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The final part of the film tells about the modern perception of ideas. On the situation when an idea can be considered someone’s property, while being a rather abstract thing.
The final part of the film tells about the modern perception of ideas. On the situation when an idea can be considered someone’s property, while being a rather abstract thing. close
The film tells about borrowing in the cinema. For example, among all the major Hollywood hits, the vast majority is either a sequel, a prequel, or an adaptation. . .
The film tells about borrowing in the cinema. For example, among all the major Hollywood hits, the vast majority is either a sequel, a prequel, or an adaptation. . . close
Just a couple of months before his death, in August 1963, he made one last film: a 25-minute short entitled Jean Cocteau s’adresse à l’an 2000 (Cocteau more
Just a couple of months before his death, in August 1963, he made one last film: a 25-minute short entitled Jean Cocteau s’adresse à l’an 2000 (Cocteau addresses the year 2000). The film comprises one still and highly sober shot of Cocteau facing the camera head-on to address the youth of the future. Once recorded, this spoken message for the 21st century was wrapped up, sealed and posted on the understanding that it would be opened only in the year 2000 (as it turned out, it was discovered and exhumed a few years shy of that date). If in The Testament Cocteau portrays himself as a living anachronism, a lonesome classical modernist loitering in space-time in the same buckskin jacket and tie while lost in the spectral light of his memories, here he acknowledges explicitly the irony of his phantom-like state: by the time the viewer sees this image, he, J. C., our saviour Poet, will long be dead. close
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema more
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema and its connection to the history of the 20th century. In this sense, cinema can be considered the main critic and defender of the twentieth century. close
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual more
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert. close
He's caped, cowled and the coolest superhero of them all, because underneath that Batsuit, Batman only has his human strength and intellect to rely on. more
He's caped, cowled and the coolest superhero of them all, because underneath that Batsuit, Batman only has his human strength and intellect to rely on. That and the greatest arsenal of crime fighting weaponry ever devised. But just where does comic book science fiction end and scientific fact begin? What technologies are behind the gadgets in Batman's utility belt? And just how plausible is the Batmobile? Get ready for a real life trip to the Batcave as we reveal the secrets behind Batman Tech. close
Sharply critical film about rural water pollution in the Jutland countryside district of medical officer Jens Jensen. Situations of everyday water use more
Sharply critical film about rural water pollution in the Jutland countryside district of medical officer Jens Jensen. Situations of everyday water use are illustrated by graphic representations of a well and surrounding soil layers. A new well is correctly constructed in the farmyard. close
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema more
The video project, conceived by Jean Luc Godard in the late 1980s, was completed in 1998. Perhaps Godard’s greatest film is about the history of cinema and its connection to the history of the 20th century. In this sense, cinema can be considered the main critic and defender of the twentieth century. close
A group of workers, aided by a steam-roller, are leveling the ground during the construction of the Jonage canal, a diversion of the Rhône river, which more
A group of workers, aided by a steam-roller, are leveling the ground during the construction of the Jonage canal, a diversion of the Rhône river, which was built in order to supply the hydroelectric plant of Cusset. close
This iconic and Academy Award-winning newsreel shot by Damien Parer contains some of the most recognised images of Australian troops in the Second World War.
This iconic and Academy Award-winning newsreel shot by Damien Parer contains some of the most recognised images of Australian troops in the Second World War. close
The film gives examples of borrowing in the music industry. From recording covers and interpretations of old songs by younger musicians to the heyday more
The film gives examples of borrowing in the music industry. From recording covers and interpretations of old songs by younger musicians to the heyday of hip-hop, when sampling literally blew up the music industry. close
“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is more
“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog) close
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the more
An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the world. The film is constructed like a symphony. close
A short documentary that follows director Charlie Tyrell as he tries to uncover a better understanding of his deceased father through the random objects more
A short documentary that follows director Charlie Tyrell as he tries to uncover a better understanding of his deceased father through the random objects he inherited. Including a pile of VHS dirty movies. close
The birth of our Solar System was both violent and chaotic. As planets formed around our Sun, gravity and luck determined their fate: some are tossed more
The birth of our Solar System was both violent and chaotic. As planets formed around our Sun, gravity and luck determined their fate: some are tossed into the Sun, others thrown into interstellar space, never to return. It is survival of the fittest, on an interplanetary scale. close
A prescient documentary about city planning, which presents idyllic suburbs and nuclear families as a solution to the chaos, poverty and social decay of industrialized inner cities.
A prescient documentary about city planning, which presents idyllic suburbs and nuclear families as a solution to the chaos, poverty and social decay of industrialized inner cities. close
The collapse of the bridge was recorded on film by Barney Elliott, owner of a local camera shop. The film shows Leonard Coatsworth leaving the bridge more
The collapse of the bridge was recorded on film by Barney Elliott, owner of a local camera shop. The film shows Leonard Coatsworth leaving the bridge after exiting his car. In 1998, The Tacoma Narrows Bridge Collapse was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. This footage is still shown to engineering, architecture, and physics students as a cautionary tale. Elliott's original film of the construction and collapse of the bridge was shot at 16 frames a second, on 16mm Kodachrome film, but most copies in circulation are in black and white because newsreels of the day copied the film onto 35 mm black-and-white stock (not to mention, often showed the film at the wrong speed). close
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