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This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts more
This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign. close
Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music - with more
Collage of dramatic scenes, some exaggerated to comic effect, with asynchronous sound from well known classic, operatic, and rock and roll music - with different approaches to love, suffering, and death. close
In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war more
In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his wife to Paris, where she longs to live, shop, and party. A German outfit is bivouacked at Jérôme and Marie's crumbling château because its commanding officer is pursuing Marie. She's also eyed by a French spy working with the Allies as they plan D-Day. He woos her (posing to the Germans as her brother) and, in his passion, forgets his mission. Heroics come from an unexpected direction, and Marie makes her choice. close
The film presents the tale of Agnese Ascalone, daughter of prominent miner Vincenzo Ascalone, and takes place in a small town in Sicily. Agnese is seduced more
The film presents the tale of Agnese Ascalone, daughter of prominent miner Vincenzo Ascalone, and takes place in a small town in Sicily. Agnese is seduced by her sister Matilde's fiance, and has a tryst with him for which she confesses and tries to repent, only to be discovered by her mother and father. The film is a dark satire of Sicilian social customs and honor laws, and is very similar to Divorce, Italian Style. close
At the end of World War II, shallow, self-centered Mara is the prettiest girl in her small Italian village; Bebo is a Communist partisan who is finding more
At the end of World War II, shallow, self-centered Mara is the prettiest girl in her small Italian village; Bebo is a Communist partisan who is finding it difficult to adjust to the dull banalities of life in peacetime. When Mara’s father, a passionate Communist, declares that his daughter will marry the returning hero, her reactions range from joy to bitter resentment. close
The story serves as a companion piece to Renoir's 1937 film, Grand Illusion, once more bringing together men from across the broad social spectrum of more
The story serves as a companion piece to Renoir's 1937 film, Grand Illusion, once more bringing together men from across the broad social spectrum of French society to depict one man's Sisyphean efforts to escape captivity in a German POW camp. close
A group of friends who are struggling to survive in the slums of Madrid commit petty crime in order to finance the debut as a bullfighter of one of them.
A group of friends who are struggling to survive in the slums of Madrid commit petty crime in order to finance the debut as a bullfighter of one of them. close
Two middle-aged men work as caretakers on an isolated dam construction site high in the snow-capped Italian Alps. When one of them leaves for the valley more
Two middle-aged men work as caretakers on an isolated dam construction site high in the snow-capped Italian Alps. When one of them leaves for the valley to spend Christmas vacation with his family he is temporarily replaced with an adolescent boy. The other man is both annoyed and intrigued by the boy and his habits: he listens to loud music, sleeps too long in the mornings and doesn't drink any alcohol. They barely speak to one another in the first couple of days. But when an avalanche cuts their small hut from electricity they slowly start growing more fond of each other. close
Noël Schoudler, founder of an empire built on three foundations - sugar, banking and the press - reigns like an absolute sovereign over his business and more
Noël Schoudler, founder of an empire built on three foundations - sugar, banking and the press - reigns like an absolute sovereign over his business and his family. But someone is about to challenge this authority: his son François... close
Juju, a drunken oaf who feels the need of being important to someone---anyone---and his friend The Artist are forced at gunpoint to house a fugitive, more
Juju, a drunken oaf who feels the need of being important to someone---anyone---and his friend The Artist are forced at gunpoint to house a fugitive, Pierre Barbier, in Juju's broken-down home. The urge for being needed is such in Juju that he gives up drinking and takes care of Pierre. But one day Juju finds out that Pierre has been making love to his girl Maria... close
Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, more
Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are followed in more detail to the start of the Revolution, after which the story is brought rapidly up to date. A huge cast plays mainly historical persons who appear briefly. close
Debord directed his first film, "Hurlements en faveur de Sade" in 1952 with the voices of Michele Bernstein and Gil Holman. The film has no actual images; more
Debord directed his first film, "Hurlements en faveur de Sade" in 1952 with the voices of Michele Bernstein and Gil Holman. The film has no actual images; instead, it shows bright white when there is speaking and black when there is not. Long silences separate speaking parts. The film ends with 24 minutes of black silence. close
Henri Chatelard is well into his forties, owns a restaurant and a cinema in the city, and appreciates women. When he meets Marie, an 18-ish strong-head more
Henri Chatelard is well into his forties, owns a restaurant and a cinema in the city, and appreciates women. When he meets Marie, an 18-ish strong-head who just lost her father in a small fishing village, it is not clear who is the hunter and who is the prey. close
Jean Valjean, a former prisoner, served 18 years in hard labor for stealing the edge of bread. Returning, he commits a new crime - he steals two silver more
Jean Valjean, a former prisoner, served 18 years in hard labor for stealing the edge of bread. Returning, he commits a new crime - he steals two silver candlesticks from the priest who sheltered him, but, repenting of what he did, decides to devote the rest of his life to doing good. Years pass and Valjean, who changed his name, becomes the mayor of a small town. One day, a new police inspector arrives in this city, who recognizes the respectable and good-natured mayor of the former convict and fugitive criminal, whom he has been chasing for many years. . . close
Jean Valjean, a former prisoner, served 18 years in hard labor for stealing the edge of bread. Returning, he commits a new crime - he steals two silver more
Jean Valjean, a former prisoner, served 18 years in hard labor for stealing the edge of bread. Returning, he commits a new crime - he steals two silver candlesticks from the priest who sheltered him, but, repenting of what he did, decides to devote the rest of his life to doing good. Years pass and Valjean, who changed his name, becomes the mayor of a small town. One day, a new police inspector arrives in this city, who recognizes the respectable and good-natured mayor of the former convict and fugitive criminal, whom he has been chasing for many years. . . close
In a post-war Rome (1946) a cat burglar inadvertently saves the life of a would-be suicide man who returns from the war to find that he has been betrayed more
In a post-war Rome (1946) a cat burglar inadvertently saves the life of a would-be suicide man who returns from the war to find that he has been betrayed by his fiancée while fighting in the war. From that moment the thief takes the ex-soldier under his wing. They leave house together for a night full of misadventures. In a streets of Rome they meet the struggling typist who can’t pay her rent and opts to street life; a wandering amnesiac who lost his memory and keeps asking everyone “Do you recognize me?”. Thieves, gamblers, hookers, policemen, soldiers and endless chain of cigarette-smoking and alcohol/espresso-drinking. close
Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the first time in his life, this is for real. The film is also a sharp picture of the fashion world.
Philippe Clarence, a famous Parisian dressmaker, seduces his friend's fiancee. But, for the first time in his life, this is for real. The film is also a sharp picture of the fashion world. close
A village in the French Alps is rocked by a series of crimes, including the theft of a sacred ring and the murder of a man dressed as Père Noël (Father Christmas).
A village in the French Alps is rocked by a series of crimes, including the theft of a sacred ring and the murder of a man dressed as Père Noël (Father Christmas). close
Lucien Bourrache, a good looking non-commissioned officer at the Spahis, is used to charm many women. He met Madeleine Courtois at Cannes. She is beautiful more
Lucien Bourrache, a good looking non-commissioned officer at the Spahis, is used to charm many women. He met Madeleine Courtois at Cannes. She is beautiful and lives in luxury. He lends her a large amount of money, which she loses gambling. Then she drops him. But Lucien is now in love, and once demobilized, he goes to Paris to find her again. But he's not so sexy without his uniform, and Madeleine and him do not belong to the same milieu. close
One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. more
One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. Starring the delectable Betty Amann in her most famous leading role, Asphalt is a luxuriously produced UFA classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of traffic. close