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The 'Ga' of the title refers to the film maker's mother. The film gathers together this elderly lady's everyday actions to offer an abstract insight into more
The 'Ga' of the title refers to the film maker's mother. The film gathers together this elderly lady's everyday actions to offer an abstract insight into her life. Margaret Tait described this film as follows: 'My mother seemed a good subject for a portrait, (she was there), and I thought it offered a chance to do a sort of 'abstract film', in the sense that it didn't have what you might call 'the grammar of film'. It's mostly discontinuous shots linked just by subject, in one case by colour, only rarely by movement'. close
Narrated by actress Katharine Cornell and filmed in black and white, it spends the first 24 minutes introducing viewers, through newsreels, interviews, more
Narrated by actress Katharine Cornell and filmed in black and white, it spends the first 24 minutes introducing viewers, through newsreels, interviews, and old photographs, to the story of the deaf and blind disabled-rights pioneer. News footage shows her international appearances and visits with heads of state, including President Eisenhower allowing her to feel his face. The second half takes a day-in-the-(exceptional)-life approach to Keller's existence circa 1955. Made just 13 years before her death, Keller's famed tutor-translator-friend Anne Sullivan had already died, leaving her live-in replacement, Polly Thomson, to share the film's focus. From the time Keller takes her morning walk along the 1,000-foot handrail around her yard through her workday to her nightly reading of her Braille Bible, her serene acceptance of her life will amaze and inspire. close
My Country 'Tis of Thee is a 1950 short documentary supervised by Gordon Hollingshead. It is a panoramic view of American history from the coming of the more
My Country 'Tis of Thee is a 1950 short documentary supervised by Gordon Hollingshead. It is a panoramic view of American history from the coming of the pilgrims all the way through to 1950. The film was nominated for an Oscar for Best Short Subject, Two-Reel. close
In this short 20 minute black and white Belgian documentary, the director, Paul Haesaerts, visualised Pablo Picasso’s flow of imagination when the Spanish more
In this short 20 minute black and white Belgian documentary, the director, Paul Haesaerts, visualised Pablo Picasso’s flow of imagination when the Spanish painter drew on large glass plates in front of the camera – like a live show of a greatest artist in performing a few masterstrokes that outlines a dove, bull, flower, man or woman and whatnot. (This technique of filming his painting from the other side of the glass plates precedes The Mystery of Picasso (1956), another famous documentary film on Picasso). (via http://www.kubrickians.com/2012/07/08/visite-picasso-1949-paul-haesaert/) close
This is Your Life is a British biographical television documentary, based on the 1952 American show of the same name. It was hosted by Eamonn Andrews more
This is Your Life is a British biographical television documentary, based on the 1952 American show of the same name. It was hosted by Eamonn Andrews from 1955 until 1964, and then from 1969 until his death in 1987 aged 64. Michael Aspel then took up the role of host until the show ended in 2003. It returned in 2007 as a one-off special presented by Trevor McDonald, which to date was its most recent airing.
In the show the host surprises a special guest, before taking them through their life with the assistance of the 'big red book'. Both celebrities and non-celebrities have been 'victims' of the show. The show was originally broadcast live, and over its run it has alternated between being broadcast on the BBC and on ITV. close
In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed more
In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born. close