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Nedjma, an 18-year-old student passionate about fashion design refuses to let the tragic events of the Algerian Civil War keep her from experiencing a more
Nedjma, an 18-year-old student passionate about fashion design refuses to let the tragic events of the Algerian Civil War keep her from experiencing a normal life. As the social climate becomes more conservative, she rejects the new bans set by the radicals and decides to put on a fashion show. close
Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad more
Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum. close
A young man in 1981 South Africa must complete his brutal and racist two years of compulsory military service while desperately maintaining the secrecy of his homosexuality.
A young man in 1981 South Africa must complete his brutal and racist two years of compulsory military service while desperately maintaining the secrecy of his homosexuality. close
CIA agents Palmer and Gagano are tasked with the perilous mission of destroying “The Soviet Union!" As they enter the system using a VR simulation, their more
CIA agents Palmer and Gagano are tasked with the perilous mission of destroying “The Soviet Union!" As they enter the system using a VR simulation, their mission quickly turns into a delirious trap, far more complex than expected, as the fabric of reality starts unraveling around them. A cornucopia of stylistic influences, virtuosic cinematic techniques, and set design (ranging from stop-motion animation to stylized live-action), Llanso’s latest blends inter-dimensional intrigue, spy-fi, kung-fu, and Philip K. Dick-esque mind-melting weirdness to achieve truly unclassifiable results. close
Algeria, 1994. S. and Lotfi, two friends from childhood, travel through the desert looking for Abou Leila, a dangerous terrorist on the run. Their quest more
Algeria, 1994. S. and Lotfi, two friends from childhood, travel through the desert looking for Abou Leila, a dangerous terrorist on the run. Their quest seems absurd, given that the Sahara has not been affected by the wave of attacks. Lofti has only one priority : to keep S. as far from the capital as possible, knowing his friend is too fragile to face more bloodshed. But the closest they get into the desert, the more they will be confronted with their own violence. close
A hybrid film set in London by a Rwandan director, exploring a threeway relationship between a mysterious Nigerian man, a British woman and her ex. After more
A hybrid film set in London by a Rwandan director, exploring a threeway relationship between a mysterious Nigerian man, a British woman and her ex. After his death, Simon appears to the ex as a ghost to tell his story, demanding a presence that was denied him as an asylum seeker. British and European political furor threaten both the director’s film plans and his stay in the UK. The fictional scenes are intercut with scenes of demonstrations. close
Halima lives in Kenya. It is a country of poor but happy people. It seems that there are no problems here at all, because people are positive about everything, more
Halima lives in Kenya. It is a country of poor but happy people. It seems that there are no problems here at all, because people are positive about everything, and all sorrows are driven away. The flip side of this happiness is a high level of violence. There is no difference between a prostitute and a rape victim. Law enforcement does not prosecute rapists, believing that women provoke men themselves.
Halima lives in Mombasa, her parents are Muslims. A girl’s life changes one night when she becomes a victim of violence.
Rwanda, 1973. In the prestigious catholic institute 'Notre-Dame du Nil', perched on a hill, young Rwandan girls study to become the elite of the country. more
Rwanda, 1973. In the prestigious catholic institute 'Notre-Dame du Nil', perched on a hill, young Rwandan girls study to become the elite of the country. In the process of graduating, they share the same dormitory, the same dreams, the same problems of teenage girls. But in every corner of the country as well as in the school there are deep antagonisms that will forever change the destiny of these young girls and the whole country. close
In Lagos, Nigeria, young, naive Nigerian journalist Òlòtūré goes undercover to expose the shady underworld of human trafficking. Unused to this brutal more
In Lagos, Nigeria, young, naive Nigerian journalist Òlòtūré goes undercover to expose the shady underworld of human trafficking. Unused to this brutal environment, crawling with ruthless traders and pimps, Òlòtūré finds warmth and friendship with Blessing, Linda and Beauty, the prostitutes she lives with. However, she gets drawn into their lifestyle and finds it difficult to cope. In her quest to uncover the truth, she pays the ultimate price - one that takes her to the verge of no return. close
In a Mediterranean country plunging into armed conflict, a doctor tries to do his duty against all odds, until the day his destiny is turned upside down…
In a Mediterranean country plunging into armed conflict, a doctor tries to do his duty against all odds, until the day his destiny is turned upside down… close
Newlyweds Mary and Matt celebrate Christmas - and their passion for running - with two honeymoon tickets to Africa’s ultimate footrace, The Furnace. Their more
