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The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in more
A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896. close
As the camera looks down an open road, a horse and carriage approaches, and passes by to one side of the field of view. Soon afterwards, an automobile more
As the camera looks down an open road, a horse and carriage approaches, and passes by to one side of the field of view. Soon afterwards, an automobile comes up the road, straight towards the camera. As it gets nearer, the occupants start to wave frantically, but can a collision be avoided? close
A child borrows his grandmother's magnifying glass to look at a newspaper ad for Bovril, at a watch, and then at a bird. The child shows grandma what more
A child borrows his grandmother's magnifying glass to look at a newspaper ad for Bovril, at a watch, and then at a bird. The child shows grandma what he is doing. The child looks next at grandma's eye, then at a kitten. close
Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the more
Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet. close
A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and more
A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins. close
A simple scene of two rather flamboyantly-dressed Edwardian children attempting to feed a spoonful of medicine to a sick kitten. The film is important more
A simple scene of two rather flamboyantly-dressed Edwardian children attempting to feed a spoonful of medicine to a sick kitten. The film is important for being one of the earliest films to cut to a close-up, then back again to the same medium shot as before. close
This is the first movie version of the famous story. Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She more
This is the first movie version of the famous story. Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors. close
It's common knowledge that Scotsmen are macho enough to pull off wearing a skirt - perhaps it's all that caber-tossing. This disarmingly simple film concentrates more
It's common knowledge that Scotsmen are macho enough to pull off wearing a skirt - perhaps it's all that caber-tossing. This disarmingly simple film concentrates on the tartan cloths of various clans rather than the men who wore them, and is an early filmic reminder of their huge importance to both Scottish national identity and the thriving tourist industry north of the border. The film's unique selling point was that pioneering filmmaker G. A. Smith showed off the vibrant designs in Kinemacolor, among the earliest colour film processes that didn't involve meticulous hand-painting. And no dangly bits in sight. close
As an older man and a youth are eating at the table, the older man decides to amuse himself by using pepper to make the boy sneeze. Later, the boy retaliates more
As an older man and a youth are eating at the table, the older man decides to amuse himself by using pepper to make the boy sneeze. Later, the boy retaliates by sneaking into the older man's room and putting pepper in his handkerchief, hairbrush, and clothing. But things quickly get out of hand when the sneezing that results begins to disrupt the whole town. close
Factory workers make Christmas crackers, a process that is shown in detail. Later, a family gathers around the tree at Christmas and enjoys their noise-making more
Factory workers make Christmas crackers, a process that is shown in detail. Later, a family gathers around the tree at Christmas and enjoys their noise-making toys. Finally, Santa Claus emerges from a gigantic cracker. close
"Percy Smith (1880-1944) was world famous as a photographer of plant life. Probably the first British example of time-lapse photography as applied to more
"Percy Smith (1880-1944) was world famous as a photographer of plant life. Probably the first British example of time-lapse photography as applied to the growth of plants." Monthly Film Bulletin, November 1955. close
Daisy and her husband both go in for a face-pulling contest, but when the big day comes she is unable to attend the competition, and her husband wins more
Daisy and her husband both go in for a face-pulling contest, but when the big day comes she is unable to attend the competition, and her husband wins instead. When the next opportunity comes around, she is determined to win -- but gets a little over-enthusiastic on the way to the contest and finds herself in trouble! She is most ungrateful for her rescue; fate, however, catches up with her that night… close
Victoria Vickers, a little East End Cockney girl, is left a vast fortune by an uncle in America. She is finally discovered hop-picking in Kent by her more
Victoria Vickers, a little East End Cockney girl, is left a vast fortune by an uncle in America. She is finally discovered hop-picking in Kent by her solicitor, who has given up the search and gone off on a photographic holiday instead! The conditions of the legacy are that she must spend three years learning to be a lady before she inherits absolutely. 'Vicky' does her best, but she is not happy in high society. Meanwhile her old East End beau Bert accepts a loan from her in order to 'better himself' and starts a highly-successful fish-and-chip shop business. He takes elocution lessons and buys gentleman's clothes in the hopes of aspiring to her hand. But Vicky, who thinks he has deserted her now she is a fine lady, is lonely enough to accept an offer of marriage from her guardian's spendthrift son, and when Bert reads of the engagement in the newspapers he abandons London and goes down to live in Kent where they were once happy together. close
The official record of Mallory and Irvine's 1924 expedition. When George Mallory and Sandy Irvine attempted to reach the summit of Everest in 1924 they more
The official record of Mallory and Irvine's 1924 expedition. When George Mallory and Sandy Irvine attempted to reach the summit of Everest in 1924 they came closer than any previous attempt. Inspired by the work of Herbert Ponting (The Great White Silence) Captain Noel filmed in the harshest of conditions, with specially adapted equipment, to capture the drama of the fateful expedition. close
Herbert Ponting travelled to Antarctica as part of Captain Scott's ill-fated South pole expedition and shot the footage that makes up this extraordinary documentary.
Herbert Ponting travelled to Antarctica as part of Captain Scott's ill-fated South pole expedition and shot the footage that makes up this extraordinary documentary. close