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Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties more
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film. close
A small and thin barefoot slave (played by Polanski) plays a flute and beats a drum to entertain his large master who rocks in a rocking chair in front more
A small and thin barefoot slave (played by Polanski) plays a flute and beats a drum to entertain his large master who rocks in a rocking chair in front of his mansion. The slave jumps and leaps like a madman, wipes his master's brow, feeds him, washes his feet, shades him from the sun with an umbrella and holds a urinal for him. close
In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman more
In his experimental short film "Brutalität in Stein" (Brutality in Stone), Alexander Kluge demonstrates how Nazi architecture used dimensions of inhuman and super-human scale to bolster the regime's politics of the same kind. Shots of huge neo-classical architectural structures from the Nazi period are confronted with equally anti-human national-socialist language as a voice-over. close
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental.
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental. close
In Little Hamlet, Skolimowski shows his predilection for immature or dwarfed characters, who would later populate his full-length films. Here a group more
In Little Hamlet, Skolimowski shows his predilection for immature or dwarfed characters, who would later populate his full-length films. Here a group of Warsaw proletarians meet in a destroyed building, consisting largely of stairs, littered with newspapers. A song from a record introduces the film characters as dwarfed versions of personas from Shakespeare’s Hamlet: Hamles, Ofelka, Learcio. (EMK) close
An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound.
An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound. close
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps.
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps. close
In waning winter light, a doll maker works in his shop, a kerosene lamp beside him, a jumble of dolls and doll parts, whole and broken, surrounding him. more
In waning winter light, a doll maker works in his shop, a kerosene lamp beside him, a jumble of dolls and doll parts, whole and broken, surrounding him. There are noises, too: a cuckoo clock chirps the workday's end. The artisan completes a repair and leaves, shuttering the shop from outside. Back inside, whispering begins. What else is in store for the shop's seemingly lifeless denizens? close
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, more
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. close
A short Polish black and white silent movie directed by Roman Polański. The film features two men who emerge from the sea carrying a large wardrobe, which more
A short Polish black and white silent movie directed by Roman Polański. The film features two men who emerge from the sea carrying a large wardrobe, which they proceed to carry into a town. Carrying the wardrobe, the two encounter a series of hostile events, including being attacked by a group of youths (one of whom is played by Polanski himself). Finally, they arrive back at a beach and then disappear in the sea. close
This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own language.
This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own language. close
The story of two seventeen year old boys. They are wearing medals around their necks. They have their pockets full of chewing gum something that they more
The story of two seventeen year old boys. They are wearing medals around their necks. They have their pockets full of chewing gum something that they chew ceaselessly. They are wearing blue jeans. They spend the day along the beach front in Cannes looking for girls to win over. close
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film more
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film that would help them sell their beers; Kubelka had other ideas. He shot his film with a camera that did not even have a viewer, simply pointing it in the general direction of the action. He then took many months to edit his footage, while the company fumed and demanded a finished product. Finally he submitted a film, 90 seconds long, that featured extremely rapid cutting (cutting at the limits of most viewers' perception) between images washed out almost to the point of abstraction — in black-and-white positive and negative and with red tint — of dimly visible people drinking beer and of the froth of beer seen in a fully abstract pattern. close
Spatiodynamisme is six-minute silent color 16mm record of Nicolas Schöffer’s interactive robotic sculpture, CYSP 1, which reacted in unpredictable ways to light and color.
Spatiodynamisme is six-minute silent color 16mm record of Nicolas Schöffer’s interactive robotic sculpture, CYSP 1, which reacted in unpredictable ways to light and color. close
First five minutes of the film show a weird fellow who is playing marbles with kids and seems to be just biding his time. Film after the titles continues more
First five minutes of the film show a weird fellow who is playing marbles with kids and seems to be just biding his time. Film after the titles continues to follow his adventures as his love story unfolds. A love story between him and a doll in a window shop. close
A short mime adaptation of a Thomas Mann story about a Parisian urchin who makes her living selling human heads. Lost for nearly 50 years, the movie was more
A short mime adaptation of a Thomas Mann story about a Parisian urchin who makes her living selling human heads. Lost for nearly 50 years, the movie was found in 2006 by the son of Ruth Michelly and Saul Gilbert when he found it in his mom's attic in Munich. close
Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone more
Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone has a ticket, and a guy at the gate, wearing a formal shirt, tails, and shorts, makes sure only those with tickets gain entrance. close
A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes more
A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair, close
Fender is a lowly clerk in the warehouse of clothing manufacturers Ranting and Co. His one ambition is to have an overcoat of his own. Refused one by more
Fender is a lowly clerk in the warehouse of clothing manufacturers Ranting and Co. His one ambition is to have an overcoat of his own. Refused one by the cold hearted Ranting he asks a tailor friend, Morry, to make him one instead, but dies of cold before he can take delivery of it. Unwilling to give up his only desire even in death, he returns as a ghost to persuade Morry to steal him the overcoat he so coveted in life. close
Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer more
Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer is taken on a journey through this city, as if experiencing it from the mind and through the eyes of Marker. His thoughts and observations about the traditions, history, and banalities of everyday life in Peking are woven together in elegant fashion. close
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