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During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, more
During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1999. close
Working primarily in the arena of nonfiction, Marker rejected conventional narrative techniques, instead staking out a deeply political terrain defined more
Working primarily in the arena of nonfiction, Marker rejected conventional narrative techniques, instead staking out a deeply political terrain defined by the use of still images, atmospheric soundtracks, and literate commentary. In Description d’un Combat, Marker’s idiosyncratic style, combining location footage with archival material, builds a complex and personal portrayal. Israel’s demography is explored, from the kibbutzim to the Arab minorities, the orthodox Jews, and the tourists. The “battle” of the title does not refer to the tank-and-artillery variety, but to the inner struggle of Israeli citizens to adapt to a new view of themselves, in a new country. close
Hailed by one music reviewer as "the grooviest, wildest, slickest hit ever to pound the screen," "The T.A.M.I. Show" is an unrelenting rock spectacular more
Hailed by one music reviewer as "the grooviest, wildest, slickest hit ever to pound the screen," "The T.A.M.I. Show" is an unrelenting rock spectacular starring some of the greatest pop performers of the 60s. These top recording idols - representing the musical moods of London, Liverpool, Hollywood and Detroit - packed the Santa Monica Civic Auditorium with 2,600 screaming fans and virtually brought down the house. This is the cinematic record of that electrifying event. close
In September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side more
In September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side of the island. The journey (450 miles, as a crow flies) across unmapped territory took seven months; three Muyu porters died. Near both coasts, the expedition met villagers who invited them to observe rituals and live with them. In the interior, all villagers kept them at bay, and they depended on air lifts from Hollandia for food and supplies. They climbed above 10,000 feet, built 14 bridges, and fought leeches and malaria. The narrator focuses on describing Stone Age savages, headhunters, and cannibals. close
Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the more
Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the Army for special privileges for Private David Schine, formerly of McCarthy's investigative staff. McCarthy accused the Army of holding Schine hostage to keep him from searching for Communists in the Army. These hearings resulted in McCarthy's eventual censure for conduct unbecoming a senator. close
An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. more
An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game. close
A diverse group of people from different nationalities struggle to earn a living in a Belgian coal-mining town. Hoping to find a better life, the dreams more
A diverse group of people from different nationalities struggle to earn a living in a Belgian coal-mining town. Hoping to find a better life, the dreams are shattered when coal prices hit an all-time low and production wipes out the main industry and livelihood of the workers. close
The film tells of the beginnings of the Serengeti National Park in Tanzania. At the end of the 1950s, the Tanzanian National Park Administration wanted more
The film tells of the beginnings of the Serengeti National Park in Tanzania. At the end of the 1950s, the Tanzanian National Park Administration wanted to fence in the protected area around the Ngorongoro Crater. Bernhard and Michael Grzimek were invited by the national park administration in 1957 to get a precise picture of the animal migrations and to provide the national park administration with the values they needed for their project. Using a new counting method with two airplanes, the Grzimeks found out that the migration of the herds was different than assumed. close
Shot in slow motion, with tiny bits of stagy lighting that seem to crumble and flake like cookies, Billy Name gives one of his notorious haircuts--and more
Shot in slow motion, with tiny bits of stagy lighting that seem to crumble and flake like cookies, Billy Name gives one of his notorious haircuts--and Warhol turns it into a homoerotic performance, a dance of adoration and control, a triangle of looking and keeping-at-bay, that is a slightly dullish but finally essential contribution to Warhol's long project of bringing portraiture technologies to moviemaking. close
Former boxing champion Belarmino answers a psychological facing the camera in close-up. Then the camera follows him in his daily routine, at home with more
Former boxing champion Belarmino answers a psychological facing the camera in close-up. Then the camera follows him in his daily routine, at home with his family, oggling the women and working as doorman to a night-club, as well as the of training and boxing sessions. close
This final True-Life Adventure would also appear to be one of the best, as we go into the South American jungle to observe the jaguar. Jungle Cat is more more
This final True-Life Adventure would also appear to be one of the best, as we go into the South American jungle to observe the jaguar. Jungle Cat is more intimate than its kin, allowing individual animal characters to be developed. Central to the cast is a pair of jaguars (one ebony), whose fighting leads to love and, not long after, two babies (one resembling each parent). close
This insightful documentary features some of the major and most beautiful actresses to grace the silver screen. It shows how the movie industry changed more
This insightful documentary features some of the major and most beautiful actresses to grace the silver screen. It shows how the movie industry changed its depiction of sex and actresses' portrayal of sex from the silent movie era to the present. Classic scenes are shown from the silent movie 'True Heart Susie,' starring Lillian Gish, to 'Love Me Tonight' (1932), blending sex and sophistication, starring Jeanette MacDonald (pre-Nelson Eddy), and to Elizabeth Taylor in 'A Place in the Sun' (1951), plus much , much more. close
The film's title is borrowed from a Dani fable that Gardner recounts in voice-over. The Dani people, whom Gardner identifies mysteriously as "a mountain more
The film's title is borrowed from a Dani fable that Gardner recounts in voice-over. The Dani people, whom Gardner identifies mysteriously as "a mountain people," believe that there was once a great race between a bird and a snake, which was to determine the lives of human beings. Should men shed their skins and live forever like snakes, or die like birds? The bird won the race, dictating that man must die. The film's plot revolves around two characters, Weyak and Pua. Weyak is a warrior who guards the frontier between the land of his tribe and that of the neighboring tribe. Pua is a young boy whom Gardner depicts as weak and inept. close
Head of the sculpture dpeartment at USC when this film was made (by USC), Merrell Gage was a lifelong expert on Abraham Lincoln. This short was a lecture more
Head of the sculpture dpeartment at USC when this film was made (by USC), Merrell Gage was a lifelong expert on Abraham Lincoln. This short was a lecture often given by Gage, using wet clay to depict the on-going changes to Abe's face over the years as Abe altered his hairstyle, grew a beard, and showed the effects of aging. Shown on TV many times, a fascinating look at one of history's important statesmen. close