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A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, more
A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, then sinks back into it again. A young woman begins to move slowly towards the building. She enters it. The film cuts crackle, the sound track grates, suppressed, smothered. Found footage from Hollywood forms the basis for the film. The figure who creeps through the images, who is thrown around by them and who attacks them is Barbara Hershey. Tscherkassky's dramatic frame by frame re-cycling, re-copying and new exposure of the material, folds the images and the rooms into each other. It removes the ground from under the viewer's feet and splits faces, like in a bad dream. From the off, from outer space, foreign bodies penetrate the images and cause the montage to become panic stricken. The outer edges of the film image, the empty perforations and the skeletons of the optical sound track rehearse an invasion... close
The magnificent landscape seen from the windows of a house in Wiltshire is shot to beautiful music. The voice of the invisible announcer lists the details more
The magnificent landscape seen from the windows of a house in Wiltshire is shot to beautiful music. The voice of the invisible announcer lists the details of the fall from the windows of adults and children, telling about the causes and time of the fall, the age of the victims, their professions and health and sanity. Statistics note accidents, suicides and murders, experiments with a parachute and testing their own ability to fly like a bird, drug delusions and dementia.
Arthouse film Peter Greenway It is filmed as an experience of abstract cinema in search of the specifics of the combination of image and sound and reflects its characteristic tendency to systematize in cinema. close
A short film which has its emphasis on back street walls with peeling posters and the constant pedestrian traffic in the foreground. It has a static camera more
A short film which has its emphasis on back street walls with peeling posters and the constant pedestrian traffic in the foreground. It has a static camera positioned in front of the walls; experimental editing techniques, no dialogue-just background music, and quick edits of blackness throughout. close
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby more
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail. close
On Top - Iceland, a lighthouse, a cold winter evening. Her thoughts drift back to that summer ... to bathing in the hot springs ... to when they first more
On Top - Iceland, a lighthouse, a cold winter evening. Her thoughts drift back to that summer ... to bathing in the hot springs ... to when they first met ... and embraced. Down Under - Australia, the desert, a blistering heat wave. His pickup stops at an icehouse ... he lays the blocks neatly on the buckboard ... and drives off haunted by a aching memory. Without dialogue or comment, save for verses from a sonnet by John Keats, Fridrik Thor Fridriksson links the thoughts, the emotions, the sensual longing of young lovers at opposite ends of the world. A tone poem, a collage of sight and sound. close
Cindy, the doll is mine is a short film by French director Bertrand Bonello. It stars Italian actress Asia Argento in the double role of photographer more
Cindy, the doll is mine is a short film by French director Bertrand Bonello. It stars Italian actress Asia Argento in the double role of photographer Cindy Sherman, a brunette, and her model, a blonde who strangely resemble one another. The film was screened out of competition at the 2005 Cannes Film Festival. close
A narrator relates a variety of peculiar stories involving characters with the initials HC and their dealings with telephones. These are interspersed more
A narrator relates a variety of peculiar stories involving characters with the initials HC and their dealings with telephones. These are interspersed with artistic shots of telephone boxes in a variety of locations. close
Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal more
Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal experiment is Akerman's first film made in New York. close
An anonymous narrator outlines a bizarre journey taken through "H", aided by a series of extraordinary maps, and his previous dealings with the mysterious more
An anonymous narrator outlines a bizarre journey taken through "H", aided by a series of extraordinary maps, and his previous dealings with the mysterious Tulse Luper and the keeper of the bird house at the Amsterdam Zoo. close
CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension more
CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ... close
Herr Hoffman parks his late-model car in a lot across from his corner office on the top floor. Each day, he puts a coin in the cup of a beggar who stands more
Herr Hoffman parks his late-model car in a lot across from his corner office on the top floor. Each day, he puts a coin in the cup of a beggar who stands in front of the building. One day, Hoffman looks out his window and notices the beggar washing his car - no one else's in the lot, just Hoffmann's. That evening, when he gives the beggar a coin, Hoffmann tells him not the wash it. But the next day, it happens again. On the third morning, Hoffman drives his car back and forth in a mud puddle; the beggar washes it carefully. That evening, Hoffman has no change and no small bills, only 100 DM. He tries to evade the beggar, who gives chase, cane and all. More than wills collide. close
Why do mothers abandon their children? In his second short film, Jaime Belagüero continues to explore the dark sides of the human psyche and shows the more
Why do mothers abandon their children? In his second short film, Jaime Belagüero continues to explore the dark sides of the human psyche and shows the tragic story of the boy with his early adult eyes – pain, loneliness, fear, bacteriological warfare, memories that a child would like to forget after losing his parents to a pair of sadomasochistic female hands.
Award: Audience Award Sweden Fantastic Film Festival 1998 for Best Short Film close
Nocturnal Butterflies is Servais' serene and melancholic homage to Belgian surrealist Paul Delvaux (1897-1994), whose architectural paintings serve as more
Nocturnal Butterflies is Servais' serene and melancholic homage to Belgian surrealist Paul Delvaux (1897-1994), whose architectural paintings serve as the basis for the mise-en-scène for the film, and whose opaquely gazed women represent the enigmatic, silent witnesses who guard the secrets of the eccentric artist's curious world of precisely rendered, hermetic construction. close
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental more
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject. close
The story of Johann Faust, presented by the puppet theater. As one of the puppeteers acted, then not yet known to cinema, Czech animator and surrealist Jan Schvankmeier.
The story of Johann Faust, presented by the puppet theater. As one of the puppeteers acted, then not yet known to cinema, Czech animator and surrealist Jan Schvankmeier. close
The Little White Cloud That Cried, made in tribute to underground filmmaker Jack Smith, and described as: “Goddesses unharnessing the power of the sea more
The Little White Cloud That Cried, made in tribute to underground filmmaker Jack Smith, and described as: “Goddesses unharnessing the power of the sea and putting it into a whole new element as they engaged in orgiastic battles and whoopla.” —cinematical.com close