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The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and more
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons. close
Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the more
Portrait of a troubled peasant family. The film tells the story of two times widow Anna Belova who lives together with her brother Mikhail. Blending the two personalities, Kosakovsky characterizes the true Russian soul: she is the rational worker, honest and strong - he is the drunken poet, the idealist, his philosophy fades into radical nonsense time after time. close
In 1994, Alexander Sokurov accompanied Russian troops assigned to a frontier military post at the Tajikistan/Afghanistan border to film their experiences. more
In 1994, Alexander Sokurov accompanied Russian troops assigned to a frontier military post at the Tajikistan/Afghanistan border to film their experiences. While unnamed tribal forces occasionally engaged the troops in skirmishes, Sokurov’s haunting documentary chronicles the downtime between activity. close
Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet more
Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society". close
Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism more
Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world. close
Depicts a community of pensioners living in near isolation outside of St. Petersberg as it enacts the weekly ritual of bringing a delivery of bread—left more
Depicts a community of pensioners living in near isolation outside of St. Petersberg as it enacts the weekly ritual of bringing a delivery of bread—left at a rail junction two hours away—into the village for distribution. close
Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity.
Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity. close
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances more
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem. close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 more
In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 appears. Shots of the awakening of the city, renewal of its life, echo with lyrical pictures of the revival of nature. Kaufman's attentive camera stops for a long time on the smiling faces of the children, painting a lyrical picture of a confession of love for Kyiv. close
The images comprise only of material Sergei Loznitsa found in the Moscow film archives about the siege of Leningrad during the World War II. By providing more
The images comprise only of material Sergei Loznitsa found in the Moscow film archives about the siege of Leningrad during the World War II. By providing the originally silent images with a meticulously reconstructed soundtrack, the scenes from everyday life under siege seem to be set in the present. By not intervening in the montage but giving the scenes room to tell a story, the scenes transcend the specific historic events and lead a new life. They do not evoke memories of the past, but become a breathtaking reanimation of reality. close
A drunk couple spend their summer-holiday at sea. Their life is not everything they hoped for, and abuse is part of their relationship. At sea they dream more
A drunk couple spend their summer-holiday at sea. Their life is not everything they hoped for, and abuse is part of their relationship. At sea they dream about love and understanding, and we observe their fellow countrymen spending their holidays on the same beach. Tragedy, comedy, love, hate, sex : it is all there. close
Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th more
Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..." close
The film is a documentary. The characters, with the exception of the main character, are local residents. The daily existence of Tushi shepherds based more
The film is a documentary. The characters, with the exception of the main character, are local residents. The daily existence of Tushi shepherds based on documented material, is poetically interpreted in the film and shows the moral harmony, spiritual purity, and fortitude of the characters of the film. close
The director films the street where he lives in St. Petersburg, for a whole year, documenting the changes caused by the celebration of its 300th anniversary.
The director films the street where he lives in St. Petersburg, for a whole year, documenting the changes caused by the celebration of its 300th anniversary. close
Victor Kossakovsky searched obsessively for inhabitants of St. Petersburg who were born on Wednesday 19 July 1961, his own birthday, in former Leningrad. more
Victor Kossakovsky searched obsessively for inhabitants of St. Petersburg who were born on Wednesday 19 July 1961, his own birthday, in former Leningrad. Fifty-one women and fifty men fitted the profile. In the course of time a few of these 101 people had died, others had moved to another community or abroad. But in 1995 Kossakovsky managed to capture on film all seventy remaining residents, in the street, at work or simply at home. While doing so he spent time with doctors and patients, entertainers and businessmen, construction workers and homeless people. In his unorthodox style Kossakovsky has produced a beautiful profile of people in their thirties in St. Petersburg. close
Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of more
Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer. close
Four love stories connected by newsreels of the late 60s. Each short story begins with an epigraph taken from the Song of Songs of the Old Testament. more
Four love stories connected by newsreels of the late 60s. Each short story begins with an epigraph taken from the Song of Songs of the Old Testament. The stories are interconnected by documentary shots and numerous interviews taken on the streets from passers-by who are asked the same question: “what does it mean to love?”. close
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