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Human Remains is a haunting documentary which illustrates the banality of evil by creating intimate portraits of five of the 20th century's most reviled more
Human Remains is a haunting documentary which illustrates the banality of evil by creating intimate portraits of five of the 20th century's most reviled dictators. The film unveils the personal lives of Adolf Hitler, Benito Mussolini, Joseph Stalin, Francisco Franco and Mao Tse Tung. We learn the private and mundane details of their everyday lives -- their favorite foods, films, habits and sexual preferences. There is no mention of their public lives or of their place in history. The intentional omission of the horrors for which these men were responsible hovers over the film. close
The documentary of Kill Bill Vol. 1, and how it was made. This is a documentary found on the DVD of Kill Bill Vol. 1. It consists of interviews, behind-the-scenes footage, and clips of the movie.
The documentary of Kill Bill Vol. 1, and how it was made. This is a documentary found on the DVD of Kill Bill Vol. 1. It consists of interviews, behind-the-scenes footage, and clips of the movie. close
The result of over five years of Super-8 and 16mm filming on New York City streets, Lost Book Found melds documentary and narrative into a complex meditation more
The result of over five years of Super-8 and 16mm filming on New York City streets, Lost Book Found melds documentary and narrative into a complex meditation on city life. The piece revolves around a mysterious notebook filled with obsessive listings of places, objects, and incidents. These listings serve as the key to a hidden city: a city of unconsidered geographies and layered artifacts—the relics of low-level capitalism and the debris of countless forgotten narratives. The project stems from the filmmaker's first job in New York—working as a pushcart vendor on Canal Street. As usual, Cohen shot in hundreds of locations using unobtrusive equipment and generally without any crew. Influenced by the work of Walter Benjamin. close
Lisl Ponger creates an imaginary map of the twentieth century on which the stories of emigration are engraved like well-worn tracks of occidental memory. more
Lisl Ponger creates an imaginary map of the twentieth century on which the stories of emigration are engraved like well-worn tracks of occidental memory. The pictures, made by observant tourists, are revealed, in their tensile relationship to the soundtrack, as a post-colonial journey. A journey through exactly those countries which long ago have been shrunk together in space and time. Finally the wonderful neon signs of the “Hotel Edison” and “Radio City” remind one of the origins of this form of appropriation of the world, of the time of great expeditions, of Benjamin‘s shop-windows and passages, and of the time when technical apparatus and means of transportation fundamentally altered the perceptions of modern man. close
A sad child is going to pay a visit to her mother in prison. Her solitude is immense. Sitting in the backseat, she looks on in silence outside the window more
A sad child is going to pay a visit to her mother in prison. Her solitude is immense. Sitting in the backseat, she looks on in silence outside the window while the landscape passes in front of her eyes. close
An exploration of the sensory experience of the TauTona gold mine in South Africa, showing migrant labourers working in dark, claustrophobic environments more
An exploration of the sensory experience of the TauTona gold mine in South Africa, showing migrant labourers working in dark, claustrophobic environments and the ear-splitting noise of drilling. The TauTona mine in South Africa, known as 'Western Deep' is the world's deepest gold mine. Employing more than 5,000 people, it operates twenty-four hours day. The film begins in complete darkness as the miners descend three-and-a-half kilometres underground. McQueen documents an intense work regime where the temperature can reach over ninety degrees celsius. Accompanied by jarring sounds created by the mechanical equipment, Western Deep is a hellish representation of labour that makes the silent resolve of the miners all the more powerful. close
Caribs’ Leap / Western Deep comprises two complementary films that are shown together as a three-screen, synchronised colour video projection. The films more
Caribs’ Leap / Western Deep comprises two complementary films that are shown together as a three-screen, synchronised colour video projection. The films were originally commissioned for the Documenta 11 exhibition in Kassel, Germany in 2002. They were then screened in London by Artangel in the former Lumiere Cinema on St Martins Lane in the autumn of that same year. close
Twelve men who belong to one of the world's most exclusive fraternities -- people who've walked on the surface of the moon -- are paid homage in this more
Twelve men who belong to one of the world's most exclusive fraternities -- people who've walked on the surface of the moon -- are paid homage in this documentary. Using newsreel footage, rare NASA photographs, and digitally animated re-creations, Magnificent Desolation: Walking on the Moon examines the Apollo missions between 1969 and 1972 which put astronauts on the moon. close
