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The short film Assassins Creed: Lineage is based on Assassin’s Creed II. The plot of the picture consists of a series of plots and murders that occur more
The short film Assassins Creed: Lineage is based on Assassin’s Creed II. The plot of the picture consists of a series of plots and murders that occur during the rule of the country of one of the dynasties.
The main character of the film Giovanni Auditore Di Firenze lives during the Renaissance in the XV century in Italy. In order to protect the united Italy and prevent the overthrow of the Medici family, Giovanni becomes a murderer who must restore justice. The plot of the film presents the situation before the events of Assassin's Creed II, but shows the enemies and environment of the main character of the film and his son (the main character of the game Assassin's Creed II). close
When the others leave for the night, the last mortician begins to fondle the corpses. He quickly moves to the corpse of a young woman who died in a car crash.
When the others leave for the night, the last mortician begins to fondle the corpses. He quickly moves to the corpse of a young woman who died in a car crash. close
Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We more
Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements. close
Short film depicting a fictional educational film about fork lift truck operational safety. The dangers of unsafe operation are presented in gory details.
Short film depicting a fictional educational film about fork lift truck operational safety. The dangers of unsafe operation are presented in gory details. close
Ballet Mécanique (1923-4) is a Dadaist, post-Cubist art film conceived, written, and co-directed by artist Fernand Léger and filmmaker Dudley Murphy (with more
Ballet Mécanique (1923-4) is a Dadaist, post-Cubist art film conceived, written, and co-directed by artist Fernand Léger and filmmaker Dudley Murphy (with cinematographic input from Man Ray). It has a musical score by the American composer George Antheil (However, the film premiered with no soundtrack, on September 24th, 1924 at the Internationale Ausstellung neuer Theatertechnik in Vienna). It is considered one of the masterpieces of early experimental filmmaking. close
The day after New Year's Eve in 2000. A man groggily awakes from an apparently wild New Year's Eve party to find both slumbering partners and unexpected activity.
The day after New Year's Eve in 2000. A man groggily awakes from an apparently wild New Year's Eve party to find both slumbering partners and unexpected activity. close
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby more
An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail. close
A man and a woman meet in 1960. They marry because that's what you are supposed to do. But something goes wrong on their wedding night. They have no idea more
A man and a woman meet in 1960. They marry because that's what you are supposed to do. But something goes wrong on their wedding night. They have no idea what to do with each other. Sexually. Emotionally. The husband meets a man who knows what to do with his sexuality. Suddenly a hand can do something no hand has done before and lips something no lips have ever done. The two men have a secret love affair. But there is a problem: The woman. And she has something up her sleeve. Will she act? Yes, she will. What happens? Nobody knows. Until now. close
A young man enters the Rome Metro with a friend, where they notice a woman who has just left the restroom with her dress accidentally tucked into her more
A young man enters the Rome Metro with a friend, where they notice a woman who has just left the restroom with her dress accidentally tucked into her panties. They tell her about her inadvertent exposure, after which one of the boys boards a train, leaving his besotted friend standing on the platform - totally smitten with the lovely young lady. The two are waiting on opposite platforms, where they await the last train. The young man proclaims his love at first sight - telling her she's the most beautiful woman he's ever seen. Obviously flattered, the woman reciprocates in a way the young man will never forget... close
In this film, Méliès concocts a combination fairy- and morality tale about the foolishness of trying to look too deeply into the workings of an unstable more
In this film, Méliès concocts a combination fairy- and morality tale about the foolishness of trying to look too deeply into the workings of an unstable and inscrutable universe. At a medieval school, an old astronomer begins to teach a class of young men, all armed with telescopes, about the art of scrutinising an imminent eclipse. When a mechanical clock strikes twelve, all the young men rush to the windows and fix their telescopes on the heavens. close
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still more
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique. close
The heroes of the blockbusters Terminator and RoboCop meet in an epic and grand battle. Two masters of military affairs and natural winners are destined more
The heroes of the blockbusters Terminator and RoboCop meet in an epic and grand battle. Two masters of military affairs and natural winners are destined to compete with each other in power - each of them will have to exert a lot of strength, use all their skills and skills, abilities and skill to crush their opponent. This is not a battle for life, but for us death, and it is already beginning. . close
Behind the scenes of a porn shoot, the actors are practicing various positions. The rumour is that one of the girls is doing a double anal, an advanced more
Behind the scenes of a porn shoot, the actors are practicing various positions. The rumour is that one of the girls is doing a double anal, an advanced routine that requires someone extremely tough. A startling film about workplace intrigue, set at a decidedly different place of work. close
A young girl shuts herself away in her apartment and goes about her business in a strange way, as she wastes the night in the kitchen – humming all along.
A young girl shuts herself away in her apartment and goes about her business in a strange way, as she wastes the night in the kitchen – humming all along. close
Bert's scantily dressed neighbour downstairs, Klaasje, comes by to borrow a cup of sugar, the old clichéd situation with a quite possibly sexual outcome. more
Bert's scantily dressed neighbour downstairs, Klaasje, comes by to borrow a cup of sugar, the old clichéd situation with a quite possibly sexual outcome. When she lets the cup slip from her hands and they both try to catch it, destiny strikes. close
The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side more
The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog) close
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