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A satire on war and on the stupid things war inspires people to do. Four young men enter an abandoned fortress. Inside, they find military uniforms, which more
A satire on war and on the stupid things war inspires people to do. Four young men enter an abandoned fortress. Inside, they find military uniforms, which they immediately resolve to use to stage a bizarre war game. Their actions appear all the more senseless in relation to the peaceful everyday reality of the workers in the surrounding countryside. close
Deval shot “Héraclite l’obscur” in Tunisia in 1967, with his then-girlfriend and editor Jackie Raynal, in 35 mm and in color. He was the first Zanzibar more
Deval shot “Héraclite l’obscur” in Tunisia in 1967, with his then-girlfriend and editor Jackie Raynal, in 35 mm and in color. He was the first Zanzibar member to shoot a film not only outside of Paris but also in an exotic location. “Héraclite l’obscur” is described by its author as a “philosophical peplum”. – spectacle theater close
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man more
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man (May) cycling around the Hampstead (NW3) area of London on a Raleigh RSW16. After crashing into a billboard he falls in love with a fashion model (Huxtable) depicted on it. Despite the title, the Belsize Park area does not actually feature. There is almost no spoken dialogue, and the soundtrack to the film is musical virtually throughout. The title song of the film has been a hit for Mireille Mathieu and Engelbert Humperdinck (a top ten hit in the UK and a top 40 hit in the USA) amongst others. The title is derivative of the French film, Les Parapluies de Cherbourg; apart from a musical theme there is no other obvious link. close
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard more
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min close
A 1968 short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger.
A 1968 short documentary film by Pier Paolo Pasolini where he visits India in the search of a king who could give up his body to feed a starving tiger. close
A primetime special celebrating The Beatles and exploring the lasting impact on pop music of Beatles innovations like stadium concerts, music videos, more
A primetime special celebrating The Beatles and exploring the lasting impact on pop music of Beatles innovations like stadium concerts, music videos, and the idea of rock album as art form. The filmmakers were provided rare, previously unseen footage from the Apple archives, and afforded complete access to their recorded music and film library. close
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as more
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt? close
He took up the camera as other people take the pencil and paper. In 1968 he presented his first film Lydia at the Solothurner Filmtage. His appearance more
He took up the camera as other people take the pencil and paper. In 1968 he presented his first film Lydia at the Solothurner Filmtage. His appearance as a Filmmaker was absolutely unexpected: the only lyric poet of the film, who succeeded virtually without effort in turning his inner life outwards, creating dreamlike images. With a juvenile absoluteness, innocently arrogant, the pale, gaunt man had put the following sentence in the festival paper: "Look, what kind of a film Reto Andrea Savoldelli has created for you with five thousand Swiss Francs." He pitched himself as "First exponent of the Swiss Immigrant's Cinema". (Martin Schaub) close
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their more
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their leaders, and to turn his trial into a political debate. They tried and succeeded in catching America’s attention. close
A short film which has its emphasis on back street walls with peeling posters and the constant pedestrian traffic in the foreground. It has a static camera more
A short film which has its emphasis on back street walls with peeling posters and the constant pedestrian traffic in the foreground. It has a static camera positioned in front of the walls; experimental editing techniques, no dialogue-just background music, and quick edits of blackness throughout. close
Ostensibly a non-narrative study of various aspects of a rural winter, this short film by one of modern Hungarian cinema’s greatest visual poets has all more
Ostensibly a non-narrative study of various aspects of a rural winter, this short film by one of modern Hungarian cinema’s greatest visual poets has all the spellbinding qualities of his better-known feature debut Sindbad (Szindbád, 1971), but here allied to a winning sense of humour that’s never quite allowed to detract from the haunting beauty of many of the images. The end of autumn is heralded by a few red leaves still clinging to a statue’s sculpted robes, while whip pans across the increasingly wintry landscape and close-ups of rippling water are given character by seemingly random freeze-frames and Zoltán Jeney’s electronic chirrups on the soundtrack. There are recurring shots of birds, migrating en masse, huddled by the icy water or lying individually dead, frozen stiff in the snow. So far Capriccio has been a reasonably generic mood piece, but then the snowmen arrive… close
In 1912, Szczebieniew, a rich and ailing old man, comes to Italy with his young wife, Zinaida. Bored with his company, she looks for amusement and casual more
In 1912, Szczebieniew, a rich and ailing old man, comes to Italy with his young wife, Zinaida. Bored with his company, she looks for amusement and casual affairs. Szczebieniew is aware of it but he hopes that at least this way she can bear him an heir. However, he makes sure that she is always accompanied by Emelianow, Szczebieniew's servant and confidant. One day, in a movie theater Zinaida meets Ernesto Fosca, a young Italian violinist. She asks him to give her music lessons. She doesn't conceal her affection for him and they end up spending a night together. In the morning, though, Emelianow tells Ernesto that it was all planned. close
This documentary explores the changing faces of the old Polish city of Lodz, and how its modernization, both physically and culturally, affects the older, more
This documentary explores the changing faces of the old Polish city of Lodz, and how its modernization, both physically and culturally, affects the older, more conservative residents, many of whom lived through World War II and are confused and somewhat resentful at the changes they're seeing. close
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