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In the mid-1970s, protests were waning across Japan after the Red Army scandal of Asama Cottage. In Sanrizuka, people were weary of the violence and the more
In the mid-1970s, protests were waning across Japan after the Red Army scandal of Asama Cottage. In Sanrizuka, people were weary of the violence and the airport was well under construction. As for Ogawa Productions, they invited criticism by pulling out and moving to a quiet village in northern Japan. But when protesters back in Sanrizuka erected a tall tower at the end of one runway, they sent a crew to document what happened. This became the final film of the Sanrizuka Series. close
After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues more
After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. close
L, a university student in India, writes letters to her estranged lover, while he is away. Through these letters, we get a glimpse into the drastic changes more
L, a university student in India, writes letters to her estranged lover, while he is away. Through these letters, we get a glimpse into the drastic changes taking place around her. Merging reality with fiction, dreams, memories, fantasies and anxieties, an amorphous narrative unfolds. close
In 2019, Hong Kong was swept by demonstrations against the controversial extradition bill. At the Polytechnic University, a group of students also takes more
In 2019, Hong Kong was swept by demonstrations against the controversial extradition bill. At the Polytechnic University, a group of students also takes a stand for freedom and democracy. Negotiations with the police are chaotic and aggressive, conducted via megaphones and politically charged music played over loudspeakers. The colorful umbrellas which the young people use to protect themselves against the brutal police actions emphasize the group’s bravado, which borders on recklessness.
What begins as an energetic battle against the establishment turns into a lopsided game of cat and mouse when the police decide to surround the building. Within its red brick walls, the university building becomes a prison. Over the nearly two weeks that follow, as fear and exhaustion grow among the hundreds of students, so does the uncertainty. Should they hang on inside, or leave the building to face the armed police? close
"Mother married a photo of Father," says director Firouzeh Khosrovani in the opening of this deeply personal documentary. She's not speaking metaphorically more
"Mother married a photo of Father," says director Firouzeh Khosrovani in the opening of this deeply personal documentary. She's not speaking metaphorically though. Her mother Tayi literally married a portrait of Hossein in Teheran -he was in Switzerland studying radiology and was unable to travel back to his homeland for the wedding. The event illustrates the abyss that still exists in their marriage: Hossein is a secular progressive and Tayi a devout, traditional Muslim. close
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria more
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much. close
Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad more
Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum. close
GAZA brings us into a unique place beyond the reach of television news reports to reveal a world rich with eloquent and resilient characters, offering more
GAZA brings us into a unique place beyond the reach of television news reports to reveal a world rich with eloquent and resilient characters, offering us a cinematic and enriching portrait of a people attempting to lead meaningful lives against the rubble of perennial conflict.
Throughout its entire history the Gaza Strip has been witness to conflict and upheaval. From ancient times this tiny coastal territory, located at a crossroads between continents, has been a pawn whose fate rested in the hands of powerful neighbours. close
On the war-torn Syrian-Iraqi border, journalist Noor Al Helli documents the Islamic State's ongoing regime of terror. Yet when she meets civilians who more
On the war-torn Syrian-Iraqi border, journalist Noor Al Helli documents the Islamic State's ongoing regime of terror. Yet when she meets civilians who endured the occupation yet sympathize with the enemy, her own perspective of IS is greatly challenged. At the heart of the front line, Noor reveals the painful suffering of those embroiled in the conflict, raising untold stories from the shadows. close
For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and more
For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance. close
This film is an homage to the Gaza Strip and to the possibility of hope beyond hopelessness. Ouroboros, the symbol of the snake eating its tail, is both more
This film is an homage to the Gaza Strip and to the possibility of hope beyond hopelessness. Ouroboros, the symbol of the snake eating its tail, is both end and beginning: death as regeneration. A 74-minute experimental narrative film that turns the destruction of Gaza into a story of heartbreak, Ouroboros asks what it means to be human when humanity has failed. Taking the form of a love story, the film's central character is Diego Marcon, a man who embarks on a circular journey to shed his pain only to experience it, again and again. In the course of a single day, his travel fuses together Native American territories, the ancient Italian city of Matera, a castle in Brittany, and the ruins of the Gaza Strip into a single landscape. close
In a quiet village in southern China, Fang Xiuying is sixty-seven years old. Having suffered from Alzheimer's for several years, with advanced symptoms more
In a quiet village in southern China, Fang Xiuying is sixty-seven years old. Having suffered from Alzheimer's for several years, with advanced symptoms and ineffective treatment, she was sent back home. Now, bedridden, she is surrounded by her relatives and neighbors, as they witness and accompany her through her last days. close
In Beirut, Syrian construction workers are building a skyscraper while at the same time their own houses at home are being shelled. The Lebanese war is more
