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Charlie Is My Darling, directed by Peter Whitehead, was the first documentary film about The Rolling Stones. The movie was shot during the band's two-day more
Charlie Is My Darling, directed by Peter Whitehead, was the first documentary film about The Rolling Stones. The movie was shot during the band's two-day tour of Ireland on 3 and 4 September 1965, and was completed in the spring of 1966. It received only spotty release in 1966 before being withdrawn, and has seldom been seen since then. close
Celebrated documentary filmmaker Emile DeAntonio discusses his comtempt for J Edgar Hoover, the Federal Bureau of Investigation (FBI), and American political intolerance in general.
Celebrated documentary filmmaker Emile DeAntonio discusses his comtempt for J Edgar Hoover, the Federal Bureau of Investigation (FBI), and American political intolerance in general. close
Circus strongmen, bearded women, trained elephants, mad dancers, dwarfs and nude starlets behind the velvet curtains——————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————— more
Circus strongmen, bearded women, trained elephants, mad dancers, dwarfs and nude starlets behind the velvet curtains——————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————— Many fragments have never before been shown on the big screen, part of the chronicle of the turn of the XIX-XX centuries was provided by the descendants of ancient circus families. Black and white scenes are interspersed with color, elephants are replaced by a screen of tigers and acrobats, and all this together forms today in a very unfunny, a rather disturbing picture; a panopticum of morals and savages, retouched by the hands of the director with a gloomy, but an excellent sense of humor. close
The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London more
The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s. close
Set in the immediate and random background of today’s London. THE COMEDIAN is a fresh, dramatic and funny debut feature about choices and how not to make them.
Set in the immediate and random background of today’s London. THE COMEDIAN is a fresh, dramatic and funny debut feature about choices and how not to make them. close
Based on footage shot in the early seventies and lost for more than thirty years, we see and hear the young Bob Marley before he was famous. The film more
Based on footage shot in the early seventies and lost for more than thirty years, we see and hear the young Bob Marley before he was famous. The film shows us the Wailers' first rehearsal, when the idea of a Jamaican supergroup was still just a dream. Sit in as the albums of Bob Marley and the Wailers brought reggae music and Rasta consciousness to the world, starting a revolution that would change rock music and contemporary culture. close
Girls growing up in 1960-61 London develop a passion for Tottenham Hotspur Football Club, the first British team in the 20th century to win the English more
Girls growing up in 1960-61 London develop a passion for Tottenham Hotspur Football Club, the first British team in the 20th century to win the English league and FA Cup "double". Twenty years later, one of the girls tracks down players of the '60-'61 Spurs for a documentary. close
A complex and fascinating experimental exploration of time and identity. ‘Anti-Clock is a film of authentic, startling originality. Brilliantly mixing more
A complex and fascinating experimental exploration of time and identity. ‘Anti-Clock is a film of authentic, startling originality. Brilliantly mixing cinema and video techniques, Arden and Bond have created a movie that captures the anxiety and sense of danger that has infiltrated the consciousness of so many people in western society. close
Shortly after Margaret Thatcher's election as prime minister, Ken Loach returned to documentary, convinced that the long gestation of feature films made more
Shortly after Margaret Thatcher's election as prime minister, Ken Loach returned to documentary, convinced that the long gestation of feature films made them useless as instruments of topical social comment. But his trade union documentary A Question of Leadership, intended for national ITV broadcast, was criticised by the Independent Broadcasting Authority for its explicitly anti-government stance. It was eventually screened a year later, exclusively in the Midlands (tx. 13/8/1981). Believing that the then-new Channel 4 would be more amenable to politicised documentaries, Loach proposed the four-part Questions of Leadership (1983), a wider-ranging study of the trade union movement - but on viewing the completed programmes' strong criticism of leading trade unionists, an anxious Channel 4 shortened the series to two parts and proposed screening a 'balancing' documentary by a different filmmaker, before scrapping the broadcast altogether. close
