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A short Polish black and white silent movie directed by Roman Polański. The film features two men who emerge from the sea carrying a large wardrobe, which more
A short Polish black and white silent movie directed by Roman Polański. The film features two men who emerge from the sea carrying a large wardrobe, which they proceed to carry into a town. Carrying the wardrobe, the two encounter a series of hostile events, including being attacked by a group of youths (one of whom is played by Polanski himself). Finally, they arrive back at a beach and then disappear in the sea. close
A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes more
A man walks down the exterior staircase of building of flats; he's dressed to go out, taking care to wrap a scarf around his neck. He pauses as he passes a small window that's about eye high. He ventures to look in, and there a young woman stands at a washbasin, drying her hair, close
In waning winter light, a doll maker works in his shop, a kerosene lamp beside him, a jumble of dolls and doll parts, whole and broken, surrounding him. more
In waning winter light, a doll maker works in his shop, a kerosene lamp beside him, a jumble of dolls and doll parts, whole and broken, surrounding him. There are noises, too: a cuckoo clock chirps the workday's end. The artisan completes a repair and leaves, shuttering the shop from outside. Back inside, whispering begins. What else is in store for the shop's seemingly lifeless denizens? close
Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone more
Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone has a ticket, and a guy at the gate, wearing a formal shirt, tails, and shorts, makes sure only those with tickets gain entrance. close
A small and thin barefoot slave (played by Polanski) plays a flute and beats a drum to entertain his large master who rocks in a rocking chair in front more
A small and thin barefoot slave (played by Polanski) plays a flute and beats a drum to entertain his large master who rocks in a rocking chair in front of his mansion. The slave jumps and leaps like a madman, wipes his master's brow, feeds him, washes his feet, shades him from the sun with an umbrella and holds a urinal for him. close
"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which more
"Waiting for Godot" on ice and snow, without words. Against a barren winter landscape, a figure approaches: it's a man, pulling a small sleigh on which another man sits, plucking a dead bird. They stop to trade places; the one now on the sleigh takes out his knitting. Accidents, misunderstandings, disagreements, and an outright fight await our absurd protagonists as their trip to nowhere continues, first with one pulling, then the other. What if they were to lose the sleigh? What rules of civilization and partnership would guide them then? close
A writer named Algernon (but called Harry by his friends) buys a picture of a boat on a lake, and his obsession with it renders normal life impossible.
A writer named Algernon (but called Harry by his friends) buys a picture of a boat on a lake, and his obsession with it renders normal life impossible. close
A short mime adaptation of a Thomas Mann story about a Parisian urchin who makes her living selling human heads. Lost for nearly 50 years, the movie was more
A short mime adaptation of a Thomas Mann story about a Parisian urchin who makes her living selling human heads. Lost for nearly 50 years, the movie was found in 2006 by the son of Ruth Michelly and Saul Gilbert when he found it in his mom's attic in Munich. close
Basically, 'Herakles' is an omnium-gatherum of film clips depicting images of machismo. Some of those images are explicitly macho: we see various body-builders more
Basically, 'Herakles' is an omnium-gatherum of film clips depicting images of machismo. Some of those images are explicitly macho: we see various body-builders flexing their biceps and triceps. Other images seen here are not macho in the literal sense, but are indirectly related to testosterone or cojones on some level: we see military aircraft making bombing raids, and footage of car crashes. close
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns more
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film. close
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps.
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps. close
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties more
Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film. close
This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own language.
This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own language. close
The Chicken [Le Poulet] is a 1965 French short comedy film directed by Claude Berri. The film follows a father, mother, and son who go to visit a chicken more
The Chicken [Le Poulet] is a 1965 French short comedy film directed by Claude Berri. The film follows a father, mother, and son who go to visit a chicken farm. The son catches and brings home a chicken. The father plans to eat it if the chicken doesn't lay eggs. The boy aims to save the chicken and comedy ensues. It won an Oscar in 1966 for Best Short Subject. close
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, more
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. close
An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound.
An experimental film, the last in Peter Kubelka's trilogy of “metric films”. Each frame of Arnulf Rainer is composed of darkness or light and silence or sound. close
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack more
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes impressionistic statements and little songs, quotes Greta Garbo and Maria Montez, tells the story of a lonely little boy and tells the story of a woman named Madame Nescience who dreams of herself as the Mother Superior of a convent of sexual perversion. close
In August 1963, just a couple of months before his death, Jean Cocteau made one last short film. The film comprises one still and highly sober shot of more
In August 1963, just a couple of months before his death, Jean Cocteau made one last short film. The film comprises one still and highly sober shot of Cocteau facing the camera head-on to address the youth of the future. Once recorded, this spoken message for the 21st century was sealed and stored with the understanding that it would be opened only in the year 2000. As it turned out, it was discovered and exhumed a few years shy of that date. Where in The Testament of Orpheus Cocteau portrays himself as a living anachronism, a lonesome classical modernist loitering in space-time while lost in the spectral light of his memories, here he acknowledges explicitly the irony of his phantom-like state. By the time the viewer sees this image, he, J. C., our saviour Poet, will long be dead. close
A cart-taxi driver goes to the city to make a living, but out of sympathy with other poverty-stricken people, he works for free and goes hungry himself.
A cart-taxi driver goes to the city to make a living, but out of sympathy with other poverty-stricken people, he works for free and goes hungry himself. close
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental.
Allures is a spectacular sequence of moving figures and points, a film which reaches out to the cosmic and the spiritual, where the spatial dimension becomes transcendental. close
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