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An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound.
An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound. close
In a typical traveling circus, all the workers have problems over their heads; A puppeteer named Magnus controls his troupe like marionettes until a good more
In a typical traveling circus, all the workers have problems over their heads; A puppeteer named Magnus controls his troupe like marionettes until a good clown arrives on the scene to help relieve them of their burdens. close
Spatiodynamisme is six-minute silent color 16mm record of Nicolas Schöffer’s interactive robotic sculpture, CYSP 1, which reacted in unpredictable ways to light and color.
Spatiodynamisme is six-minute silent color 16mm record of Nicolas Schöffer’s interactive robotic sculpture, CYSP 1, which reacted in unpredictable ways to light and color. close
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental.
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental. close
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack more
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes impressionistic statements and little songs, quotes Greta Garbo and Maria Montez, tells the story of a lonely little boy and tells the story of a woman named Madame Nescience who dreams of herself as the Mother Superior of a convent of sexual perversion. close
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film more
In 1957, Peter Kubelka was hired to make a short commercial for Schwechater beer. The beer company undoubtedly thought they were commissioning a film that would help them sell their beers; Kubelka had other ideas. He shot his film with a camera that did not even have a viewer, simply pointing it in the general direction of the action. He then took many months to edit his footage, while the company fumed and demanded a finished product. Finally he submitted a film, 90 seconds long, that featured extremely rapid cutting (cutting at the limits of most viewers' perception) between images washed out almost to the point of abstraction — in black-and-white positive and negative and with red tint — of dimly visible people drinking beer and of the froth of beer seen in a fully abstract pattern. close
Fender is a lowly clerk in the warehouse of clothing manufacturers Ranting and Co. His one ambition is to have an overcoat of his own. Refused one by more
Fender is a lowly clerk in the warehouse of clothing manufacturers Ranting and Co. His one ambition is to have an overcoat of his own. Refused one by the cold hearted Ranting he asks a tailor friend, Morry, to make him one instead, but dies of cold before he can take delivery of it. Unwilling to give up his only desire even in death, he returns as a ghost to persuade Morry to steal him the overcoat he so coveted in life. close
If you erase the people of downtown America, the effect is bizarre, not to say disturbing. That is what this film does. It shows the familiar urban scene more
If you erase the people of downtown America, the effect is bizarre, not to say disturbing. That is what this film does. It shows the familiar urban scene without a soul in sight: streets empty, buildings empty, yet everywhere there is evidence of recent life and activity. At the end of the film we learn what has happened. close
The Panic Movement performed theatrical events designed to be shocking, as a response to surrealism becoming petite bourgeoisie and to release destructive more
The Panic Movement performed theatrical events designed to be shocking, as a response to surrealism becoming petite bourgeoisie and to release destructive energies in search of peace and beauty. One four-hour performance known as Melodrama Sacramentral was staged in May 1965 at the Paris Festival of Free Expression. The "happening" starred Jodorowsky dressed in motorcyclist leather and featured him slitting the throats of two geese, taping two snakes to his chest and having himself stripped and whipped. Other scenes included a staged murder of a rabbi, a crucified chicken, a giant vagina giving birth to Jodorowsky, naked women covered in honey and the throwing of live turtles into the audience. close
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns more
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film. close
In Little Hamlet, Skolimowski shows his predilection for immature or dwarfed characters, who would later populate his full-length films. Here a group more
In Little Hamlet, Skolimowski shows his predilection for immature or dwarfed characters, who would later populate his full-length films. Here a group of Warsaw proletarians meet in a destroyed building, consisting largely of stairs, littered with newspapers. A song from a record introduces the film characters as dwarfed versions of personas from Shakespeare’s Hamlet: Hamles, Ofelka, Learcio. (EMK) close
"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which more
"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which another man sits, plucking a dead bird. They stop to trade places; the one now on the sleigh takes out his knitting. Accidents, misunderstandings, disagreements, and an outright fight await our absurd protagonists as their trip to nowhere continues, first with one pulling, then the other. What if they were to lose the sleigh? What rules of civilization and partnership would guide them then? close
A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes more
A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair, close
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties more
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film. close
While at his workshop in Puerto Rico, Pablo Casals prepares to conduct a Bach suite for a concert performance. Oscar Winner for the category "Best Short more
While at his workshop in Puerto Rico, Pablo Casals prepares to conduct a Bach suite for a concert performance. Oscar Winner for the category "Best Short Subject, Live Action Subjects". Preserved by the Academy Film Archive in 2013. close
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, more
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. close
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