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A young girl takes refuge in the woods to escape her mother's rages. Here she reenacts scenes of her physical and sexual abuse using stuffed dolls. It more
A young girl takes refuge in the woods to escape her mother's rages. Here she reenacts scenes of her physical and sexual abuse using stuffed dolls. It seems she wants her late father back, despite the sexual abuse, for at least he loved her. Now all she has left is her physically and mentally abusive mother. close
After leaving for nature, Koshkin became the victim of a robber. And now, completely naked, he seeks help from people, from those who will not be afraid.
After leaving for nature, Koshkin became the victim of a robber. And now, completely naked, he seeks help from people, from those who will not be afraid. close
The piece presents a series of bizarre tableaux, many involving cinematic voyeurism, blurring of the living-dead borderline and a healthy amount of stabbing, more
The piece presents a series of bizarre tableaux, many involving cinematic voyeurism, blurring of the living-dead borderline and a healthy amount of stabbing, of oneself and of others. A catatonic fellow gets costumed as a ghoul; a literal tree-hugger, ecstatic in his arboreal embrace, gets stabbed; a bespectacled fellow with a Bolex-y camera goes around documenting it all. (Written by Colin Marshall) close
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. more
The time has come to life and went backwards, and gained all its losses. All the dead have given their time, all the time of their love and their hatred. The cycle of present has opened. And in the ashes of the burnt lives a new fire flashed, and lit the way for those who went to the beginning of all beginnings. And I have witnessed it. close
This film decisively breaks out of a numerous politicized and social films, it does not dictate to the viewer any particular point of view, perception more
This film decisively breaks out of a numerous politicized and social films, it does not dictate to the viewer any particular point of view, perception of the film takes place at the level that the viewer chooses for himself. close
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact more
Based on the play by Alexander Vampilov "Twenty Minutes with an Angel". Two seconded men began their “labor” activities in a small town with the fact that they were drunk. When they woke up, they decided to get money, but the search for funds was not successful. Suddenly a stranger appeared and offered them a hundred rubles. "Heroes" and their hotel neighbors did not believe in the sincerity and unselfishness of the act. . . close
A film novella based on the story of Vasily Shukshin "Sergey Sergeevich's brother-in-law". Generous and hospitable Sergey Sergeyevich, who came to the more
A film novella based on the story of Vasily Shukshin "Sergey Sergeevich's brother-in-law". Generous and hospitable Sergey Sergeyevich, who came to the village to visit relatives, does not notice himself how with his sweeping manners, he hurts the sense of human dignity of people who do not live in poverty, but are forced to count both a penny and a ruble, and even more so a hundred. close
One of the most impressive symbols of a happy Soviet life, peaceful labour and rich harvest. Being mystified to the highest degree, the film acquires more
One of the most impressive symbols of a happy Soviet life, peaceful labour and rich harvest. Being mystified to the highest degree, the film acquires traits of a mystical animal, a human being and just a machine. close
“The trouble happened at six o’clock in the evening, but at first no one realized what had happened. The alien ship in the rays of the evening sun seemed more
“The trouble happened at six o’clock in the evening, but at first no one realized what had happened. The alien ship in the rays of the evening sun seemed to be a cloud, devoid of clear forms, iridescent and completely safe. At that time in the house were Marya Stepanovna, her daughter Leokadia and granddaughter Sashenka, who was sick with angina and capricious. Semensky, Leokadia's husband, has not yet returned from work. Eyewitnesses said that the cloud, hanging for a few minutes over the house of the Semenskys, suddenly fell on him, enveloped the house like a fog, then rose again, gaining speed, until it mixed with other clouds and clouds. The house is gone. The front garden, overgrown with weeds, a booth with Trenoga and outbuildings also disappeared. There was a deserted place where no blade of grass grew, as well as a square pit from the foundation. close
The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly more
The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly accelerated excerpt from Brezhnev’s speeches, as well as by fragments of statements of the mentally ill person with the schizophasia symptom. close
Schoolgirl Nodira, quiet and dreamy, attracts attention by inventing a heroic act that she allegedly committed while saving a child from under the wheels of a car...
Schoolgirl Nodira, quiet and dreamy, attracts attention by inventing a heroic act that she allegedly committed while saving a child from under the wheels of a car... close
Pavel Alekseevich, who is wanted by many people, persistently moving further and further into Siberia, tries to hide from everyone in the world, and especially more
Pavel Alekseevich, who is wanted by many people, persistently moving further and further into Siberia, tries to hide from everyone in the world, and especially from several wives with a large brood of children, whom he does not want to support and raise. He himself explains his malignant antisociality and penchant for anarchism by his desire to be free from everyday vanity and philistineism. And now this fallen misanthrope, unwilling to contribute to the construction of socialism, finds himself on the very edge of the Earth.
Short drama based on the novel by Vladimir Makanin “Citizen running away” with Vladimir Zamansky in the title role – the thesis of a wonderful actress and actress. director Elena Tsyplakova . close
I know these were glasnost days, but still, I'm a little surprised filmmakers were out there doing stuff like this. There's nothing overtly anti-communist more
I know these were glasnost days, but still, I'm a little surprised filmmakers were out there doing stuff like this. There's nothing overtly anti-communist in this piece, but it ain't what you'd call respectful, 'neither. The brothers Aleinikov lay turgid governmental speeches about "the rearing of a new man" under footage of dudes goofing around in space-alien costumes, they roll footage of apple-cheeked future Stakhanovites upside down and backwards, they crudely animate -- in a certain South Parkian way -- CCCP icons in a goofy manner. Good, clean fun. (written by Colin Marshall) close
The story unfolding during one day, tells about the male vileness and ever-hard female share ... The action takes place against the background of the more
The story unfolding during one day, tells about the male vileness and ever-hard female share ... The action takes place against the background of the first hits of the young group "Nautilus Pompilius" ... close
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with more
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives. close
