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Light western european short music movies - quite rare category. We know total 76 this movies.
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Lindemann and his partner Tagtgren with the help of networks and unusual furry creatures catch girls who are forced to produce electricity for their concert.
Lindemann and his partner Tagtgren with the help of networks and unusual furry creatures catch girls who are forced to produce electricity for their concert. close
The storyline is based on the fairy tale “Snow White” (as well as “The Tale of the Dead Princess and the Seven Heroes”) and the events of the October more
The storyline is based on the fairy tale “Snow White” (as well as “The Tale of the Dead Princess and the Seven Heroes”) and the events of the October Revolution of 1917. The main characters of Tristan and the Red Army soldier Rasukin in love with her confront the evil queen, not without the help of Marxist dwarves. close
Not to be confused with any of the sequels to Sylvester Stallone's classic Oscar-winning Rocky, this short film from Finnish filmmaker Aki Kaurismäki more
Not to be confused with any of the sequels to Sylvester Stallone's classic Oscar-winning Rocky, this short film from Finnish filmmaker Aki Kaurismäki is actually meant as a parody of the late Cold War-era Rocky IV, which saw Stallone's character taking on a juiced-up Russian fighter played by Dolph Lundgren. In this 1986 send-up, Rock'y, played by Silu Seppala, goes head to head with Soviet Igor (Sakari Kuosmanen) and loses. close
“Paris, night, 1994. We are in the midst of the darkness, and we are in the midst of it. “Leningrad cowboys” sing in the bar the song “Riding on threes more
“Paris, night, 1994. We are in the midst of the darkness, and we are in the midst of it. “Leningrad cowboys” sing in the bar the song “Riding on threes with bells ...”, known on the West as “Those Were the Days”. And then you go to the bar, and you go to the bar, and you go to the door, and you say, "NoDonkeys." “No, no, no, no, no.” We have a slew of sleeves, and we have a slew of sleeves, and we have a slew of sleeves, and we have a slew of sleeves. We have a sleeve, a sleeve, a sleeve, and a sleeve, and a sleeve, a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, a sleeve, a sleeve, and a slew, and a slew. In this case, you will find that you will find yourself in a position where you will find yourself in a place where you will find yourself in a place where you will find yourself in a place where you will find yourself. Andrey Plakhov
“Those Were the Days” begins with the unforgettable biblical image: “Seppäl’s power, the most shy and minimal of the cowboys, and the donkey stands at the door of the French cafe. Evening. The magic of the day is that we have a slew of sleeves, and we have a slew of sleeves, and we have a slew of them. We have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun. Peter von Bagh close
An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station more
An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition. close