Newlyweds Mary and Matt celebrate Christmas - and their passion for running - with two honeymoon tickets to Africa’s ultimate footrace, The Furnace. Their excitement to race together across the biggest animal reserve in the world has them inspired. Then in a horrific flash, everything’s gone including Mary’s purpose for living. close
South African wilderness 1800's. Five years after their mother died, Rachel, a girl on the cusp of adolescence and 5-year-old Jamie find themselves on more
South African wilderness 1800's. Five years after their mother died, Rachel, a girl on the cusp of adolescence and 5-year-old Jamie find themselves on their way to the virgin gold fields with their father, Herman, as he tries to start a new life. When Jamie goes missing in a freak snow blizzard, Rachel braves the storm to look for her little brother. close
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the more
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat. close
Fiela Komoetie, a coloured woman living in the arid Karoo, finds a lost white child on her doorstep and takes him in, raising him as her own. Nine years more
Fiela Komoetie, a coloured woman living in the arid Karoo, finds a lost white child on her doorstep and takes him in, raising him as her own. Nine years later, Benjamin Komoetie is removed and forced to live in the Knysna Forest with Elias and Barta Van Rooyen, a family of woodcutters who claim that he is theirs. Separated by law and geography, they spend the next decade trying to find each other while simultaneously coming to terms with their individual identities. close
Based on a true story: South Africa, mid 70s. When her husband becomes too ill to work, Poppie is deemed by the law to be an illegal resident in her own more
Based on a true story: South Africa, mid 70s. When her husband becomes too ill to work, Poppie is deemed by the law to be an illegal resident in her own country. Based on the Elsa Joubert novel regarded as one of the best African novels of the century. close
In 2012, Deon Steenkamp was murdered along with his wife Christel and their teenage daughter Marthella on their farm Naauwhoek. GRIEKWASTAD, based on more
In 2012, Deon Steenkamp was murdered along with his wife Christel and their teenage daughter Marthella on their farm Naauwhoek. GRIEKWASTAD, based on the bestselling true crime novel by Jacques Steenkamp, tells the tale of the search to find the truth around these murders, however difficult and upsetting it may be. close
Set in Chatsworth, Keeping up with the Kandasamys opens a window into the lifestyle and subculture of modern-day Indian South Africans; their aspirations, more
Set in Chatsworth, Keeping up with the Kandasamys opens a window into the lifestyle and subculture of modern-day Indian South Africans; their aspirations, dreams and challenges. Shanti Naidoo and Jennifer Kandasamy are matriarchal rivals of neighbouring families, whose young adult children become romantically involved. And the last thing these two Chatsworth mothers need is to be related to one another! Well as much as they tried to keep their families apart it turned out we’re invited to the wedding! close
'Mokalik' follows the career of an 11-year-old boy, Ponmile, from the middle-class suburbs who spends the day as a lowly apprentice at a mechanic workshop more
'Mokalik' follows the career of an 11-year-old boy, Ponmile, from the middle-class suburbs who spends the day as a lowly apprentice at a mechanic workshop in order to view life from the other side of the tracks - When his father arrives to take him home; Ponmile has to make up his mind if he wants to return to school or take on his apprenticeship full time. close
A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade more
A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator's sense of glory to a modern western in the style of Takeshi Kitano. close
Lusala, adopted by an affluent Nairobi family a decade ago is imposed on to leave home and start on his own. Eager and willing at first, he makes the more
Lusala, adopted by an affluent Nairobi family a decade ago is imposed on to leave home and start on his own. Eager and willing at first, he makes the most of his life, until the demons from his past return, and he faces them on his own. close
A young woman’s quest for love, who gets caught up in the modern and traditional ideas for romance. The movie further explores different types of relationships more
A young woman’s quest for love, who gets caught up in the modern and traditional ideas for romance. The movie further explores different types of relationships and how we ultimately navigate love, sex, and relationships. close
The wastelands and crowded streets of an African country are traversed by a woman bearing a wooden cross on her back. She is followed by sellers, beggars more
The wastelands and crowded streets of an African country are traversed by a woman bearing a wooden cross on her back. She is followed by sellers, beggars and passersby, outraged voices, pity and curious glances. Parallel to her, among a herd of sheep, a lamb toddles its way from the far away mountains into the heart of the city, only to find itself dangling, skinned and headless, on a butcher’s shoulder. In the meantime, under the scorching sun, in a roofless house, a woman is persistently knitting a garment, unwinding a thread coiled over her son’s face. ‘Mother, I Am Suffocating. This is My Last Film About You’ is a symbolic social-political voyage of a society, spiralling between religion, identity and collective memory. “I saw in you what they saw, mother. You deserve your war”. close
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