In Beirut, Syrian construction workers are building a skyscraper while at the same time their own houses at home are being shelled. The Lebanese war is over but the Syrian one still rages on. The workers are locked in the building site. They are not allowed to leave it after 19.00. The Lebanese government has imposed night-time curfews on the refugees. The only contact with the outside world for these Syrian workers is the hole through which they climb out in the morning to begin a new day of work. Cut off from their homeland, they gather at night around a small TV set to get the news from Syria. Tormented by anguish and anxiety, while suffering the deprivation of the most basic human and workers right, they keep hoping for a different life. close
A piece of blank white paper placed and pulsating before a camera’s lens attracts a crowd of passers-by in Tunis, the simplicity of the conceit slowly more
A piece of blank white paper placed and pulsating before a camera’s lens attracts a crowd of passers-by in Tunis, the simplicity of the conceit slowly opening up to a profound reflection on the nature of cinema itself (both its creation and its collective viewing) while tracing the forms of a particular social and political landscape. close
Thirteen dinners of a Chinese migrant worker's family over the course of fourteen months. The film portrays a series of random occurrences. Joys, frustrations more
Thirteen dinners of a Chinese migrant worker's family over the course of fourteen months. The film portrays a series of random occurrences. Joys, frustrations and the struggle for survival. The meals unfold in real-time through thirteen static, long takes. Each take captures with vivid detail the reality of the relationships between the different family members. As the seasons unfold, so does time and the echoes for better working conditions penetrate the frame. Issues such as the one-child-policy and the possibilities for better wages weigh heavily on the minds of the three-generation family. close
The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically more
The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic. close
Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in Day of the Shining Star more
Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in Day of the Shining Star (Kim Jong-il's birthday) celebration. While North Korean government wanted a propaganda film, the director kept on filming between the scripted scenes. The ritualized explosions of color and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal. close
Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns.
Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns. close
Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining more
Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise. close
In 2013, the world's media reported on a shocking mountain-high brawl as European climbers fled a mob of angry Sherpas. Director Jennifer Peedom and her more
In 2013, the world's media reported on a shocking mountain-high brawl as European climbers fled a mob of angry Sherpas. Director Jennifer Peedom and her team set out to uncover the cause of this altercation, intending to film the 2014 climbing season from the Sherpa's point-of-view. Instead, they captured Everest's greatest tragedy, when a huge block of ice crashed down onto the climbing route... close
Tracing the emigrations of his family over more than half a century, this riveting documentary epic from acclaimed expatriate Iraqi filmmaker Samir pays more
Tracing the emigrations of his family over more than half a century, this riveting documentary epic from acclaimed expatriate Iraqi filmmaker Samir pays moving homage to the frustrated democratic dreams of a people successively plagued by the horrors of dictatorship, war and foreign occupation of Iraq. close
An epistolary feature film: a cinematic discourse between a British director Mark Cousins, and an Iranian actress and director Mania Akbari which extends more
An epistolary feature film: a cinematic discourse between a British director Mark Cousins, and an Iranian actress and director Mania Akbari which extends the concept of "essay film" with startling confrontations in the arenas of cultural issues, gender politics and differing artistic sensibilities. A unique journey into the minds of two exceptional filmmakers which becomes a love affair on film. close
Filmed over 3 years in Homs, accompanying 2 outstanding young men from the time they were only dreaming of freedom to the time when they are forced to more
Filmed over 3 years in Homs, accompanying 2 outstanding young men from the time they were only dreaming of freedom to the time when they are forced to change course. Basset, the 19yo national football team goalkeeper, who became an outspoken demonstration leader in the city, then an icon revolution singer, till he becomes a fighter... a militia leader. Ossama, his 24yo friend, renowned citizen journalist, cynical pacifist... as his views are forced to change, until he is detained by army secret service. It is the story of a city, of which the world have heard a lot, but never really got closer than news, never really had the chance to experience how a war erupted. a modern times epic of youth in war time. close
What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion more
What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. close
Director Wang Bing casts an understanding and non-judgmental eye on the inmates of a decrepit Chinese mental hospital in this eloquent and emotionally impactful documentary.
Director Wang Bing casts an understanding and non-judgmental eye on the inmates of a decrepit Chinese mental hospital in this eloquent and emotionally impactful documentary. close
Three sisters aged 10, 6 and 4 have to cope more or less on their own in a remote mountainous region of Yunnan. Terrible poverty in China, shown with more
Three sisters aged 10, 6 and 4 have to cope more or less on their own in a remote mountainous region of Yunnan. Terrible poverty in China, shown with gripping compassion by today's best documentary maker. Shorter version of Three Sisters, which premiered in Venice. close
Didgeridoo performer GOMA developed higher brain dysfunction as the result of an expressway accident. While looking back on his rehabilitation and recovery more
Didgeridoo performer GOMA developed higher brain dysfunction as the result of an expressway accident. While looking back on his rehabilitation and recovery with his family's help, animation recreates his “flashbacks” - incongruous images that suddenly appear in his brain. This completely new style of 3D movie that blends past footage, flashbacks, and studio performances is also emphatically a story of familial love. close
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