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The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, more
The provincial Russian town of Nerekhta is celebrating its 775th anniversary. The basis of the holiday is the legend about the local craftsman Krikutny, who was the first in the world in 1731 to fly in a balloon. Was there really the balloonist Krikutny, or was this story invented by the provincial official Sulukadzev? Whom to believe? To the text of the charter for the first ballooning or to historians who refute the reality of this event? close
All passengers take things on the road. So the hero of the cartoon "Suitcase" took with him on the train everything he considered necessary, packing the more
All passengers take things on the road. So the hero of the cartoon "Suitcase" took with him on the train everything he considered necessary, packing the property in a huge yellow suitcase. He is in such a hurry to the train that he knocks the rest of the passengers in his path. The bushman crushed someone's leg, left someone without pants, but does not pay attention to it.
Here, finally, is the Paradise Coupe. You can arrange a suitcase on the luggage shelf and relax. But, dozing off, this mustachioed gentleman has a nightmare: his suitcase opens, and in it instead of luggage - a mysterious city. Its inhabitants bake an unimaginable size cake.
This vision is so ridiculous that a man wakes up in horror. Around the road, there is nothing to worry about. He closes his eyes again, and again slides the snake of the suitcase, revealing the cityscape with strange inhabitants, only now he, its owner, becomes a prisoner of the suitcase.
The film is based on a poem by V. Linkova. close
A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling more
A heartfelt story about the borderlands of childhood, about a boy who is still a child, but who is touched by an inexplicable, barely discernible feeling of love. Ten-year-old boy Jaanus is in love with Eva, a girl a few years older than him, from whom he wants to buy a puppy. The puppy is like an unattainable dream, like a first love. Aare Tilga's debut film is based on Mart Kivastik's short story of the same name and was Tilga's diploma thesis at the Moscow Cinema Institute, supervised by Eldar Ryazanov. close
A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape more
A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape a war tribunal. The difficulties of war are manly endured by the film’s characters. This film, like most of Yufit’s works, shows his love of 1920’s avant garde cinema, which was considered the highest pinnacle in cinematography. The director believes the art of moving pictures was more heartfelt before sound and colour. “The development of technologies is not a particularly positive thing for human existence,” says Yufit. —Arsenals Film Festival close
One of the most structured of Yufit’s reels with an elaborated montage work. This film combines three diverse worlds in an absurd manner to show the author’s more
One of the most structured of Yufit’s reels with an elaborated montage work. This film combines three diverse worlds in an absurd manner to show the author’s passion for black humour: traditions of the avant garde cinematography of 20s, the social motives of contemporary Russia, and forensic medicine. —arsenals.lv close
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and more
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and a non-human: a subhuman deprived of a divine spark. close
About Sado-masochism, suicide and the irrational nature of the human spirit. The irrationality of the human psyche, sadomasochism and suicide are the more
About Sado-masochism, suicide and the irrational nature of the human spirit. The irrationality of the human psyche, sadomasochism and suicide are the leitmotifs of this film. The documentary footage of airplanes and pilots – symbols of courage and honour – become an unexpected counterpoint to the main structure of the film. The combination of documentary footage and poetic storytelling with the inclement northern setting reinforce the ascetic atmosphere of Suicide Monsters and give its self-destructive characters a heroic and noble appearance. —arsenals.lv close
The girl Zhenya strives to be a leader among teenagers: she at a dizzying height goes from one roof to another, nothing but mice, is not afraid. The film more
The girl Zhenya strives to be a leader among teenagers: she at a dizzying height goes from one roof to another, nothing but mice, is not afraid. The film tells about one day of a girl - her birthday. close
The film about the work of the Moscow Zoo, consisting of sequential scenes, which on the background of children's songs pro the inhabitants of the zoo demonstrate the life of animals in cells.
The film about the work of the Moscow Zoo, consisting of sequential scenes, which on the background of children's songs pro the inhabitants of the zoo demonstrate the life of animals in cells. close
In the narrow carriages of the train, people travel through the vast and beautiful country. Villages, cities, cemeteries, forests and factories float more
In the narrow carriages of the train, people travel through the vast and beautiful country. Villages, cities, cemeteries, forests and factories float past windows... Who are all these people? Where is the train going and does it have a driver? (Prize for Best Documentary at the Cinema Du Ruel International Festival at the Pompidu Centre in Paris.) France, 1989). close
Students of the 5th "B" class were awarded a movie camera for the first place in collecting waste paper. Anton Dudkin was assigned to shoot a chronicle more
Students of the 5th "B" class were awarded a movie camera for the first place in collecting waste paper. Anton Dudkin was assigned to shoot a chronicle of the life of the class. As a result of all the funny stories that happened to the guys during the filming, they decided to scrap the "dangerous prize" — the movie camera. close
The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly more
The pantomime of two characters exchanging roles is accompanied by a three-layered phonogram, where sophisticated narrative text is interrupted by slightly accelerated excerpt from Brezhnev’s speeches, as well as by fragments of statements of the mentally ill person with the schizophasia symptom. close
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage more
The main characters of the film are members of the group "Nastya" Nastya Poleva and Yegor Belkin. The half-hour half-documentary tape included footage taken by Balabanov in 1985-1990. In addition to the main characters, the documentary footage captured many prominent figures of Sverdlovsk rock club, in particular Vyacheslav Butusov, Leonid Porokhnyu, and local actors. close
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes more
At the center of the film is a man in a monkey mask inhabiting various anthropogenic spaces, such as a zoo, city streets and a farmyard. But the attributes inherent in human life (work, marriage, military service, leisure) do not release him from an animal form. close
On the eve of the XX Congress of the CPSU in the village club collective farmers before the meeting openly talk about their difficult life. The meeting more
On the eve of the XX Congress of the CPSU in the village club collective farmers before the meeting openly talk about their difficult life. The meeting begins, and these very people are transformed into “levers of the Party.” close
A young guy gets caught on a currency transaction, changing rubles to dollars. But in his mind, he has long overcome not only state borders, but also the laws of gravity.
A young guy gets caught on a currency transaction, changing rubles to dollars. But in his mind, he has long overcome not only state borders, but also the laws of gravity. close
This film decisively breaks out of a numerous politicized and social films, it does not dictate to the viewer any particular point of view, perception more
This film decisively breaks out of a numerous politicized and social films, it does not dictate to the viewer any particular point of view, perception of the film takes place at the level that the viewer chooses for himself. close
Short feature film, filmed in 1988. One of the first works of the film director Alexei Balabanov, at that time an assistant at the Sverdlovsk Film Studio. more
Short feature film, filmed in 1988. One of the first works of the film director Alexei Balabanov, at that time an assistant at the Sverdlovsk Film Studio. The film is a course work, filmed while studying at the Higher Courses of Scriptwriters and Directors; the materials of the film became the basis for the thesis work of the director, the film "Nastya and Egor" (1989). close
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter.
Short film from Sergei Parajanov, a personal view of the director on the spectacular heritage of Niko Pirosmani (1862–1918), a Georgian primitivist painter. close
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require more
A military group of alpinists are selected to carry out a secret mission. The fate of humanity depends on their success. The rules of the mission require the death of each participant once his or her task is accomplished. After killing one of their colleagues and splitting into several groups, the alpinists continue their journey. But the human unconscious doesn’t follow military orders. Having once committed murder, the “knights” can’t control their desire to kill. They forgot their mission… and kill each other instead. —University of Pittsburgh close
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