The death of my seven-year-old brother when I was nine remains a painful and haunting memory. My parents did not know how to cope with the loss of their more
The death of my seven-year-old brother when I was nine remains a painful and haunting memory. My parents did not know how to cope with the loss of their child and the entire family experienced indescribable pain. Phantom Limb uses this personal story as a point of departure. Whether it is a loss through death or divorce, the stages of grieving are the same. Individuals often go through denial, anger, bargaining, depression and, ultimately, some kind of acceptance, in order to heal. The film is loosely structured according to these stages. Interspersed throughout this poetic documentary are interviews with a cemetery owner, a phantom limb patient and an author of a book about evidence for life after death. Phantom Limb reminds viewers that while grief is painful and isolating, it is a reminder to each of us that life is impermanent. - Jay Rosenblatt close
King Gimp is a 1999 documentary that was awarded the 2000 Academy Award for Best Short Subject Documentary and 2000 Peabody Award. "King Gimp" followed more
King Gimp is a 1999 documentary that was awarded the 2000 Academy Award for Best Short Subject Documentary and 2000 Peabody Award. "King Gimp" followed the life of artist Dan Keplinger of Towson, Maryland, who has cerebral palsy. Filmmakers Susan Hannah Hadary and William A. Whiteford, of the University of Maryland Video Press and Tapestry International Productions produced the film. close
In this special, Patton Oswalt expresses his thoughts on many things in his life including his friends and his girlfriend in particular, who he thinks more
In this special, Patton Oswalt expresses his thoughts on many things in his life including his friends and his girlfriend in particular, who he thinks sucks the funny out of him. He explains why babies are a "bag of poop" and eating dinner at Black Angus is fit for a king. Oswalt holds nothing back when he deliverers his punch-lines! It's an hour of over-exuberant comedy! close
Breathing Lessons: The Life and Work of Mark O'Brien is a 1996 American short documentary film directed by Jessica Yu. Mark O'Brien was a journalist and more
Breathing Lessons: The Life and Work of Mark O'Brien is a 1996 American short documentary film directed by Jessica Yu. Mark O'Brien was a journalist and poet who lived in Berkeley, California. The documentary explored his spiritual struggle coping with his disability; he had to use an iron lung much of the time due to childhood polio. O'Brien died on 4 July 1999, from post-polio syndrome. It won an Oscar at the 69th Academy Awards in 1997 for Documentary Short Subject. close
A fascinating pictorial history of a New York City bar whose customers, from the hard-drinking working class Irish to the coiffed African American gay more
A fascinating pictorial history of a New York City bar whose customers, from the hard-drinking working class Irish to the coiffed African American gay male, continually transform its focus during its 10-year reign. close
Berlin and Beirut were occupied, destructed, divided, reconstructed and today people still say "East and West" in both cities. Through the whole film more
Berlin and Beirut were occupied, destructed, divided, reconstructed and today people still say "East and West" in both cities. Through the whole film Berlin and Beirut become one city. One space. A space where you feel the weight of the past and the lightness of life sharing with Myrna her stories, adventures and memories. close
In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of more
In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they've made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David's "What the World Needs Now Is Love." close
A tragic look at an African-American family struggling to survive in ’60s-era Harlem, and its relationship with photojournalist (and later director) Gordon Parks.
A tragic look at an African-American family struggling to survive in ’60s-era Harlem, and its relationship with photojournalist (and later director) Gordon Parks. close
Baba, a young Ghanaian woman, goes in search of her father for his blessing on her impending marriage. This turns to a nightmare as he insists she a different more
Baba, a young Ghanaian woman, goes in search of her father for his blessing on her impending marriage. This turns to a nightmare as he insists she a different man, and that she undergo female genital mutilation as is the custom in his tribe. She is forced to flee her father's village, seeking refugee status in the U.S. Instead she becomes enmeshed in the U.S. immigration system. close
Between the years 1941-47, more than eighteen hundred 'soundies' were made in US. These three-minute films - precursors of pop promos - could be seen more
Between the years 1941-47, more than eighteen hundred 'soundies' were made in US. These three-minute films - precursors of pop promos - could be seen and heard in bars and restaurants with the aid ofspecially-constructed automated machines. This film combines several soundies with Jungle Jazz music by the Hidden Faces, in a story that pokes fun at US government anti-marijuana films of the fifties. close