Victoria Vickers, a little East End Cockney girl, is left a vast fortune by an uncle in America. She is finally discovered hop-picking in Kent by her more
Victoria Vickers, a little East End Cockney girl, is left a vast fortune by an uncle in America. She is finally discovered hop-picking in Kent by her solicitor, who has given up the search and gone off on a photographic holiday instead! The conditions of the legacy are that she must spend three years learning to be a lady before she inherits absolutely. 'Vicky' does her best, but she is not happy in high society. Meanwhile her old East End beau Bert accepts a loan from her in order to 'better himself' and starts a highly-successful fish-and-chip shop business. He takes elocution lessons and buys gentleman's clothes in the hopes of aspiring to her hand. But Vicky, who thinks he has deserted her now she is a fine lady, is lonely enough to accept an offer of marriage from her guardian's spendthrift son, and when Bert reads of the engagement in the newspapers he abandons London and goes down to live in Kent where they were once happy together. close
Tracking Down Maggie is a 1994 documentary film by Nick Broomfield about former British Prime Minister Margaret Thatcher. What begins as a genuine attempt more
Tracking Down Maggie is a 1994 documentary film by Nick Broomfield about former British Prime Minister Margaret Thatcher. What begins as a genuine attempt to get an interview with the so-called 'Iron Lady' quickly turns into a game of cat-and-mouse in the United States, the filmmaker snubbed at every turn. Aside from the comedy of Broomfield's repeatedly failing attempts to gain access, the film discusses the accusations that Thatcher's son, Mark, used his mother's connections to effect arms deals in Saudi Arabia. close
John T. Davis’ first in a trilogy of films (including Protex Hurrah (1980) and Self-Conscious Over You (1981)) exploring the Belfast filmmaker’s local more
John T. Davis’ first in a trilogy of films (including Protex Hurrah (1980) and Self-Conscious Over You (1981)) exploring the Belfast filmmaker’s local subculture and American cultural influence. It provides a look at the burgeoning punk scene in Northern Ireland, featuring early footage of bands such as Stiff Little Fingers, The Undertones, Protex, The Outcasts, and Rhesus Negative, among others. (from: http://artistsspace.org/programs/shellshock-rock/) close
A Bit of Scarlet excavates clips from Britain's cinema archives to create a moving and humorous testament to the closeted gay and lesbian images from filmmaking's earliest days.
A Bit of Scarlet excavates clips from Britain's cinema archives to create a moving and humorous testament to the closeted gay and lesbian images from filmmaking's earliest days. close
Documents the post-punk period between 1978 and 1981, featuring the looks, the poses, the rucks, the riots and the slaggings of bands and their fans. more
Documents the post-punk period between 1978 and 1981, featuring the looks, the poses, the rucks, the riots and the slaggings of bands and their fans. Includes footage of the Wasted Festival and some of the original bands 25 years on. Also has performances from exponents of Punk, Mod, Oi and Ska - all filmed in the same DIY ethic that spawned punk itself. close
A look at the music of Sheffeild, England in the 1970's and early 1980's, when bands such as Caberet Voltaire, The Human League, ABC, Def Leppard, Heaven more
A look at the music of Sheffeild, England in the 1970's and early 1980's, when bands such as Caberet Voltaire, The Human League, ABC, Def Leppard, Heaven 17, Pulp, I'm So Hollow, Artery, The Extras, 2.3, Clock DVA, The Comsat Angels and many others are integral parts of a scene that exploited electronic music and other instrumentation not otherwise present in British music at the time. Includes interviews by members of The Extras, Pulp, The Human League and others. close
Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket more
Through the pattern of this film a ‘Test’ at Lord’s runs like a thread and a broadcast commentary on the match is imposed on the background of cricket as a game, a craft, an interest of a people, a piece of history. The craftsmen are shown who make the ball and the bat–that ‘fourth straight stick’ with which the batsmen defend ‘the other three’. The craftsmen are shown who play the game, from W. G. Grace in the ‘nets’ to D. G. Bradman and Denis Compton in the thread of the ‘Test’. The history of the game is epitomized in the Long Room shots at Lord’s and from there the camera moves to the village green; to the London side- street where the urchins play on a ‘bumping pitch’; to South Africa, and India, where in the ‘blinding light’ there is often ‘an hour to play and the last man in. close
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