promises to rid the town of rats for the fee. The Mayor agrees, then renigs. In the morning, the plague, the Jew's trial, and the Piper's revenge come at once. close
Famous writer Alexander Gardy, seeing in the “Casino de Paris” the performance of Katharina Miller, decides that the best actress for his new play can more
Famous writer Alexander Gardy, seeing in the “Casino de Paris” the performance of Katharina Miller, decides that the best actress for his new play can not be found. Calling for all his eloquence and painting her future in the most rosy tones, he manages to persuade her to move to his luxurious villa in Cannes for ... rehearsals. But unforeseen complications arise: Katarina arrives not alone, but accompanied by her father, mother, brothers, two dogs and a parrot. A noisy family is immediately mastered in a new place, like at home. Hardy's assistant is very unhappy with his choice. In addition, the director of the casino comes from Paris, who wants to bring Katarina back at all costs. close
In a world ravaged by violence, and other serious social problems, Joan - a character that alludes to Christ (which represents the return to Earth) arrives more
In a world ravaged by violence, and other serious social problems, Joan - a character that alludes to Christ (which represents the return to Earth) arrives to Italy by train and preaching for the salvation of mankind, condemning the hypocrisy and hedonism. close
This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, more
This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger, and the wedding guests and family indulge in cannibalism, among other perversions. close
Werner Schroeter mixes Stravinsky, Beethoven, Brahms, Maria Callas and Janis Joplin in this delirious biography of the doomed nineteenth-century mezzo-soprano.
Werner Schroeter mixes Stravinsky, Beethoven, Brahms, Maria Callas and Janis Joplin in this delirious biography of the doomed nineteenth-century mezzo-soprano. close
Marika Reck ("The Girl of My Dreams"), Elizabeth Marcus ("Then"), Walter Giller ("The Queen of Bees") in the musical comedy "Sensation in San Remo." Cornelia more
Marika Reck ("The Girl of My Dreams"), Elizabeth Marcus ("Then"), Walter Giller ("The Queen of Bees") in the musical comedy "Sensation in San Remo." Cornelia (Marica Rekk) leads a double life: by day she is a prim teacher in a women's gymnasium, and in the evening - a frivolous singer in a nightclub and this "immodest" work helps her family survive. The girl carefully hides her additional earnings from her colleagues at school and her relatives, who, however, themselves are a little “jocked” in their spare time. One day things start to spiral out of control when Cornelia falls in love with a famous composer and conductor and travels with him to a song contest in San Remo. In trouble, the headmaster of her school, who came to the teachers' conference, settles in the same hotel. This story has a good ending, because the heroine’s dreams will come true – she will become a famous singer, besides the wife of a popular composer and director. “Sensation in San Remo” meets all the criteria of musical cinema of the fifties and is one of the best musical films in Germany. This is the fourth post-war film by Marika Reck, an actress with a tireless character who always works with extreme tension. In the fifties, she was as popular as she was when she was the star of Nazi Germany. And, as before, there are countless performances, concerts, films, tours, recordings on the radio. To the credit of the great actress, Marika Reck did not star in any Nazi film with a political coloring. close
This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. more
This first film by choreographer Pina Bausch reflects her method of working as developed with the Wuppertal Theatre of Dance during the 1973/74 season. The film does not tell a story, but is made up of various scenes put together as a collage with scenes set in different locations. The futility of human activity and the search for love make up the film's central theme set against the strains of a Silician funeral march. Filmed on location in Wuppertal, Germany, between October 1987 and April 1989. close