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The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and more
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons. close
Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet more
Through the travelogue format, it depicts the multitude of Soviet peoples in remote areas of USSR and details the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society". close
Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism more
Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world. close
Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity.
Bold and exhilarating documentary account of the building of the Turkestan-Siberian railway, presented as a heroic triumph of Soviet progress over natural adversity. close
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances more
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem. close
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with more
The film “Maria” is a requiem in memory of the Russian peasant Maria Semenovna Voynova. Maria Semyonovna grew flax all her life. It is possible that with her life, important peasant secrets of working in the field have gone. Transferred to her at one time by inheritance techniques of agricultural engineering in her family to pick up no one. The son tragically died, the daughter will not work in the field, most likely she will completely leave the village.
The film consists of two chapters. The first is a color summer impression of Maria Semyonovna. Haymaking, bathing in the river, work on linen fields, vacation to the Crimea, which happens in the life of a peasant (especially in summer) is extremely rare - the very first impressions of a city man, who was the author of the film. The task is to create an impression, to immerse the viewer in pastoral emotion. The second part is a sad “gift” of fate. It's been nine years. These years have brought change. There were not some, there were others. The second chapter is a black and white image with a story about how the fate of Maria Semyonovna ended. It's a sad, elegiac narrative. The director intended to give a panorama of the fate of a particular person in specific circumstances.”
Alexander Sokurov (from the author's abstract) close
In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 more
In Spring is a masterpiece of the Ukrainian film avant-garde, a non-fiction film created by Mykhail Kaufman. In it, the now almost unknown Kyiv of 1929 appears. Shots of the awakening of the city, renewal of its life, echo with lyrical pictures of the revival of nature. Kaufman's attentive camera stops for a long time on the smiling faces of the children, painting a lyrical picture of a confession of love for Kyiv. close
Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th more
Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..." close
The film is a documentary. The characters, with the exception of the main character, are local residents. The daily existence of Tushi shepherds based more
The film is a documentary. The characters, with the exception of the main character, are local residents. The daily existence of Tushi shepherds based on documented material, is poetically interpreted in the film and shows the moral harmony, spiritual purity, and fortitude of the characters of the film. close
Four love stories connected by newsreels of the late 60s. Each short story begins with an epigraph taken from the Song of Songs of the Old Testament. more
Four love stories connected by newsreels of the late 60s. Each short story begins with an epigraph taken from the Song of Songs of the Old Testament. The stories are interconnected by documentary shots and numerous interviews taken on the streets from passers-by who are asked the same question: “what does it mean to love?”. close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is more
On the banks of the Obvodny Canal in St. Petersburg there are three crazy houses, three Houses of Culture, a spiritual academy, a pub ... This movie is a cut-off of the era, watching our life, and those around us. Thinking about where the line between reality and insanity lies. close
Commissioned by the Moscow Soviet as a documentary and information film for the citizens of Moscow prior to municipal elections, film is a tableau of more
Commissioned by the Moscow Soviet as a documentary and information film for the citizens of Moscow prior to municipal elections, film is a tableau of Soviet life and achievements in the period of reconstruction following the Civil War of 1917-1921. close
Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent more
Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves. close
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter.
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter. close
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). more
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.” close
A 1937 Soviet documentary film directed by Dziga Vertov. The film was shot to commemorate the 20th anniversary of the October Revolution. It focuses on more
A 1937 Soviet documentary film directed by Dziga Vertov. The film was shot to commemorate the 20th anniversary of the October Revolution. It focuses on the women and the role of motherhood, featuring images from across the Soviet Union, in particular the Far East. close
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with more
The film is a day in the life that passes by, even if it seems neverending. In the morning the streets are alive with people, pedestrians and cars, with loud and exultant noise. Such sounds accompany the restless walk of a woman and her child across a dusty street, while Bartas’ gaze wanders through many different perspectives. close
This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting more
This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread. close
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